Les XX and Belgian Avant-gardism, 1868-1894 PDF Download

Author: Jane Block
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 216

View

Book Description

Author: Jane Block
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 416

View

Book Description
Overzicht van het grafische werk van de Belgische groep avantgarde kunstenaars (1883-1893).

Author: STEPHEN HOPKINS GODDARD
Publisher:
ISBN:
Category :
Languages : en
Pages : 400

View

Book Description

Author: Andrew James Thomas Smith
Publisher:
ISBN:
Category : Avant-garde (Aesthetics)
Languages : en
Pages : 574

View

Book Description

Author: Marysa Demoor
Publisher: Springer Nature
ISBN: 3030879267
Category : History
Languages : en
Pages : 298

View

Book Description
This book highlights the ways in which Britain and Belgium became culturally entangled as a result of their interaction in the period between the Napoleonic Wars and the First World War. In the course of the nineteenth century, the battlefields of Waterloo and Ypres in Belgium became veritable burial grounds for generations of dead British military, indirectly leading to the most intensive ties between the two countries. By exploring this twofold path, the author uncovers a series of cross-influences and creative similarities within the Belgo-British artistic community, and explores the background against which the British national identity was constructed. Revealing unknown links between some of the most famous artists on both sides of the channel, such as D.G. Rossetti and Jan Van Eyck; Christina Rossetti and Fernand Khnopff; John Millais and Pieter Breughel, and Lewis Carroll and Quentin Massys, the book emphasises an artistic cross-fertilisation that can be found within battlefield literature throughout the nineteenth century, including examples from the likes of William M. Thackeray, Frances Trollope and Charlotte Brontë. Providing a rich intercultural history of Belgo-British relations after the battle of Waterloo, this interdisciplinary book will appeal to scholars and students researching history, literature, art and cultural studies.

Author: Jane Block
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 304

View

Book Description

Author: Jana Wijnsouw
Publisher: Routledge
ISBN: 1351778145
Category : Art
Languages : en
Pages : 322

View

Book Description
This book elaborates on the social and cultural phenomenon of national schools during the nineteenth century, via the less studied field of sculpture and using Belgium as a case study. The role, importance of, and emphasis on certain aspects of national identity evolved throughout the century, while a diverse array of criteria were indicated by commissioners, art critics, or artists that supposedly constituted a "national sculpture." By confronting the role and impact of the four most crucial actors within the artistic field (politics, education, exhibitions, public commissions) with a linear timeframe, this book offers a chronological as well as a thematic approach. Artists covered include Guillaume Geefs, Eugène Simonis, Charles Van der Stappen, Julien Dillens, Paul Devigne, Constantin Meunier, and George Minne.

Author: Anna Swinbourne
Publisher: The Museum of Modern Art
ISBN: 9780870707520
Category : Art
Languages : en
Pages : 214

View

Book Description
Edited by Anna Swinbourne. Text by Anna Swinbourne, Susan Canning, Michel Draguet, Robert Hoozee, Laurence Madeline, Jane Panetta, Herwig Todts.

Author: Patricia G. Berman
Publisher: Getty Publications
ISBN: 9780892366415
Category : Art
Languages : en
Pages : 120

View

Book Description
The brash young artist James Ensor painted Christ's Entry into Brussels in 1889 during a period of extraordinary artistic and political fomentation in his native Belgium. It is one of the most dazzling, innovative, and perplexing paintings created in Europe in the late nineteenth century, rivaling any work of its period in audacity and ambition. Huge in scale, complex in design and execution, and brimming with social commentary, the startling canvas presents a scene filled with clowns, masked figures, and--barely visible amid the swirling crowds--the tiny figure of Christ on a donkey entering the city of Brussels. This insightful volume examines the painting in light of Belgium's rich artistic, social, political, and theological debates in the late nineteenth century, and in the context of James Ensor's exceptional career, in order to decipher some of the painting's messages and meanings.

Author: Nathalie Aubert
Publisher: Routledge
ISBN: 1351566385
Category : Foreign Language Study
Languages : en
Pages : 218

View

Book Description
This volume of edited essays is the first one in English to offer a critical overview of the specific features of Belgian modernity from 1880 to 1940 in a multiplicity of disciplines: literature and poetry, politics, music, photography and drama. The first half of the book investigates the roots of twentieth century modernity in Belgian fin de siecle across a variety of genres (novel, poetry and drama), not only within but also beyond the boundaries of Symbolism. The contributors go on to examine the explosion of Belgian culture on the international scene with the rise of the avant-gardes, notably Surrealism: and the contribution made in minor genres, such as the popular novels of Simenon and Jean Ray, and the Tintin comics of Herge.