Author: Karen Ottewell
Publisher: Peter Lang Publishing
ISBN:
Category : Drama
Languages : en
Pages : 300
Book Description
Despite the benevolent intellectual climate of the 1960s in Germany which had witnessed a reappraisal of earlier attitudes towards the eighteenth century in general, and towards the Aufklarung in particular, relatively little has since been done to pursue this stimulus to its logical conclusion-or to a discussion of possible conclusions. By looking beyond artificial literary classifications at the historical data and by accumulating detailed empirical evidence this study seeks to reappraise this situation, firstly by establishing a case which overcomes the traditional antithesis of Aufklarung and Sturm und Drang, and secondly by presenting a clear picture of the degree and nature of Lessing's influence on German dramatists from Herder to Schiller. Contents: Aufklarung and Sturm und Drang: (Re-) Definitions-Lessing as precursor of the Sturm und Drang before 1769-Lessing's Attitude towards Writers of the Sturm und Drang-Emilia Galotti-The Reception of Lessing by the Sturm und Drang Writers
Lessing and the Sturm und Drang
Author: Karen Ottewell
Publisher: Peter Lang Publishing
ISBN:
Category : Drama
Languages : en
Pages : 300
Book Description
Despite the benevolent intellectual climate of the 1960s in Germany which had witnessed a reappraisal of earlier attitudes towards the eighteenth century in general, and towards the Aufklarung in particular, relatively little has since been done to pursue this stimulus to its logical conclusion-or to a discussion of possible conclusions. By looking beyond artificial literary classifications at the historical data and by accumulating detailed empirical evidence this study seeks to reappraise this situation, firstly by establishing a case which overcomes the traditional antithesis of Aufklarung and Sturm und Drang, and secondly by presenting a clear picture of the degree and nature of Lessing's influence on German dramatists from Herder to Schiller. Contents: Aufklarung and Sturm und Drang: (Re-) Definitions-Lessing as precursor of the Sturm und Drang before 1769-Lessing's Attitude towards Writers of the Sturm und Drang-Emilia Galotti-The Reception of Lessing by the Sturm und Drang Writers
Publisher: Peter Lang Publishing
ISBN:
Category : Drama
Languages : en
Pages : 300
Book Description
Despite the benevolent intellectual climate of the 1960s in Germany which had witnessed a reappraisal of earlier attitudes towards the eighteenth century in general, and towards the Aufklarung in particular, relatively little has since been done to pursue this stimulus to its logical conclusion-or to a discussion of possible conclusions. By looking beyond artificial literary classifications at the historical data and by accumulating detailed empirical evidence this study seeks to reappraise this situation, firstly by establishing a case which overcomes the traditional antithesis of Aufklarung and Sturm und Drang, and secondly by presenting a clear picture of the degree and nature of Lessing's influence on German dramatists from Herder to Schiller. Contents: Aufklarung and Sturm und Drang: (Re-) Definitions-Lessing as precursor of the Sturm und Drang before 1769-Lessing's Attitude towards Writers of the Sturm und Drang-Emilia Galotti-The Reception of Lessing by the Sturm und Drang Writers
Literature of the Sturm und Drang
Author: David Hill
Publisher: Boydell & Brewer
ISBN: 1571131744
Category : Literary Criticism
Languages : en
Pages : 391
Book Description
Carefully focused essays on major aspects of one of the most significant German literary movements, the Storm and Stress.
Publisher: Boydell & Brewer
ISBN: 1571131744
Category : Literary Criticism
Languages : en
Pages : 391
Book Description
Carefully focused essays on major aspects of one of the most significant German literary movements, the Storm and Stress.
Lessing Yearbook Index to Volumes I-XX and the Supplements
Author: Edward Dvoretzky
Publisher: Wayne State University Press
ISBN: 9780814325216
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
This volume is a register and bibliography to the first 20 volumes of the Lessing Yearbook and its supplements, Humanitaet und Dialog, Lessing in heutiger Sicht, Nation und Gelehrtenrepublik, and Lessing und die Toleranz.
Publisher: Wayne State University Press
ISBN: 9780814325216
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
This volume is a register and bibliography to the first 20 volumes of the Lessing Yearbook and its supplements, Humanitaet und Dialog, Lessing in heutiger Sicht, Nation und Gelehrtenrepublik, and Lessing und die Toleranz.
The German Sturm und Drang
Author: Roy Pascal
Publisher: Manchester University Press
ISBN:
Category : German literature
Languages : en
Pages : 382
Book Description
Publisher: Manchester University Press
ISBN:
Category : German literature
Languages : en
Pages : 382
Book Description
Lessing
Lessing's Dramatic Theory
Author: John George Robertson
Publisher: CUP Archive
ISBN:
Category : Drama
Languages : en
Pages : 568
Book Description
Publisher: CUP Archive
ISBN:
Category : Drama
Languages : en
Pages : 568
Book Description
A Companion to the Works of Gotthold Ephraim Lessing
Author: Barbara Fischer
Publisher: Camden House
ISBN: 9781571132437
Category : Literary Criticism
Languages : en
Pages : 438
Book Description
One of the most independent thinkers in German intellectual history, the Enlightenment author Gotthold Ephraim Lessing (1729-1781) contributed in decisive and lasting fashion to literature, philosophy, theology, criticism, and drama theory. Lessing invented the brgerliches Trauerspiel (bourgeois tragedy) and wrote one of the first successful German tragedies as well as one of the finest German comedies. In his final dramatic masterpiece, Nathan der Weise, he writes of Christianity, Judaism, and Islam, of religious tolerance and intolerance and the clash of civilizations. Lessing's dramas are the oldest German theater pieces still regularly performed (both in Germany and internationally), and both his plays and his drama theory have influenced such writers as Goethe, Schiller, Hebbel, Hauptmann, Ibsen, Strindberg, Schnitzler, and Brecht. Addressing an audience ranging from graduate students to seasoned scholars, this volume introduces Lessing's life and times and places him within the broader context of the European Enlightenment. It discusses his pathbreaking dramas, his equally revolutionary theoretical, critical, and aesthetic writings, his original fables, his innovative work in philosophy and theology, and his significant contributions to Jewish emancipation. The volume concludes by examining 20th-century reception of Lessing and his oeuvre. Contributors: Barbara Fischer, Thomas C. Fox, Steven D. Martinson, Klaus L. Berghahn, John Pizer, Beate Allert, H. B. Nisbet, Arno Schilson, Willi Goetschel, Peter Hyng, Karin A. Wurst, Ann Schmiesing, Reinhart Meyer, Hans-Joachim Kertscher, Hinrich C. Seeba, Dieter Fratzke, Helmut Berthold, Herbert Rowland. Barbara Fischer is associateprofessor of German and Thomas C. Fox is professor of German, both at the University of Alabama.
Publisher: Camden House
ISBN: 9781571132437
Category : Literary Criticism
Languages : en
Pages : 438
Book Description
One of the most independent thinkers in German intellectual history, the Enlightenment author Gotthold Ephraim Lessing (1729-1781) contributed in decisive and lasting fashion to literature, philosophy, theology, criticism, and drama theory. Lessing invented the brgerliches Trauerspiel (bourgeois tragedy) and wrote one of the first successful German tragedies as well as one of the finest German comedies. In his final dramatic masterpiece, Nathan der Weise, he writes of Christianity, Judaism, and Islam, of religious tolerance and intolerance and the clash of civilizations. Lessing's dramas are the oldest German theater pieces still regularly performed (both in Germany and internationally), and both his plays and his drama theory have influenced such writers as Goethe, Schiller, Hebbel, Hauptmann, Ibsen, Strindberg, Schnitzler, and Brecht. Addressing an audience ranging from graduate students to seasoned scholars, this volume introduces Lessing's life and times and places him within the broader context of the European Enlightenment. It discusses his pathbreaking dramas, his equally revolutionary theoretical, critical, and aesthetic writings, his original fables, his innovative work in philosophy and theology, and his significant contributions to Jewish emancipation. The volume concludes by examining 20th-century reception of Lessing and his oeuvre. Contributors: Barbara Fischer, Thomas C. Fox, Steven D. Martinson, Klaus L. Berghahn, John Pizer, Beate Allert, H. B. Nisbet, Arno Schilson, Willi Goetschel, Peter Hyng, Karin A. Wurst, Ann Schmiesing, Reinhart Meyer, Hans-Joachim Kertscher, Hinrich C. Seeba, Dieter Fratzke, Helmut Berthold, Herbert Rowland. Barbara Fischer is associateprofessor of German and Thomas C. Fox is professor of German, both at the University of Alabama.
Rethinking Lessing's Laocoon
Author: Avi Lifschitz
Publisher: Oxford University Press
ISBN: 0192522744
Category : Art
Languages : en
Pages : 475
Book Description
Gotthold Ephraim Lessing first published Laokoon, oder über die Grenzen der Mahlerey und Poesie (Laocoon, or on the Limits of Painting and Poetry) in 1766. Over the last 250 years, Lessing's essay has exerted an incalculable influence on western critical thinking. Not only has it directed the history of post-Enlightenment aesthetics, it has also shaped the very practices of 'poetry' and 'painting' in a myriad of different ways. In this anthology of specially commissioned chapters - comprising the first ever edited book on the Laocoon in English - a range of leading critical voices has been brought together to reassess Lessing's essay on its 250th anniversary. Combining perspectives from multiple disciplines (including classics, intellectual history, philosophy, aesthetics, media studies, comparative literature, and art history), the book explores the Laocoon from a plethora of critical angles. Chapters discuss Lessing's interpretation of ancient art and poetry, the cultural backdrops of the eighteenth century, and the validity of the Laocoon's observations in the fields of aesthetics, semiotics, and philosophy. The volume shows how the Laocoon exploits Greek and Roman models to sketch the proper spatial and temporal 'limits' (Grenzen) of what Lessing called 'poetry' and 'painting'; at the same time it demonstrates how Lessing's essay is embedded within Enlightenment theories of art, perception, and historical interpretation, as well as within nascent eighteenth-century ideas about the 'scientific' study of Classical antiquity (Altertumswissenschaft). To engage critically with the Laocoon, and to make sense of its legacy over the last 250 years, consequently involves excavating various 'classical presences': by looking back to the Graeco-Roman past, the volume demonstrates, Lessing forged a whole new tradition of modern aesthetics.
Publisher: Oxford University Press
ISBN: 0192522744
Category : Art
Languages : en
Pages : 475
Book Description
Gotthold Ephraim Lessing first published Laokoon, oder über die Grenzen der Mahlerey und Poesie (Laocoon, or on the Limits of Painting and Poetry) in 1766. Over the last 250 years, Lessing's essay has exerted an incalculable influence on western critical thinking. Not only has it directed the history of post-Enlightenment aesthetics, it has also shaped the very practices of 'poetry' and 'painting' in a myriad of different ways. In this anthology of specially commissioned chapters - comprising the first ever edited book on the Laocoon in English - a range of leading critical voices has been brought together to reassess Lessing's essay on its 250th anniversary. Combining perspectives from multiple disciplines (including classics, intellectual history, philosophy, aesthetics, media studies, comparative literature, and art history), the book explores the Laocoon from a plethora of critical angles. Chapters discuss Lessing's interpretation of ancient art and poetry, the cultural backdrops of the eighteenth century, and the validity of the Laocoon's observations in the fields of aesthetics, semiotics, and philosophy. The volume shows how the Laocoon exploits Greek and Roman models to sketch the proper spatial and temporal 'limits' (Grenzen) of what Lessing called 'poetry' and 'painting'; at the same time it demonstrates how Lessing's essay is embedded within Enlightenment theories of art, perception, and historical interpretation, as well as within nascent eighteenth-century ideas about the 'scientific' study of Classical antiquity (Altertumswissenschaft). To engage critically with the Laocoon, and to make sense of its legacy over the last 250 years, consequently involves excavating various 'classical presences': by looking back to the Graeco-Roman past, the volume demonstrates, Lessing forged a whole new tradition of modern aesthetics.
The Tragedy of Fatherhood
Author: Silke-Maria Weineck
Publisher: Bloomsbury Publishing USA
ISBN: 1628928956
Category : Literary Criticism
Languages : en
Pages : 219
Book Description
Winner of the 2014 Aldo and Jeanne Scaglione Prize for Comparative Literary Studies, awarded by the Modern Language Association. Theories of power have always been intertwined with theories of fatherhood: paternity is the oldest and most persistent metaphor of benign, legitimate rule. The paternal trope gains its strength from its integration of law, body, and affect-in the affirmative model of fatherhood, the biological father, the legal father, and the father who protects and nurtures his children are one and the same, and in a complex system of mutual interdependence, the father of the family is symbolically linked to the paternal gods of monotheism and the paternal ruler of the monarchic state. If tragedy is the violent eruption of a necessary conflict between competing, legitimate claims, The Tragedy of Fatherhood argues that fatherhood is an essentially tragic structure. Silke-Maria Weineck traces both the tensions and various strategies to resolve them through a series of readings of seminal literary and theoretical texts in the Western cultural tradition. In doing so, she demonstrates both the fragility and resilience of fatherhood as the most important symbol of political power. A long history of fatherhood in literature, philosophy, and political thought, The Tragedy of Fatherhood weaves together figures as seemingly disparate as Aristotle, Freud, Kafka, and Kleist, to produce a stunning reappraisal of the nature of power in the Western tradition.
Publisher: Bloomsbury Publishing USA
ISBN: 1628928956
Category : Literary Criticism
Languages : en
Pages : 219
Book Description
Winner of the 2014 Aldo and Jeanne Scaglione Prize for Comparative Literary Studies, awarded by the Modern Language Association. Theories of power have always been intertwined with theories of fatherhood: paternity is the oldest and most persistent metaphor of benign, legitimate rule. The paternal trope gains its strength from its integration of law, body, and affect-in the affirmative model of fatherhood, the biological father, the legal father, and the father who protects and nurtures his children are one and the same, and in a complex system of mutual interdependence, the father of the family is symbolically linked to the paternal gods of monotheism and the paternal ruler of the monarchic state. If tragedy is the violent eruption of a necessary conflict between competing, legitimate claims, The Tragedy of Fatherhood argues that fatherhood is an essentially tragic structure. Silke-Maria Weineck traces both the tensions and various strategies to resolve them through a series of readings of seminal literary and theoretical texts in the Western cultural tradition. In doing so, she demonstrates both the fragility and resilience of fatherhood as the most important symbol of political power. A long history of fatherhood in literature, philosophy, and political thought, The Tragedy of Fatherhood weaves together figures as seemingly disparate as Aristotle, Freud, Kafka, and Kleist, to produce a stunning reappraisal of the nature of power in the Western tradition.