Letters of Hart Crane and His Family PDF Download

Author: Hart Crane
Publisher: New York : Columbia University Press
ISBN:
Category : Biography
Languages : en
Pages : 712

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Author: Hart Crane
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 124

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Harold Hart Crane was born in Ohio in 1899. In 1923 he became a copy-writer in New York. White Buildings, his first collection, appeared in 1926, and in 1930 his most famous work, The Bridge, was published. A reaction against the pessimism in T. S. Eliot's The Waste Land, The Bridge was a love song to the myth of America and its optimism a much needed boon to post-Wall Street Crash America. Hart Crane committed suicide in 1932.

Author: Brom Weber
Publisher: Univ of California Press
ISBN: 0520346793
Category : Literary Criticism
Languages : en
Pages : 444

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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1952.

Author: Hart Crane
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 328

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Author: Hart Crane
Publisher: National Geographic Books
ISBN: 1931082995
Category : Poetry
Languages : en
Pages : 0

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No American poet has so swiftly and decisively transformed the course of poetry as Hart Crane. In his haunted, brief life, Crane fashioned a distinctively modern idiom that fused the ornate rhetoric of the Elizabethans, the ecstatic enigmas of Rimbaud, and the prophetic utterances and cosmic sympathy of Whitman, in a quest for wholeness and healing in what he called “the broken world.” White Buildings, perhaps the greatest debut volume in American poetry since Leaves of Grass, is but an exquisite prelude to Crane’s masterpiece The Bridge, his magnificent evocation of America from Columbus to the Jazz Age that countered the pessimism of Eliot’s The Waste Land and became a crucial influence on poets whose impact continues to this day. This edition is the largest collection of Crane’s writings ever published. Gathered here are the complete poems and published prose, along with a generous selection of Crane’s letters, several of which have never before been published. In his letters Crane elucidates his aims as an artist and provides fascinating glosses on his poetry. His voluminous correspondence also offers an intriguing glimpse into his complicated personality, as well as his tempestuous relationships with family, lovers, and writers such as Allen Tate, Waldo Frank, Yvor Winters, Jean Toomer, Marianne Moore, E. E. Cummings, William Carlos Williams, and Katherine Anne Porter. Several letters included here are published for the first time. This landmark 850-page volume features a detailed and freshly-researched chronology of Crane’s life as well as extensive explanatory notes, and over fifty biographical sketches of Crane’s correspondents. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Author: Hart Crane
Publisher: Forgotten Books
ISBN: 9781391982380
Category : Literary Collections
Languages : en
Pages : 448

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Excerpt from The Letters of Hart Crane, 1916-1932 But far more compelling than distance or propriety as the domi nant force behind Crane's prolific composition of letters was an emotional impulse which drove him to discharge so much expres sive energy in a non-poetic form: his acquisitive need for sympathy, pity, understanding, affection a need accompanied by the be lief that these responses could be evoked with a persuasive explana tion in words. Let us not confuse this poignant situation with dis honesty or a huckster's fraudulency. Crane was, after all, a poet to whom language was paramount. The outcome was that even those of his letters which had been intended as geographical bridges, or as duties, speedily found themselves converted into detailed and nu inhibited recitations and exhortations. Examining the letters to his mother in this light, to choose one instance, we can-understand why, despite the profound mutual misunderstanding of which each was aware, Crane persisted in alternately cajoling, threatening, and in forming a basically-unresponsive correspondent. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Hart Crane
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 462

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Author: John Unterecker
Publisher: W W Norton & Company Incorporated
ISBN: 9780871401434
Category : Gay men
Languages : en
Pages : 831

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A biography of the American poet which attempts to reveal the true artist

Author: Hart Crane
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 94

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Author: John T. Irwin
Publisher: JHU Press
ISBN: 1421402211
Category : Literary Criticism
Languages : en
Pages : 439

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Book Description
In one of his letters Hart Crane wrote, "Appollinaire lived in Paris, I live in Cleveland, Ohio," comparing—misspelling and all—the great French poet’s cosmopolitan roots to his own more modest ones in the midwestern United States. Rebelling against the notion that his work should relate to some European school of thought, Crane defiantly asserted his freedom to be himself, a true American writer. John T. Irwin, long a passionate and brilliant critic of Crane, gives readers the first major interpretation of the poet’s work in decades. Irwin aims to show that Hart Crane’s epic The Bridge is the best twentieth-century long poem in English. Irwin convincingly argues that, compared to other long poems of the century, The Bridge is the richest and most wide-ranging in its mythic and historical resonances, the most inventive in its combination of literary and visual structures, the most subtle and compelling in its psychological underpinnings. Irwin brings a wealth of new and varied scholarship to bear on his critical reading of the work—from art history to biography to classical literature to philosophy—revealing The Bridge to be the near-perfect synthesis of American myth and history that Crane intended. Irwin contends that the most successful entryway to Crane’s notoriously difficult shorter poems is through a close reading of The Bridge. Having admirably accomplished this, Irwin analyzes Crane’s poems in White Buildings and his last poem, "The Broken Tower," through the larger context of his epic, showing how Crane, in the best of these, worked out the structures and images that were fully developed in The Bridge. Thoughtful, deliberate, and extraordinarily learned, this is the most complete and careful reading of Crane’s poetry available. Hart Crane may have lived in Cleveland, Ohio, but, as Irwin masterfully shows, his poems stand among the greatest written in the English language.