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Author: Jules Barbey d'Aurevilly
Publisher:
ISBN:
Category :
Languages : en
Pages : 266

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Author: Susan Hayward
Publisher: Bloomsbury Publishing
ISBN: 0857714333
Category : Performing Arts
Languages : en
Pages : 127

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Book Description
Hugely enjoyable and exciting, long awaited book by top world authority on French cinema. This is the first book to focus on this very contemporary film. "Les Diaboliques" is often shown and is easily available on DVD and video "Les Diaboliques" was a top grossing film in 1955. Clouzot shrouded his film in mystery and also radically changed the original story of the novel, heterosexualising the original lesbian plot. "Les Diaboliques" still intrigues perhaps due to its excessive ambiguities and numerous plot twists that make it a 'film noir' to end all 'films noir', and not least the great performance of Simone Signoret. In this enjoyable and challenging "Cine-File", Hayward sets "Les Diaboliques" against the political culture of its time and demonstrates the importance of Clouzot as a master of the thriller genre. She gives an illuminating in-depth textual analysis of the film and presents a comparison with its US remake.

Author: Jules Barbey d'Aurevilly
Publisher: Buccaneer Books
ISBN:
Category :
Languages : en
Pages : 272

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Author: Pierre Boileau
Publisher: Pushkin Press
ISBN: 1782271406
Category : Fiction
Languages : en
Pages : 161

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Book Description
A murdered spouse returns from the dead in this classic thriller. Every Saturday evening, travelling salesman Ferdinand Ravinel returns to his wife, Mireille, who waits patiently for him at home. But Ferdinand has another lover, Lucienne, an ambitious doctor, and together the adulterers have devised a murderous plan. Drugging Mireille, the pair drown her in a bathtub, but in the morning, before the "accidental" death can be discovered, the corpse is gone-so begins the unraveling of Ferdinand's plot, and his sanity... This classic of French noir fiction was adapted for the screen by Henri-Georges Clouzot as Les Diaboliques ( The Devils), starring Simone Signoret and Véra Clouzot, the film which in turn inspired Alfred Hitchcock's Psycho. A second movie version, Diabolique, followed in 1996, starring Sharon Stone. Boileau-Narcejac is the nom-de-plume of Pierre Boileau (1906-89) and Thomas Narcejac (1908-98), one of France's most successful writing duos. Boileau and Narcejac both individually received the prestigious Prix du roman d'aventures before beginning a partnership that spanned four decades, from the Fifties to the Eighties, and produced more than fifty thrillers. Their works inspired numerous films, including Alfred Hitchcock's Vertigo and Henri-Georges Clouzot's Les Diaboliques, based on their 1952 debut novel She Who Was No More.

Author: D'aurevilly Jules Barbey D'aurevilly
Publisher:
ISBN: 9788726765243
Category :
Languages : en
Pages : 0

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Author: Jules Barbey d'Aurevilly
Publisher:
ISBN:
Category :
Languages : en
Pages : 314

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Book Description

Author: Christopher Lloyd
Publisher: Manchester University Press
ISBN: 9780719070143
Category : Biography & Autobiography
Languages : en
Pages : 204

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Book Description
Despite his controversial reputation and international notoriety as a filmmaker, no full-length study of Clouzot has ever been published in English. This book offers a significant revaluation of Clouzot's achievement, situating his career in the wider context of French cinema and society, and providing detailed and clear analysis of his major films (Le Corbeau, Quai des Orfèvres, Le Salaire de la peur, Les Diaboliques, Le Mystère Picasso).

Author: Allan H. Pasco
Publisher: Routledge
ISBN: 1000134741
Category : Literary Collections
Languages : en
Pages : 226

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Book Description
The 19th-Century French Short Story, by eminent scholar, Allan H. Pasco, seeks to offer a more comprehensive view of the definition, capabilities, and aims of short stories. The book examines general instances of the genre specifically in 19th-century France by recognizing their cultural context, demonstrating how close analysis of texts effectively communicates their artistry, and arguing for a distinction between middling and great short stories. Where previous studies have examined the writers of short stories individually, The 19th-Century French Short Story takes a broader lens to the subject, and looks at short story writers as they grapple with the artistic, ethical, and social concerns of their day. Making use of French short story masterpieces, with reinforcing comparisons to works from other traditions, this book offers the possibility of a more adequate appreciation of the under-valued short story genre.

Author: Nichole T. Rustin
Publisher: Duke University Press
ISBN: 0822389223
Category : Music
Languages : en
Pages : 474

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Book Description
In jazz circles, players and listeners with “big ears” hear and engage complexity in the moment, as it unfolds. Taking gender as part of the intricate, unpredictable action in jazz culture, this interdisciplinary collection explores the terrain opened up by listening, with big ears, for gender in jazz. Essays range from a reflection on the female boogie-woogie pianists who played at Café Society in New York during the 1930s and 1940s to interpretations of how the jazzman is represented in Dorothy Baker’s novel Young Man with a Horn (1938) and Michael Curtiz’s film adaptation (1950). Taken together, the essays enrich the field of jazz studies by showing how gender dynamics have shaped the production, reception, and criticism of jazz culture. Scholars of music, ethnomusicology, American studies, literature, anthropology, and cultural studies approach the question of gender in jazz from multiple perspectives. One contributor scrutinizes the tendency of jazz historiography to treat singing as subordinate to the predominantly male domain of instrumental music, while another reflects on her doubly inappropriate position as a female trumpet player and a white jazz musician and scholar. Other essays explore the composer George Russell’s Lydian Chromatic Concept as a critique of mid-twentieth-century discourses of embodiment, madness, and black masculinity; performances of “female hysteria” by Les Diaboliques, a feminist improvising trio; and the BBC radio broadcasts of Ivy Benson and Her Ladies’ Dance Orchestra during the Second World War. By incorporating gender analysis into jazz studies, Big Ears transforms ideas of who counts as a subject of study and even of what counts as jazz. Contributors: Christina Baade, Jayna Brown, Farah Jasmine Griffin, Monica Hairston, Kristin McGee, Tracy McMullen, Ingrid Monson, Lara Pellegrinelli, Eric Porter, Nichole T. Rustin, Ursel Schlicht, Julie Dawn Smith, Jeffrey Taylor, Sherrie Tucker, João H. Costa Vargas

Author: Pierre Boileau
Publisher: Pushkin Vertigo
ISBN: 1782271392
Category : Fiction
Languages : en
Pages : 163

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The original breath-taking psychological thriller behind Hitchcock’s legendary film—the story of a man tormented by his search for the truth, and ultimately destroyed by a terrible secret It could have happened to any of us, but it happened to a man named Flavieres. His days as a detective were over, and everyone knew he had his reasons. But when an old friend appeared out of nowhere with concerns about his withdrawn and mysterious wife, Flavieres didn't have the heart to refuse. Soon, he would be scouring the streets of Paris in search of an answer—in search of a girl who belonged to no one, not even to herself. Intrigue would be replaced by obsession, and dreams replaced by nightmares. This is the story of a desperate man. A man who ended up compromising his own morality beyond all measure, while World War II raged outside his front door. A man tormented—and destroyed—by a dark, terrible secret.