Author: Armand FourreauPublisher:
ISBN:
Category : Architecture
Languages : fr
Pages : 58
Book Description
Les primitifs français et la tradition
Author: Armand FourreauPublisher:
ISBN:
Category : Architecture
Languages : fr
Pages : 58
Book Description
The Aix annunciation altarpiece and the tradition of "Les Primitifs français"
Author: Cecile ShopenSale Catalogues
Author: American Art Association, Anderson Galleries (Firm)Publisher:
ISBN:
Category :
Languages : en
Pages : 1308
Book Description
Les Primitifs Français. [By L. Gillet.] Contes de la Vierge. [By J. and J. Tharaud.].
![Les Primitifs Français. [By L. Gillet.] Contes de la Vierge. [By J. and J. Tharaud.]. PDF](https://books.google.com/books/content/images/frontcover/cCIDMwEACAAJ?fife=w80-h100)
Author: Louis GILLET (Author of "Les Primitifs français.'.)Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The Great Tradition of French Painting
Author: American Journal of Archaeology and of the History of the Fine Arts
Author: A Companion to Impressionism
Author: André DombrowskiPublisher: John Wiley & Sons
ISBN: 1119373921
Category : Art
Languages : en
Pages : 644
Book Description
A Companion to Impressionism Presenting an expansive view of the study of Impressionism, this pioneering volume breaks new thematic ground while also reconsidering questions concerning the definition, chronology, and membership of the impressionist movement. In 34 original essays from established and emerging scholars, this collection offers a diverse range of developing topics and new critical approaches to the interpretation of impressionist art. Focusing on the 1860s to 1890s, A Companion to Impressionism explores artists who are well-represented in impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism’s global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, as well as the movement’s exhibition and reception history. This innovative volume also includes new discussions of modern identity in Impressionism in the contexts of race, nationality, gender, and sexuality and through its explorations of the international reach and influence of Impressionism. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important addition to scholarship in this field stands as the 21st century’s first major and large-scale academic reassessment of Impressionism. Featuring essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina, this is an invaluable text for students and scholars studying Impressionism and late 19th-century European art, Post-Impressionism, modern art, and modern French cultural history.
Sale
Author: American Art Association, Anderson Galleries (Firm)Publisher:
ISBN:
Category :
Languages : en
Pages : 1670
Book Description
Author: Jean Verrier
Author: