Author: Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
L'estampe française contemp
L'Estampe Originale
Author: Patricia Eckert BoyerPublisher: Waanders Publishers
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 140
Book Description
Overzicht van de Franse prentkunst aan het einde van de negentiende eeuw, met werk van o.a. De Toulouse Lautrec, Rodin, Renoir en Gauguin.
L' estampe originale
Author: Versified Prints
Author: W. McAllister JohnsonPublisher: University of Toronto Press
ISBN: 1442665998
Category : Art
Languages : en
Pages : 232
Book Description
The term ‘versified prints’ is used to describe images that are accompanied by poetic explanatory text. They were immensely popular and diffused throughout Europe in the eighteenth century, and many were shown at the Salon du Louvre. Although not all print verses are signed, their authors include occasional poets and members of the Académie Française. These prints remain among the most accessible documents for the study of art and society, but have never been examined before for their historical and cultural context. With 112 full-page reproductions, Versified Prints offers an engaging and informative introduction to these intriguing works. W. McAllister Johnson's guide discusses print production, the nature of sources, and the relationship and transformations in both text and images. Proposing a typology and methodology for this artistic phenomenon, Versified Prints enhances our knowledge of this fascinating new area of research and lays the groundwork for future studies. Disclaimer: Images removed at the request of the rights holder.
Visualizing the Nation
Author: Joan B. LandesPublisher: Cornell University Press
ISBN: 1501727532
Category : History
Languages : en
Pages : 273
Book Description
Popular images of women were everywhere in revolutionary France. Although women's political participation was curtailed, female allegories of liberty, justice, and the republic played a crucial role in the passage from old regime to modern society. In her lavishly illustrated and gracefully written book, Joan B. Landes explores this paradox within the workings of revolutionary visual culture and traces the interaction between pictorial and textual political arguments. Landes highlights the widespread circulation of images of the female body, notwithstanding the political leadership's suspicions of the dangers of feminine influence and the seductions of visual imagery. The use of caricatures and allegories contributed to the destruction of the masculinized images of hierarchic absolutism and to forging new roles for men and women in both the intimate and public arenas. Landes tells the fascinating story of how the depiction of the nation as a desirable female body worked to eroticize patriotism and to bind male subjects to the nation-state. Despite their political subordination, women too were invited to identify with the project of nationalism. Recent views of the French Revolution have emphasized linguistic concerns; in contrast, Landes stresses the role of visual cognition in fashioning ideas of nationalism and citizenship. Her book demonstrates as well that the image is often a site of contestation, as individual viewers may respond to it in unexpected, even subversive, ways.
A History of Engraving & Etching
Author: Arthur Mayger HindPublisher:
ISBN:
Category : Engravers
Languages : en
Pages : 524
Book Description
A Kingdom of Images
Author: Peter FuhringPublisher: Getty Publications
ISBN: 1606064509
Category : Art
Languages : en
Pages : 348
Book Description
Once considered the golden age of French printmaking, Louis XIV’s reign saw Paris become a powerhouse of print production. During this time, the king aimed to make fine and decorative arts into signs of French taste and skill and, by extension, into markers of his imperialist glory. Prints were ideal for achieving these goals; reproducible and transportable, they fueled the sophisticated propaganda machine circulating images of Louis as both a man of war and a man of culture. This richly illustrated catalogue features more than one hundred prints from the Getty Research Institute and the Bibliothèque nationale de France in Paris, whose print collection Louis XIV established in 1667. An esteemed international group of contributors investigates the ways that cultural policies affected printmaking; explains what constitutes a print; describes how one became a printmaker; studies how prints were collected; and considers their reception in the ensuing centuries. A Kingdom of Images is published to coincide with an exhibition on view at the Getty Research Institute from June 18 through September 6, 2015, and at the Bibliothèque nationale de France in Paris from November 2, 2015, through January 31, 2016.
The Impressionist Print
Author: Michel MelotPublisher: Yale University Press
ISBN: 0300067925
Category : Crafts & Hobbies
Languages : en
Pages : 301
Book Description
A print can sometimes tell us more than a painting about the history of art. Michel Melot illustrates his thesis in this book, analysing relationships between artists, the art market, the critics, collectors and political institutions. This fresh approach reveals Impressionism not as a sort of miracle, but as a response to economic and social upheaval. This original view of a key movement in the history of art allows the reader to understand its decisive effect on all the subsequent generations who have contributed to maintaining the tradition of the belle epreuve.
A History of Engraving and Etching
Author: Arthur M. HindPublisher: Courier Corporation
ISBN: 0486148874
Category : Art
Languages : en
Pages : 513
Book Description
British Museum Keeper of Prints offers complete history, 15th-century to 1914; accomplishments, influences, artistic merit. 111 illustrations. Chapters include: The Earliest Engravers, The Great Masters of Engraving, The Decline of Original Engraving, and more.
Author: Yoko Fukumitsu