L'Étude Du Chant. How to Sing. Translated by Frank Jackson PDF Download

Author: Madeline MANSION
Publisher:
ISBN:
Category :
Languages : en
Pages : 117

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Publisher: BRILL
ISBN: 9004275274
Category : Religion
Languages : en
Pages : 274

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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 358

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Publisher: BRILL
ISBN: 900427538X
Category : Religion
Languages : en
Pages : 338

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Author: Bennett Zon
Publisher: Routledge
ISBN: 1351556304
Category : Music
Languages : en
Pages : 396

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This selection of essays represents a wide cross-section of the papers given at the Tenth International Conference on Nineteenth-Century Music held at the University of Bristol in 1998. Sections include thematic groupings of work on musical meaning, Wagner, Liszt, musical culture in France, music and nation, and women and music.

Author: Michel Huglo
Publisher: Taylor & Francis
ISBN: 1000938417
Category : History
Languages : en
Pages : 362

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The differences between Old-Roman, Ambrosian, Aquileian, Gallican, and Hispanic chant, and their interconnections with each other and the Gregorian chant occupied Michel Huglo in his early career, although he returned to these questions in the 1980s and 1990s. The present volume, the second in the set of four to be published in the Variorum series, brings all this work together. Huglo's 1954 article, the first to describe the sources for Old Roman chant, recognized as distinct from Gregorian chant, is of primary significance for the historiography of Western plainchant, because it opened the debate on the relationship between Old Roman and Gregorian chant. The final section presents articles on the Latin version of the Akathistos hymn and on Byzantine chants translated into Latin that became part of the Western plainchant repertory. Les différences entre les répertoires Vieux-romain, Ambrosien, Aquiléien, Gallican et Hispanique, leurs influences réciproques et leurs relations avec le chant grégorien ont occupé Michel Huglo au début de sa carrière: il revint sur ces questions dans les années 1980 et 1990. Ce volume, le deuxième d'une série de quatre dans la collection Variorum, réunit toutes ces études. L'article de 1954 de Michel Huglo sur les sources du chant Vieux-romain, considéré comme distinct du grégorien, est de première importance pour l'historiographie du plain-chant occidental, car il a ouvert les débats sur le rapport entre Vieux-romain et grégorien. Les articles sur la version latine de l'Hymne Acathiste et sur les pièces de chant byzantin traduites en latin dans les répertoires occidentaux du plain-chant achèvent ce volume.

Author: Michel Huglo
Publisher: Taylor & Francis
ISBN: 1000941663
Category : History
Languages : en
Pages : 357

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This is the final volume in the set of four collections of Michel Huglo's articles to be published in the Variorum series, and focuses on medieval music theory. The point of departure for Huglo's research was his doctoral dissertation on tonaries, published in 1971: as a consequence, he studied the manuscripts of music theory concerning plainchant, and, later, those with writings on music by authors of Late Antiquity as well as the Liber glossarum, with its many definitions of musical terms. In this volume, certain articles consider the interpretation or dissemination of texts, instruction in the art of plainchant, and musical instruction at the university. Others concern the manuscripts of St Augustine's De musica and of the writings of Calcidius, Macrobius, Helisachar, Hucbald, Gerbert of Aurillac, Abbo of Fleury, John of Afflighem, and Hieronymus de Moravia, amongst others. The volume closes with a bibliography of Michel Huglo complementing that published in 1993 and a summary list of his reviews of books on music and liturgy. Ce volume des articles de Michel Huglo termine la série de quatre dans la collection Variorum. Il est centré sur la théorie musicale médiévale. Le point de départ des recherches de Michel Huglo sur la théorie musicale du Moyen Âge est formé par sa thèse sur les tonaires, éditée en 1971: en consequence il etudia les manuscrits de theorie musicale concernant le plain-chant et, plus tard, les auteurs de l'Antiquité tardive et le Liber glossarum qui contient des définitions de nombreux termes musicaux. Dans ce volume, certains articles traitent de l'interprétation ou de la dissémination des textes, des instructions sur l'art du chant, et sur l'enseignement de la musique à l'Université. Ils concernent les manuscrits du De musica d'Augustin, de Calcidius, Macrobe, Helisachar, Hucbald, Gerbert d'Aurillac, Abbon de Fleury, Jean d'Afflighem, Hieronymus de Moravia, et d'autres auteurs. Le volume se termine par une bibliographie de Michel Huglo complétant celle publiée en 1993 et ​​une liste sommaire de ses recensions d'ouvrages sur la musique et la liturgie.

Author:
Publisher: Alfred Music Publishing
ISBN: 9780874875508
Category : Music
Languages : en
Pages : 40

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The charming recorder repertoire in the Suzuki Recorder School has been carefully selected by Katherine White, in accordance with the principles and guidelines of Dr. Suzuki's philosophy. Volume 2 is mostly music from the Baroque era, including minuets by J.S. Bach and music by Handel and Dieupart.

Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1500

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Author:
Publisher: Alfred Music Publishing
ISBN: 9780874875614
Category : Music
Languages : en
Pages : 48

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Book Description
The charming recorder repertoire in the Suzuki Recorder School has been carefully selected by Katherine White, in accordance with the principles and guidelines of Dr. Suzuki's philosophy. Volume 1 includes international folk tunes and music by Mozart and Kodaly.