Author: Mary Anne Everett GreenPublisher:
ISBN:
Category : English letters
Languages : en
Pages : 402
Book Description
Letters of Royal and Illustrious Ladies of Great Britain
Author: Mary Anne Everett GreenPublisher:
ISBN:
Category : English letters
Languages : en
Pages : 402
Book Description
Letters of Royal and Illustrious Ladies of Great Britain
Author: Mary Anne Everett GreenPublisher:
ISBN:
Category : English letters
Languages : en
Pages : 400
Book Description
Letters of Royal and Illustrious Ladies of Great Britain, from the Commencement of the Twelfth Century to the Close of the Reign of Queen Mary
Author: Mary Anne Everett GreenPublisher: London : H. Colburn
ISBN:
Category : English letters
Languages : en
Pages : 404
Book Description
Lives of the Princesses of England, from the Norman Conquest
Author: Mary Anne Everett Wood GreenPublisher:
ISBN:
Category : Princesses
Languages : en
Pages : 446
Book Description
The Literary Gazette and Journal of the Belles Lettres, Arts, Sciences, &c
Author: Women Writers and the Nation's Past 1790-1860
Author: Mary SpongbergPublisher: Bloomsbury Publishing
ISBN: 135001673X
Category : History
Languages : en
Pages : 245
Book Description
1790 saw the publication of Edmund Burke's Reflections on the Revolution in France -- the definitive tract of modern conservatism as a political philosophy. Though women of the period wrote texts that clearly responded to and reacted against Burke's conception of English history and to the contemporary political events that continued to shape it, this conversation was largely ignored or dismissed, and much of it remains to be reconsidered today. Examining the works of women writers from Jane Austen and Mary Wollstonecraft to the Strickland sisters and Mary Anne Everett Green, this book begins to recuperate that conversation and in doing so uncovers a more complete and nuanced picture of women's participation in the writing of history. Professor Mary Spongberg puts forward an alternate, feminized historiography of Britain that demonstrates how women writers' recourse to history caused them to become generically innovative and allowed them to participate in the political debates that framed the emergence of modern British historiography, and to push back against the Whig interpretation of history that predominated from 1790-1860.
The Literary Women of England. Including a Biographical Epitome of All the Most Eminent to the Year 1700; and Sketches of the Poetesses to the Year 1850; with Extracts from Their Works, and Critical Remarks
Author: Jane WILLIAMS (called Ysgafell.)Publisher:
ISBN:
Category :
Languages : en
Pages : 592
Book Description
The Athenaeum
Author: Catalogus Librorum Impressorum Bibliothecae Bodleianae in Academia Oxoniensi B. Bandinel
Author: Flemish and Dutch Artists in Early Modern England
Author: MaryBryanH. CurdPublisher: Routledge
ISBN: 1351566970
Category : Art
Languages : en
Pages : 397
Book Description
By examining their production practices in a variety of genres?including manuscript illustration, glass painting and staining, tapestry manufacture, portrait painting, and engraving?this book explores how Netherlandish artists migrating to England in the early modern period overcame difficulties raised by their outsider status. This study examines, for the first time in this context, the challenges of alien status to artistic production and the effectiveness of cooperation as a countermeasure. The author demonstrates that collaboration was chief among the strategies that these foreigners chose to secure a position in London's changing art market. Curd's exploration of these collaborations primarily follows Pierre Bourdieu's model of "establishment and challenger" in which dominance in a field of cultural production depends upon how much cultural, political, and economic capital can be accumulated and the effectiveness of the strategies used to confront competition. The analysis presented here challenges received opinion that a collaborative work is only a joint effort of artists working together on a single monument by demonstrating that the participation of patrons and middlemen can also shape the final appearance of a work of art. Furthermore, this book shows that the strategic use of collaboration served the goal of competition by helping to establish foreign artists in the London art market and suggests that their coping strategies have implications for the study of immigrant behaviors today.