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Les traits de l'histoire universelle, sacrée et profane, représentés en figures, d'après les plus grands peintres et les meilleurs écrivains

Les traits de l'histoire universelle, sacrée et profane, représentés en figures, d'après les plus grands peintres et les meilleurs écrivains PDF Author: Jean Le Maire
Publisher:
ISBN:
Category :
Languages : fr
Pages : 80

Book Description


Les traits de l'histoire universelle, sacrée et profane, représentés en figures, d'après les plus grands peintres et les meilleurs écrivains

Les traits de l'histoire universelle, sacrée et profane, représentés en figures, d'après les plus grands peintres et les meilleurs écrivains PDF Author: Jean Le Maire
Publisher:
ISBN:
Category :
Languages : fr
Pages : 80

Book Description


Les Traits de l'histoire universelle, sacrée et profane, d'après les plus grands peintres, et les meilleurs écrivains

Les Traits de l'histoire universelle, sacrée et profane, d'après les plus grands peintres, et les meilleurs écrivains PDF Author: Jean Le Maire
Publisher:
ISBN:
Category :
Languages : fr
Pages :

Book Description


Salvator Rosa in French Literature

Salvator Rosa in French Literature PDF Author: James Patty
Publisher: University Press of Kentucky
ISBN: 0813171938
Category : Literary Criticism
Languages : en
Pages : 282

Book Description
" Salvator Rosa (1615–1673) was a colorful and controversial Italian painter, talented musician, a notable comic actor, a prolific correspondent, and a successful satirist and poet. His paintings, especially his rugged landscapes and their evocation of the sublime, appealed to Romantic writers, and his work was highly influential on several generations of European writers. James S. Patty analyzes Rosa’s tremendous influence on French writers, chiefly those of the nineteenth century, such as Stendhal, Honoré de Balzac, Victor Hugo, George Sand, and Théophile Gautier. Arranged in chronological order, with numerous quotations from French fiction, poetry, drama, art criticism, art history, literary history, and reference works, Salvator Rosa in French Literature forms a narrative account of the reception of Rosa’s life and work in the world of French letters. James S. Patty, professor emeritus of French at Vanderbilt University, is the author of Dürer in French Letters . He lives in Nashville, Tennessee.

"Our Fathers Have Told Us."

Author: John Ruskin
Publisher:
ISBN:
Category : Christian literature, Early (Selections: Extracts, etc.)
Languages : en
Pages : 348

Book Description


Les Tragiques...

Les Tragiques... PDF Author: Agrippa d' Aubigné
Publisher:
ISBN: 9781314964714
Category : History
Languages : en
Pages : 458

Book Description


Selections from the Correspondence of the First Lord Acton

Selections from the Correspondence of the First Lord Acton PDF Author: John Emerich Edward Dalberg Acton Baron Acton
Publisher: London : Longmans, Green
ISBN:
Category : Catholics
Languages : en
Pages : 352

Book Description


Philosophy manual: a South-South perspective

Philosophy manual: a South-South perspective PDF Author: Chanthalangsy, Phinith
Publisher: UNESCO Publishing
ISBN: 9231010069
Category : Philosophy
Languages : en
Pages : 236

Book Description


The Planetarium

The Planetarium PDF Author: Nathalie Sarraute
Publisher: Deep Vellum Publishing
ISBN: 1628974176
Category : Fiction
Languages : en
Pages : 203

Book Description
A young writer has his heart set on his aunt's large apartment. With this seemingly simple conceit, the characters of The Planetarium are set in orbit and a galaxy of argument, resentment, and bitterness erupts. Telling the story from various points of view, Sarraute focuses below the surface, on the emotional lives of the characters in a way that surpasses even Virginia Woolf. Always deeply engaging, The Planetarium reveals the deep disparity between the way we see ourselves and the way others see us.

Divine Names on the Spot

Divine Names on the Spot PDF Author: Fabio Porzia
Publisher:
ISBN: 9789042951617
Category : History
Languages : fr
Pages : 0

Book Description
'Ancient Greek and Semitic languages resorted to a large range of words to name the divine. Gods and goddesses were called by a variety of names and combinations of onomastic attributes. This broad lexicon of names is characterised by plurality and a tendency to build on different sequences of names; therefore, the Mapping Ancient Polytheisms project focuses on the process of naming the divine in order to better understand the ancient divine in terms of a plurality in the making. A fundamental rule for reading ancient divine names is to grasp them in their context - time and place, a ritual, the form of the discourse, a cultural milieu...: a deity is usually named according to a specific situation. From Artemis Eulochia to al-Lat, al-'Uzza and Manat, from Melqart to "my rock" in the biblical book of Psalms, this volume journeys between the sanctuary on Mount Gerizim and late antique magical practices, revisiting rituals, hymnic poetry, oaths of orators and philosophical prayers. While targeting different names in different contexts, the contributors draft theoretical propositions towards a dynamic approach of naming the divine in antiquity.'

The Calendar in Revolutionary France

The Calendar in Revolutionary France PDF Author: Sanja Perovic
Publisher: Cambridge University Press
ISBN: 1139537032
Category : Literary Criticism
Languages : en
Pages : 291

Book Description
One of the most unusual decisions of the leaders of the French Revolution - and one that had immense practical as well as symbolic impact - was to abandon customarily-accepted ways of calculating date and time to create a Revolutionary calendar. The experiment lasted from 1793 to 1805, and prompted all sorts of questions about the nature of time, ways of measuring it and its relationship to individual, community, communication and creative life. This study traces the course of the Revolutionary Calendar, from its cultural origins to its decline and fall. Tracing the parallel stories of the calendar and the literary genius of its creator, Sylvain Maréchal, from the Enlightenment to the Napoleonic era, Sanja Perovic reconsiders the status of the French Revolution as the purported 'origin' of modernity, the modern experience of time, and the relationship between the imagination and political action.