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Author: Soon Peng Su Publisher: Longman Publishing Group ISBN: 9780582101142 Category : Language Arts & Disciplines Languages : en Pages : 188
Book Description
This book examines definitions of lexical ambiguity and presents a re-definition through a semantic-pragmatic approach. It analyses the use of ambiguous words in poetry, in particular through the use of examples from the poetry of Gerard Manley Hopkins. It also discusses the value of lexical ambiguity by showing how ambiguous words are related to ambiguity in poems as a whole.
Author: Soon Peng Su Publisher: Longman Publishing Group ISBN: 9780582101142 Category : Language Arts & Disciplines Languages : en Pages : 188
Book Description
This book examines definitions of lexical ambiguity and presents a re-definition through a semantic-pragmatic approach. It analyses the use of ambiguous words in poetry, in particular through the use of examples from the poetry of Gerard Manley Hopkins. It also discusses the value of lexical ambiguity by showing how ambiguous words are related to ambiguity in poems as a whole.
Author: Tom Furniss Publisher: Routledge ISBN: 1000548996 Category : Language Arts & Disciplines Languages : en Pages : 666
Book Description
Reading Poetry offers a comprehensive and accessible guide to the art of reading poetry. Discussing more than 200 poems by more than 100 writers, ranging from ancient Greece and China to the twenty-first century, the book introduces readers to the skills and the critical and theoretical awareness that enable them to read poetry with enjoyment and insight. This third edition has been significantly updated in response to current developments in poetry and poetic criticism, and includes many new examples and exercises, new chapters on ‘world poetry’ and ‘eco-poetry’, and a greater emphasis throughout on American poetry, including the impact traditional Chinese poetry has had on modern American poetry. The seventeen carefully staged chapters constitute a complete apprenticeship in reading poetry, leading readers from specific features of form and figurative language to larger concerns with genre, intertextuality, Caribbean poetry, world poetry, and the role poetry can play in response to the ecological crisis. The workshop exercises at the end of each chapter, together with an extensive glossary of poetic and critical terms, and the number and range of poems analysed and discussed – 122 of which are quoted in full – make Reading Poetry suitable for individual study or as a comprehensive, self-contained textbook for university and college classes.
Author: Nomi Stone Publisher: ISBN: 9781946482198 Category : American poetry Languages : en Pages : 0
Book Description
"Kill class is based on two years of fieldwork the author conducted within combat trainings in simulated Middle Eastern villages erected by the US military across America"--
Author: Martin Vöhler Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110715813 Category : Literary Criticism Languages : en Pages : 431
Book Description
Ambiguity in the sense of two or more possible meanings is considered to be a distinctive feature of modern art and literature. It characterizes the "open artwork" (Eco) and is generated by "disruptive tactics" (Wellershoff) and strategies to engender uncertainty. While ambiguity is seen as a "paradigm of modernity" (Bode), there is skepticism regarding its use in the pre-modern era. Older studies were dominated by the conviction that there was a lack of ambiguity in pre-modernity because, according to the rules of the "old rhetoric", ambiguity was seen as an avoidable error (vitium) and a violation of the dictate of clarity (perspicuitas). The aim of the volume is to re-examine the putative "absence of ambiguity" in the pre-modern era. Is it not possible to find clear examples of deliberately employed (intended) ambiguity in antiquity? Are the oracles and riddles, the Palinode of Stesichoros and Socrates (Phaedrus), the dissoi logoi of rhetoric, the ambiguities of the tragedies all exceptions or do they not indicate a distinct interest in the artistic use of ambiguity? The presentations of the conference, which will include scholars from various philologies, will combine a recourse to theoretical concepts of intended ambiguity with exemplary analyses from the field of pre-modern art and literature.
Author: Matthias Bauer Publisher: Taylor & Francis ISBN: 1000987841 Category : Literary Criticism Languages : en Pages : 318
Book Description
There has been a growing awareness that ambiguity is not just a necessary evil of the language system resulting, for instance, from its need for economy, or, by contrast, a blessing that allows writers to involve readers in endless games of assigning meaning to a literary text. The present volume contributes to overcoming this alternative by focusing on strategies of ambiguity (and the strategic avoidance of ambiguity) both at the production and the reception end of communication. The authors examine ways in which speakers and hearers may use ambiguous words, structures, references, and situations to pursue communicative ends. For example, the question is asked what it actually means when a listener strategically perceives ambiguity, which may happen both synchronically (e.g. in conversations) as well as diachronically (e.g. when strategically ambiguating biblical texts in order to make them applicable to moral lessons). Another example is the question whether ambiguity awareness increases the strategic use of ambiguity in prosody. Moreover, the authors not only enquire into effects of ambiguous meanings but also into the strategic use of ambiguity as such, for example, as a response to censorship or as a means of provoking irritation. This volume brings together several contributions from linguistics, literary studies, rhetoric, psychology and theology, and aims at providing a systematic approach to the strategic production and perception of ambiguity in a variety of texts and contexts. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
Author: Davide Castiglione Publisher: Springer ISBN: 3319970011 Category : Language Arts & Disciplines Languages : en Pages : 393
Book Description
This book theoretically defines and linguistically analyses the popular notion that poetry is ‘difficult’ - hard to read, hard to understand, hard to engage with. It is the first work to offer a stylistic and cognitive model that sheds new light on the mechanisms of difficulty, as well as on its range of potential effects. Its eight chapters are organised into two thematic parts. The first traces the history of difficulty, surveys its main scholarly traditions, addresses related themes – from elitism to obscurity, from abstraction to intentionality – and introduces a wide array of analytical tools from literary theory and cognitive psychology. These tools are then consistently applied in the second part, which includes several extended analyses of poems by canonical modernists such as Ezra Pound, Wallace Stevens and Hart Crane, alongside those of postmodernist innovators such as Geoffrey Hill, Susan Howe and Charles Bernstein, among others. This innovative work will provide fresh insights and approaches for scholars of stylistics, literary studies, cognitive poetics and psychology.
Author: Soon Peng Su
Author: Soon Peng Su
Author: William Empson
Author: Tom Furniss
Author: Nomi Stone
Author: Martin Vöhler
Author: Emily Dickinson
Author: John Lyons
Author: Matthias Bauer
Author: Davide Castiglione
Author: Mary Renault