Author: Judith B. Hecker
Publisher: The Museum of Modern Art
ISBN: 9780870707797
Category : Art
Languages : en
Pages : 120
Book Description
This visually compelling publication highlights The Museum of Modern Art's unparalleled collection of prints and books byWilliam Kentridge - nearly fifty works spanning the past three decades. The book also features a succession of artistic interventions made by Kentridge especially for the occasion. Kentridge's practice brings together drawing, film animation, books, sculpture and performance. Too little known is the extent to which the artist applies his astonishing draftsmanship to the techniques of printmaking, including etching, screenprinting, lithography and linoleum cut. In fact printmaking has always been essential to his work, from his first forays into visual art in the 1970s to his recent large-scale operas. Kentridge's love of the printed image extends to an embrace of books. He often draws and prints on unbound pages from encyclopaedias, ledgers and the like, the readymade support adding nuance and complexity to his work. He has extended these practices in William Kentridge: Trace, using translucent pages interspersed throughout the book to respond to his prints reproduced between them in a visual dialogue between the past and the present. The book also includes an essay, an annotated checklist, a chronology and the text of a lecture by Kentridge on printmaking, illuminating its relevance to his broader practice. The publication coincides with the Museum's presentation of the touring exhibition William Kentridge: Five Themes. MoMA's presentation will be unique in its addition to the numerous collection works, including most of the prints reproduced in this volume.
William Kentridge
Author: Judith B. Hecker
Publisher: The Museum of Modern Art
ISBN: 9780870707797
Category : Art
Languages : en
Pages : 120
Book Description
This visually compelling publication highlights The Museum of Modern Art's unparalleled collection of prints and books byWilliam Kentridge - nearly fifty works spanning the past three decades. The book also features a succession of artistic interventions made by Kentridge especially for the occasion. Kentridge's practice brings together drawing, film animation, books, sculpture and performance. Too little known is the extent to which the artist applies his astonishing draftsmanship to the techniques of printmaking, including etching, screenprinting, lithography and linoleum cut. In fact printmaking has always been essential to his work, from his first forays into visual art in the 1970s to his recent large-scale operas. Kentridge's love of the printed image extends to an embrace of books. He often draws and prints on unbound pages from encyclopaedias, ledgers and the like, the readymade support adding nuance and complexity to his work. He has extended these practices in William Kentridge: Trace, using translucent pages interspersed throughout the book to respond to his prints reproduced between them in a visual dialogue between the past and the present. The book also includes an essay, an annotated checklist, a chronology and the text of a lecture by Kentridge on printmaking, illuminating its relevance to his broader practice. The publication coincides with the Museum's presentation of the touring exhibition William Kentridge: Five Themes. MoMA's presentation will be unique in its addition to the numerous collection works, including most of the prints reproduced in this volume.
Publisher: The Museum of Modern Art
ISBN: 9780870707797
Category : Art
Languages : en
Pages : 120
Book Description
This visually compelling publication highlights The Museum of Modern Art's unparalleled collection of prints and books byWilliam Kentridge - nearly fifty works spanning the past three decades. The book also features a succession of artistic interventions made by Kentridge especially for the occasion. Kentridge's practice brings together drawing, film animation, books, sculpture and performance. Too little known is the extent to which the artist applies his astonishing draftsmanship to the techniques of printmaking, including etching, screenprinting, lithography and linoleum cut. In fact printmaking has always been essential to his work, from his first forays into visual art in the 1970s to his recent large-scale operas. Kentridge's love of the printed image extends to an embrace of books. He often draws and prints on unbound pages from encyclopaedias, ledgers and the like, the readymade support adding nuance and complexity to his work. He has extended these practices in William Kentridge: Trace, using translucent pages interspersed throughout the book to respond to his prints reproduced between them in a visual dialogue between the past and the present. The book also includes an essay, an annotated checklist, a chronology and the text of a lecture by Kentridge on printmaking, illuminating its relevance to his broader practice. The publication coincides with the Museum's presentation of the touring exhibition William Kentridge: Five Themes. MoMA's presentation will be unique in its addition to the numerous collection works, including most of the prints reproduced in this volume.
Le Grand dictionnaire françois-flaman, de J. L. d'Arsy [E. E. L. Mellema revised by J. L. d'Arsy.] ... Item une Grammaire françoise. Le tout revû, corrigé&augmenté ... Par Thomas La Gruë, etc. (Het Groote woorden-boek ... In deeze laatste Druk ... vermeerdert ... door Joannes en Philippus La Gruë.).
Royal Dictionary English and French and French and English ... (Grand Dictionnaire Français-Anglais Et Anglais-Français)
Author: Charles Fleming (Professor at the College Louis-le-Grand.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1256
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1256
Book Description
Royal Dictionary English and French and French and English Compiled from the Dictionaries of Johnson, Todd ... by Professors Fleming and Tibbins
Royal Dictionary, English and French and French and English
Reports
Author: Great Britain. Royal Commission on Historical Manuscripts
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 418
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 418
Book Description
1534–1663
Author: Jean B. A. Ferland
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111413896
Category : Language Arts & Disciplines
Languages : en
Pages : 548
Book Description
No detailed description available for "1534-1663".
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111413896
Category : Language Arts & Disciplines
Languages : en
Pages : 548
Book Description
No detailed description available for "1534-1663".
Report
Author: Commonwealth Shipping Committee
Publisher:
ISBN:
Category : Shipping
Languages : en
Pages : 1036
Book Description
Publisher:
ISBN:
Category : Shipping
Languages : en
Pages : 1036
Book Description
Research Report
Bibliographie Relative Aux Irrigations, Au Drainage, À la Régularisation Des Cours D'eau Et À la Maîtrise Des Crues
Author: International Commission on Irrigation and Drainage
Publisher:
ISBN:
Category : Drainage
Languages : en
Pages : 164
Book Description
Publisher:
ISBN:
Category : Drainage
Languages : en
Pages : 164
Book Description