Author: NAÏS FLAVIA
Publisher: Lulu.com
ISBN: 1304543978
Category : Poetry
Languages : fr
Pages : 73
Book Description
De nos jours, les hommes sont comme des marionnettes. Ces dernières se confondent, se déchainent. Elles passent et repassent dans le cosmos de la vie comme des fantômes. Sont-elles vivantes ? Sont-elles mortes ? Sont-elles d'ici ou d'ailleurs ?Dans la haine, dans la rage, dans la tendresse ou dans la tristesse, et à travers des poèmes, chaque marionnette est comme une ombre. Elle nous relate sa propre histoire et nous donne sa propre vision de la vie. Le 'je' est omniprésent. Chaque ombre prend la parole pour se livrer à nous. Et chaque parole est une émotion.L'âme humaine est un miroir, elle se traduit dans l'obscurité qui résume son caractère. Le monde est une complexité sauvage, acharné, il nous transporte dans son tourbillon. Et donc écouter l'histoire des autres est la meilleure chose pour s'en sortir.Naïs
LES MARIONNETTES
Author: NAÏS FLAVIA
Publisher: Lulu.com
ISBN: 1304543978
Category : Poetry
Languages : fr
Pages : 73
Book Description
De nos jours, les hommes sont comme des marionnettes. Ces dernières se confondent, se déchainent. Elles passent et repassent dans le cosmos de la vie comme des fantômes. Sont-elles vivantes ? Sont-elles mortes ? Sont-elles d'ici ou d'ailleurs ?Dans la haine, dans la rage, dans la tendresse ou dans la tristesse, et à travers des poèmes, chaque marionnette est comme une ombre. Elle nous relate sa propre histoire et nous donne sa propre vision de la vie. Le 'je' est omniprésent. Chaque ombre prend la parole pour se livrer à nous. Et chaque parole est une émotion.L'âme humaine est un miroir, elle se traduit dans l'obscurité qui résume son caractère. Le monde est une complexité sauvage, acharné, il nous transporte dans son tourbillon. Et donc écouter l'histoire des autres est la meilleure chose pour s'en sortir.Naïs
Publisher: Lulu.com
ISBN: 1304543978
Category : Poetry
Languages : fr
Pages : 73
Book Description
De nos jours, les hommes sont comme des marionnettes. Ces dernières se confondent, se déchainent. Elles passent et repassent dans le cosmos de la vie comme des fantômes. Sont-elles vivantes ? Sont-elles mortes ? Sont-elles d'ici ou d'ailleurs ?Dans la haine, dans la rage, dans la tendresse ou dans la tristesse, et à travers des poèmes, chaque marionnette est comme une ombre. Elle nous relate sa propre histoire et nous donne sa propre vision de la vie. Le 'je' est omniprésent. Chaque ombre prend la parole pour se livrer à nous. Et chaque parole est une émotion.L'âme humaine est un miroir, elle se traduit dans l'obscurité qui résume son caractère. Le monde est une complexité sauvage, acharné, il nous transporte dans son tourbillon. Et donc écouter l'histoire des autres est la meilleure chose pour s'en sortir.Naïs
Marionettes in the North of France
Author: Reginald S. Sibbald
Publisher: University of Pennsylvania Press
ISBN: 1512807079
Category : Drama
Languages : en
Pages : 148
Book Description
The origin and development of the marionette theater, emphasizing its growth in a region where it still flourishes as a popular form of entertainment.
Publisher: University of Pennsylvania Press
ISBN: 1512807079
Category : Drama
Languages : en
Pages : 148
Book Description
The origin and development of the marionette theater, emphasizing its growth in a region where it still flourishes as a popular form of entertainment.
The Marionnette
Come Out to Play
Author: M. E. F. Irwin
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 326
Book Description
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 326
Book Description
Author:
Publisher: Odile Jacob
ISBN: 2738171702
Category :
Languages : en
Pages : 210
Book Description
Publisher: Odile Jacob
ISBN: 2738171702
Category :
Languages : en
Pages : 210
Book Description
Authenticity and Legitimacy in Minority Theatre
Author: Patrice Brasseur
Publisher: Cambridge Scholars Publishing
ISBN: 1443821845
Category : Performing Arts
Languages : en
Pages : 380
Book Description
Contemporary theatre is one of the best ways for ethno-cultural minorities to express themselves, whether they be of indigenous origin or immigrants. It is often used to denounce social injustice and discrimination and, more generally, it helps to air questions debated in the wider community. It may also express itself thanks to the staging of collective memory, for it constitutes a privileged space for the exploration of the trauma of the past (colonial, for example), as well as providing a means of effecting the reconfiguration of a new identity, or of articulating an uneasiness about that identity. Should minority theatre increase its visibility in relation to the mainstream, or, on the contrary, remain on the margins and assert its specificity? This question is at the centre of French-Canadian experience, for example, but also applies to other postcolonial societies, in Europe and elsewhere. In order to maintain its cultural authenticity, should this type of theatre distinguish itself from a multiculturalism that runs the risk of political and social recuperation? If it is unable to resist the model proposed by globalization and widespread cultural dissemination, will it lose its legitimacy? Can, and should there be, a form of popular art at the service of the community? The term “minority” raises questions that will be examined by the articles collected in this volume. What is the definition of a minority? Does this term refer to experimental and avant-garde art forms as well as to ethno-cultural drama? Contemporary theatre is characterized by an aesthetics of hybridity—in what measure is this the case for theatre outside the mainstream? The exploration of this kind of theatre necessitates an examination of the very concept of theatre per se. Since the development of the electronic media as the privileged vector of culture, has not the theatrical genre itself become a minority art form? These are some of the pressing questions that this volume will try to address, thanks to a cross-cultural, multidisciplinary approach that aims to reveal the rich diversity of the field under study.
Publisher: Cambridge Scholars Publishing
ISBN: 1443821845
Category : Performing Arts
Languages : en
Pages : 380
Book Description
Contemporary theatre is one of the best ways for ethno-cultural minorities to express themselves, whether they be of indigenous origin or immigrants. It is often used to denounce social injustice and discrimination and, more generally, it helps to air questions debated in the wider community. It may also express itself thanks to the staging of collective memory, for it constitutes a privileged space for the exploration of the trauma of the past (colonial, for example), as well as providing a means of effecting the reconfiguration of a new identity, or of articulating an uneasiness about that identity. Should minority theatre increase its visibility in relation to the mainstream, or, on the contrary, remain on the margins and assert its specificity? This question is at the centre of French-Canadian experience, for example, but also applies to other postcolonial societies, in Europe and elsewhere. In order to maintain its cultural authenticity, should this type of theatre distinguish itself from a multiculturalism that runs the risk of political and social recuperation? If it is unable to resist the model proposed by globalization and widespread cultural dissemination, will it lose its legitimacy? Can, and should there be, a form of popular art at the service of the community? The term “minority” raises questions that will be examined by the articles collected in this volume. What is the definition of a minority? Does this term refer to experimental and avant-garde art forms as well as to ethno-cultural drama? Contemporary theatre is characterized by an aesthetics of hybridity—in what measure is this the case for theatre outside the mainstream? The exploration of this kind of theatre necessitates an examination of the very concept of theatre per se. Since the development of the electronic media as the privileged vector of culture, has not the theatrical genre itself become a minority art form? These are some of the pressing questions that this volume will try to address, thanks to a cross-cultural, multidisciplinary approach that aims to reveal the rich diversity of the field under study.
Europa! Europa?
Author: Sascha Bru
Publisher: Walter de Gruyter
ISBN: 3110217724
Category : Literary Criticism
Languages : en
Pages : 547
Book Description
The first volume of the new series “European Avant-Garde and Modernism Studies” focuses on the relation between the avant-garde, modernism and Europe. It combines interdisciplinary and intermedial research on experimental aesthetics and poetics. The essays, written by experts from more than fifteen countries, seek to bring out the complexity of the European avant-garde and modernism by relating it to Europe’s intricate history, multiculturalism and multilingualism. They aim to inquire into the divergent cultural views on Europe taking shape in avant-garde and modernist practices and to chart a composite image of the “other Europe(s)” that have emerged from the (contemporary) avant-garde and experimental modernism. How did the avant-garde and modernism in (and outside) Europe give shape to local, national and pan-European forms of identity and community? To what extent does the transnational exchange and cross-fertilisation of aesthetic tendencies illustrate the well-rehearsed claim that the avant-gardes form a typically European phenomenon? Dealing with canonised as well as lesser known exponents of modernism and the avant-garde throughout Europe, this book will appeal to all those interested in European cultural, literary and art history.
Publisher: Walter de Gruyter
ISBN: 3110217724
Category : Literary Criticism
Languages : en
Pages : 547
Book Description
The first volume of the new series “European Avant-Garde and Modernism Studies” focuses on the relation between the avant-garde, modernism and Europe. It combines interdisciplinary and intermedial research on experimental aesthetics and poetics. The essays, written by experts from more than fifteen countries, seek to bring out the complexity of the European avant-garde and modernism by relating it to Europe’s intricate history, multiculturalism and multilingualism. They aim to inquire into the divergent cultural views on Europe taking shape in avant-garde and modernist practices and to chart a composite image of the “other Europe(s)” that have emerged from the (contemporary) avant-garde and experimental modernism. How did the avant-garde and modernism in (and outside) Europe give shape to local, national and pan-European forms of identity and community? To what extent does the transnational exchange and cross-fertilisation of aesthetic tendencies illustrate the well-rehearsed claim that the avant-gardes form a typically European phenomenon? Dealing with canonised as well as lesser known exponents of modernism and the avant-garde throughout Europe, this book will appeal to all those interested in European cultural, literary and art history.
Tom Brown's School Days
Surrealism and the Book
Author: Renee Riese Hubert
Publisher: Univ of California Press
ISBN: 0520329511
Category : Literary Criticism
Languages : en
Pages : 732
Book Description
Publisher: Univ of California Press
ISBN: 0520329511
Category : Literary Criticism
Languages : en
Pages : 732
Book Description
Reading Between the Lines
Author: Jean H. Duffy
Publisher: Liverpool University Press
ISBN: 9780853238515
Category : Literary Criticism
Languages : en
Pages : 420
Book Description
This is the first extended analysis of Simon’s novels, examining the relationship between the work of the French Nobel prize-winning novelist Claude Simon and that of a number of visual artists whose work he has used as stimuli in the production of his novels.
Publisher: Liverpool University Press
ISBN: 9780853238515
Category : Literary Criticism
Languages : en
Pages : 420
Book Description
This is the first extended analysis of Simon’s novels, examining the relationship between the work of the French Nobel prize-winning novelist Claude Simon and that of a number of visual artists whose work he has used as stimuli in the production of his novels.