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Author: A. Louise Staman Publisher: Macmillan ISBN: 9780312272135 Category : History Languages : en Pages : 388
Book Description
In the tradition of "The Professor and The Madman" comes a brilliant expos on the career and murder of celebrated French publisher Robert Denoel. 8-page photo insert.
Author: A. Louise Staman Publisher: Macmillan ISBN: 9780312272135 Category : History Languages : en Pages : 388
Book Description
In the tradition of "The Professor and The Madman" comes a brilliant expos on the career and murder of celebrated French publisher Robert Denoel. 8-page photo insert.
Author: Christophe Wall-Romana Publisher: Manchester University Press ISBN: 1526111365 Category : Performing Arts Languages : en Pages : 310
Book Description
If cinema can be approached as poetry and philosophy, it is because of Jean Epstein. Cocteau, Buñuel (who was his assistant), Hitchcock, Pasolini and Godard, and theoreticians Kracauer, Deleuze and Rancière are directly influenced by Epstein’s pioneering film work, writings, and concepts. This book is the first in English to examine his oeuvre comprehensively. An avant-garde artist and an anti-elitist intellectual, Epstein wanted to craft moments of pure transformative cinema. Using familiar genres – melodramas and documentaries – he hoped to heal viewers of all classes and hasten social utopia. A lover of cinema as cognitive and sensorial technology, and a poet of the screen, he pushed cinematography – as photogénie – towards the experimental sublime, through daring close-ups, rhythmic montage, slow motion, even reverse motion. Polish-born, half-Jewish, and the author of a treatise on homosexuality, Epstein has been unfairly relegated to the shadows of film history. This book restores him to the limelight of interwar world cinema, on a par with Renoir, Lang, Capra and Eisenstein.
Author: Alain Daniélou Publisher: New Directions Publishing ISBN: 9780811210157 Category : Biography & Autobiography Languages : en Pages : 358
Book Description
An authority on Hinduism and renowned for his directorship of the Institute of Comparative Music Studies in Berlin and Venice, Alain Daniélou's memoir is as vivid, uninhibited, and wide-ranging as one is ever likely to ever encounter
Author: Odile Goerg Publisher: Oxford University Press ISBN: 0197530966 Category : History Languages : en Pages : 213
Book Description
Many studies focus on film in Africa. Few, however, study cinema as a leisure activity: one that has influenced several generations and opened up spaces to dream, discuss or contest. Movie theatres offered a break from the daily routine, as places of escape and of education. Cinema was also potentially subversive, offering an alternative to colonial discourse. Tropical Dream Palaces seeks to trace this history in a West African context: of broadening horizons on the one hand, and of censorship and control on the other. It fills a historiographic void, following cinema's arrival in the region in the early twentieth century up until the Independence era, and also looking further afield to Central Africa and its different models. Goerg addresses questions of film distribution in colonial times; of screening venues, their implantation, spread and different categories; while also focusing on audiences, their gender or age; the acquisition of a film culture; and the impact of screening foreign images. Her book draws on extremely varied sources to paint a broad picture of this cinematographic landscape: archives, the accounts of African and European spectators or administrators, novels, autobiographies, the local press, interviews and iconography.
Author: Peter Thorold Publisher: Bloomsbury Publishing ISBN: 1441180885 Category : History Languages : en Pages : 296
Book Description
Countless British visit France each year and over 100,000 live there permanently, successors to generations of their countrymen. This book, starting with the brief and poignant Peace of Amiens, 1801-1803, studies who they were - ranging from businessmen and artisans to rentiers, invalids and tourists - where they went and the reasons why. While some went for fun, to Paris 'where the social arts are carried to perfection' or to Monte Carlo, Biarritz or Deauville, the invalids favoured the Pyrenees or Savoy, making Pau the 'ville anglaise'. Bordeaux was an example of another town where the British attained great influence because of the wine trade. Many also settled in France to save money. The Channel Coast becoming popular with those who fled creditors or disgrace at home (Beau Brummell and Oscar Wilde are examples of this group). Food, architecture and the arts more generally attracted many, as did the climate of the Riviera. The revolutions in travel brought about by railways, motoring and aircraft provide a constant theme. Another very important aspect covered is the relationship, both in general and personal terms, between the French and the British. How, for instance, the local British stimulated a passion for sport in France. A variety of sources including British and French books, letters, journals and periodicals, supply background, as do Foreign Office archives particularly in times of crisis such as 1848, 1870 and 1940.
Author: Richard Abel Publisher: Princeton University Press ISBN: 9780691000633 Category : Performing Arts Languages : en Pages : 334
Book Description
These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andr Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.
Author: Patrick Moules Publisher: Troubador Publishing Ltd ISBN: 1838592695 Category : Performing Arts Languages : en Pages : 1152
Book Description
Written in both English and French, The 9.5mm Vintage Film Encyclopaedia provides a single-volume, comprehensive catalogue of all known 9.5mm film releases, including: Films: Comprising 12,460 individual entries, this A-Z reference index provides the main listing for each film and its origin where known, along with additional information including cast and crew, and cross references to other relevant material. People: This index of all known actors and film crew, comprising over 12,000 names, provides a listing which is cross referenced to the main entry for each original film they worked on. Numbers: Pathé-Baby/Pathéscope and other distributors’ catalogue numbers, film length, release dates (where known) and the series in which the films were organised, are set out in detail. With a foreword from eminent film historian and filmmaker, Keith Brownlow, this extensively researched text explains the importance of the 9.5mm film, from its beginnings in the early 1920s to becoming synonymous with Home Cinema throughout Europe. Readers will also find a brief technical explanation on how 9.5mm films were produced, along with relevant images.
Author: Jeremy Barham Publisher: Taylor & Francis ISBN: 0429997019 Category : Music Languages : en Pages : 842
Book Description
In a major expansion of the conversation on music and film history, The Routledge Companion to Global Film Music in the Early Sound Era draws together a wide-ranging collection of scholarship on music in global cinema during the transition from silent to sound films (the late 1920s to the 1940s). Moving beyond the traditional focus on Hollywood, this Companion considers the vast range of cinema and music created in often-overlooked regions throughout the rest of the world, providing crucial global context to film music history. An extensive editorial Introduction and 50 chapters from an array of international experts connect the music and sound of these films to regional and transnational issues—culturally, historically, and aesthetically—across five parts: Western Europe and Scandinavia Central and Eastern Europe North Africa, The Middle East, Asia, and Australasia Latin America Soviet Russia Filling a major gap in the literature, The Routledge Companion to Global Film Music in the Early Sound Era offers an essential reference for scholars of music, film studies, and cultural history.
Author: Hannah Lewis Publisher: Oxford University Press ISBN: 0190636009 Category : Music Languages : en Pages : 256
Book Description
The transition from silent to synchronized sound film was one of the most dramatic transformations in cinema's history, as it radically changed the technology, practices, and aesthetics of filmmaking within a few short years. In France, debates about sound cinema were fierce and widespread. In French Musical Culture and the Coming of Sound Cinema, author Hannah Lewis argues that the debates about sound film resonated deeply within French musical culture of the early 1930s, and conversely, that discourses surrounding a range of French musical styles and genres shaped audiovisual cinematic experiments during the transition to sound. Lewis' book focuses on many of the most prominent directors and screenwriters of the period, from Luis Buñuel to Jean Vigo, as well as experiments found in lesser-known films. Additionally, Lewis examines how early sound film portrayed the diverse soundscape of early 1930s France, as filmmakers drew from the music hall, popular chanson, modernist composition, opera and operetta, and explored the importance of musical machines to depict and to shape French audiovisual culture. In this light, the author discusses the contributions of well-known composers for film alongside more popular music hall styles, all of which had a voice within the heterogeneous soundtrack of French sound cinema. By delving into this fascinating developmental period of French cinematic history, Lewis encourages readers to challenge commonly-held assumptions about how genres, media, and artistic forms relate to one another, and how these relationships are renegotiated during moments of technological change.
Author: A. Louise Staman
Author: A. Louise Staman
Author: Christophe Wall-Romana
Author: Alain Daniélou
Author: Odile Goerg
Author: Peter Thorold
Author: Richard Abel
Author: Patrick Moules
Author: Library of Congress. Copyright Office
Author: Jeremy Barham
Author: Hannah Lewis