Author: Dorothy Viljoen
Publisher: Council of Europe
ISBN: 9789287125446
Category : Artists' contracts
Languages : en
Pages : 92
Book Description
Les clés de la négociation des contrats de coproduction audiovisuelle
Author: Dorothy Viljoen
Publisher: Council of Europe
ISBN: 9789287125446
Category : Artists' contracts
Languages : en
Pages : 92
Book Description
Publisher: Council of Europe
ISBN: 9789287125446
Category : Artists' contracts
Languages : en
Pages : 92
Book Description
Nye Publikationer Om Den Europæiske Union Modtaget Af Biblioteket
Author: European Commission. Library
Publisher:
ISBN:
Category : Commission of the European Communities
Languages : fr
Pages : 310
Book Description
Publisher:
ISBN:
Category : Commission of the European Communities
Languages : fr
Pages : 310
Book Description
Les contrats de la production
Author: Catherine Martel
Publisher: Editions Dixit
ISBN: 9782844811097
Category : Artists' contracts
Languages : fr
Pages : 352
Book Description
Présente les différents contrats élaborés en direction des auteurs, des acteurs des techniciens, de la coproduction, les contrats d'exploitation et les contrats divers. Fournit des modèles de contrats types. Cette édition est enrichie des clauses spécifiques à Internet et des nouveaux accords concernant l'exploitation par vidéo et télédiffusion.
Publisher: Editions Dixit
ISBN: 9782844811097
Category : Artists' contracts
Languages : fr
Pages : 352
Book Description
Présente les différents contrats élaborés en direction des auteurs, des acteurs des techniciens, de la coproduction, les contrats d'exploitation et les contrats divers. Fournit des modèles de contrats types. Cette édition est enrichie des clauses spécifiques à Internet et des nouveaux accords concernant l'exploitation par vidéo et télédiffusion.
La nature du contrat de coproduction audiovisuelle
La nature juridique du contrat de coproduction de l'oeuvre audiovisuelle en droit français
Author: Sabine Jouve
Publisher:
ISBN:
Category :
Languages : fr
Pages : 546
Book Description
LA TECHNIQUE DE LA COPRODUCTION COMME MODE DE FINANCEMENT DES UVRES AUDIOVISUELLES FAIT L'OBJET D'ENCOURAGEMENTS DE LA PART DES POUVOIRS PUBLICS EN FRANCE. LE RECOURS AU MECANISME DE LA COPRODUCTION PARAIT TOUT A FAIT SOUHAITABLE CAR IL PERMET D'ASSOCIER LES CAPACITES FINANCIERES AUX COMPETENCES ARTISTIQUES ET TECHNIQUES NECESSAIRES A LA REALISATION DE L'UVRE AUDIOVISUELLE. LE SUCCES ET LE DEVELOPPEMENT DE CETTE TECHNIQUE IMPLIQUENT NEANMOINS L'EXISTENCE D'INSTRUMENTS JURIDIQUES ADEQUATS PERMETTANT SA MISE EN UVRE. LA PREMIERE PARTIE DE CETTE ETUDE EST AINSI CONSACREE A UN EXAMEN DE LA CONTROVERSE ENTOURANT LA QUALIFICATION JURIDIQUE DU CONTRAT DE COPRODUCTION. LA QUALIFICATION DE SOCIETE EN PARTICIPATION ADOPTEE PAR LE JUGE SOUMET LES CONTRATS DE COPRODUCTION A UN REGIME JURIDIQUE QUISEMBLE PEU ADAPTE. SI ON ESTIME NECESSAIRE D'AIDER UN SECTEUR, EN DIFFICULTE QU'EST CELUI DE LA PRODUCTION AUDIOVISUELLE, IL FAUT FAIRE PREUVE DE COHERENCE ET SOUMETTRE LES CONTRATS CONCLU PAR LES PROFESSIONNELS A UN REGIME JURIDIQUE QUI PERMETTE LE RESPECT DE L'ECONOMIE PARTICULIERE DU CONTRAT DE COPRODUCTION. LA DEUXIEME PARTIE EST DONC CONSACREE A UNE NOUVELLE APPROCHE DU CONTRAT DE COPRODUCTION DANS LE BUT DE PROPOSER UNE QUALIFICATION DU CONTRAT DE COPRODUCTION COHERENTE D'UN POINT DE VUE JURIDIQUE ET QUI SATISFASSE AUX IMPERATIFS ECONOMIQUES DE CETTE ACTIVITE.
Publisher:
ISBN:
Category :
Languages : fr
Pages : 546
Book Description
LA TECHNIQUE DE LA COPRODUCTION COMME MODE DE FINANCEMENT DES UVRES AUDIOVISUELLES FAIT L'OBJET D'ENCOURAGEMENTS DE LA PART DES POUVOIRS PUBLICS EN FRANCE. LE RECOURS AU MECANISME DE LA COPRODUCTION PARAIT TOUT A FAIT SOUHAITABLE CAR IL PERMET D'ASSOCIER LES CAPACITES FINANCIERES AUX COMPETENCES ARTISTIQUES ET TECHNIQUES NECESSAIRES A LA REALISATION DE L'UVRE AUDIOVISUELLE. LE SUCCES ET LE DEVELOPPEMENT DE CETTE TECHNIQUE IMPLIQUENT NEANMOINS L'EXISTENCE D'INSTRUMENTS JURIDIQUES ADEQUATS PERMETTANT SA MISE EN UVRE. LA PREMIERE PARTIE DE CETTE ETUDE EST AINSI CONSACREE A UN EXAMEN DE LA CONTROVERSE ENTOURANT LA QUALIFICATION JURIDIQUE DU CONTRAT DE COPRODUCTION. LA QUALIFICATION DE SOCIETE EN PARTICIPATION ADOPTEE PAR LE JUGE SOUMET LES CONTRATS DE COPRODUCTION A UN REGIME JURIDIQUE QUISEMBLE PEU ADAPTE. SI ON ESTIME NECESSAIRE D'AIDER UN SECTEUR, EN DIFFICULTE QU'EST CELUI DE LA PRODUCTION AUDIOVISUELLE, IL FAUT FAIRE PREUVE DE COHERENCE ET SOUMETTRE LES CONTRATS CONCLU PAR LES PROFESSIONNELS A UN REGIME JURIDIQUE QUI PERMETTE LE RESPECT DE L'ECONOMIE PARTICULIERE DU CONTRAT DE COPRODUCTION. LA DEUXIEME PARTIE EST DONC CONSACREE A UNE NOUVELLE APPROCHE DU CONTRAT DE COPRODUCTION DANS LE BUT DE PROPOSER UNE QUALIFICATION DU CONTRAT DE COPRODUCTION COHERENTE D'UN POINT DE VUE JURIDIQUE ET QUI SATISFASSE AUX IMPERATIFS ECONOMIQUES DE CETTE ACTIVITE.
La production audiovisuelle
Author: Catherine Martel
Publisher: Editions Dixit
ISBN: 9782844810557
Category : Artists' contracts
Languages : fr
Pages : 352
Book Description
Une présentation des différents contrats élaborés en direction des auteurs, de la coproduction, des acteurs, des techniciens et de l'exploitation audiovisuelle. 30 modèles de contrats expliqués.
Publisher: Editions Dixit
ISBN: 9782844810557
Category : Artists' contracts
Languages : fr
Pages : 352
Book Description
Une présentation des différents contrats élaborés en direction des auteurs, de la coproduction, des acteurs, des techniciens et de l'exploitation audiovisuelle. 30 modèles de contrats expliqués.
Market Assessment Study of New Media Learning Materials
Author: Canada. Industry Canada
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 56
Book Description
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 56
Book Description
Brian Eno: Visual Music
Author: Christopher Scoates
Publisher: Chronicle Books
ISBN: 1452129487
Category : Art
Languages : en
Pages : 408
Book Description
This comprehensive monograph celebrates the visual art of renowned musician Brian Eno. Spanning more than 40 years, Brian Eno: Visual Music weaves a dialogue between Eno's museum and gallery installations and his musical endeavors—all illustrated with never-before-published archival materials such as sketchbook pages, installation views, screenshots, and more. Steve Dietz, Brian Dillon, Roy Ascott, and William R. Wright contextualize Eno's contribution to new media art, while Eno himself shares insights into his process. Also included is a download code for a previously unreleased piece of music created by Eno, making this ebook a requisite for fans and collectors.
Publisher: Chronicle Books
ISBN: 1452129487
Category : Art
Languages : en
Pages : 408
Book Description
This comprehensive monograph celebrates the visual art of renowned musician Brian Eno. Spanning more than 40 years, Brian Eno: Visual Music weaves a dialogue between Eno's museum and gallery installations and his musical endeavors—all illustrated with never-before-published archival materials such as sketchbook pages, installation views, screenshots, and more. Steve Dietz, Brian Dillon, Roy Ascott, and William R. Wright contextualize Eno's contribution to new media art, while Eno himself shares insights into his process. Also included is a download code for a previously unreleased piece of music created by Eno, making this ebook a requisite for fans and collectors.
Planet Simpson
Author: Chris Turner
Publisher: Vintage Canada
ISBN: 030736609X
Category : Performing Arts
Languages : en
Pages : 578
Book Description
A smart, accessible and funny cultural analysis of The Simpsons, its inside stories and the world it reflects. From Bart Simpson to Monty Burns, the Internet boom to the slow drowning of Tuvalu, Planet Simpson explores how one of the most popular shows in television history has changed the way we look at our bewildering times. Award-winning journalist Chris Turner delves into the most esoteric of Simpsons fansites and on-line subcultures, the show’s inside jokes, its sharpest parodies and its ongoing love-hate relationship with celebrity to reveal a rarity of literary accomplishment and pop-cultural import — something never before achieved by a cartoon. Complementing its satirical brilliance, The Simpsons boasts a beloved cast of characters, examined here in playful and scrupulous detail: Homer, selfish, tyrannical and not too bright, but always contentedly beholden to his family; Bart, pre-teen nihilist and punk icon; Lisa, junior feminist crusader; and Marge, archetypical middle-American mother, perpetually dragging her family kicking and screaming to higher moral ground. And while the voice actors behind the regular cast have eschewed celebrity, Turner considers why a stunning host of guests — Hollywood icons and has-beens, politicians, professional athletes, poets and pop stars — have submitted themselves to the parodic whims of the Simpsons’ writers. Intelligent and rambunctious, absorbing and comic, Planet Simpson mines this modern cultural institution for its imaginative, hilarious, but always dead-on, reflections on our world. Excerpt from Planet Simpson Three Fun Facts About “D’ oh!” 1. The Oxford English Dictionary defines “d’oh” as “Expressing frustration at the realization that things have turned out badly or not as planned, or that one has just said or done something foolish.” 2. The origins of “D’oh!” A Tracey Ullman– era Simpsons script called for Homer to respond to an unfortunate turn of events thus: “[annoyed grunt].” Dan Castellaneta, the voice-actor who plays Homer, improvised the exclamation, “D’oh!” It stuck. 3. The godfather of “D’oh!” Dan Castellaneta freely admits that he lifted Homer’s famous yelp from James Finlayson, a Scottish actor who played a bald, cross-eyed villain in a number of Laurel & Hardy films in the 1930s. Finlayson’s annoyed grunt was a more drawn-out groan — Doooohhh! Castellaneta sped it up to create Homer’s trademark.
Publisher: Vintage Canada
ISBN: 030736609X
Category : Performing Arts
Languages : en
Pages : 578
Book Description
A smart, accessible and funny cultural analysis of The Simpsons, its inside stories and the world it reflects. From Bart Simpson to Monty Burns, the Internet boom to the slow drowning of Tuvalu, Planet Simpson explores how one of the most popular shows in television history has changed the way we look at our bewildering times. Award-winning journalist Chris Turner delves into the most esoteric of Simpsons fansites and on-line subcultures, the show’s inside jokes, its sharpest parodies and its ongoing love-hate relationship with celebrity to reveal a rarity of literary accomplishment and pop-cultural import — something never before achieved by a cartoon. Complementing its satirical brilliance, The Simpsons boasts a beloved cast of characters, examined here in playful and scrupulous detail: Homer, selfish, tyrannical and not too bright, but always contentedly beholden to his family; Bart, pre-teen nihilist and punk icon; Lisa, junior feminist crusader; and Marge, archetypical middle-American mother, perpetually dragging her family kicking and screaming to higher moral ground. And while the voice actors behind the regular cast have eschewed celebrity, Turner considers why a stunning host of guests — Hollywood icons and has-beens, politicians, professional athletes, poets and pop stars — have submitted themselves to the parodic whims of the Simpsons’ writers. Intelligent and rambunctious, absorbing and comic, Planet Simpson mines this modern cultural institution for its imaginative, hilarious, but always dead-on, reflections on our world. Excerpt from Planet Simpson Three Fun Facts About “D’ oh!” 1. The Oxford English Dictionary defines “d’oh” as “Expressing frustration at the realization that things have turned out badly or not as planned, or that one has just said or done something foolish.” 2. The origins of “D’oh!” A Tracey Ullman– era Simpsons script called for Homer to respond to an unfortunate turn of events thus: “[annoyed grunt].” Dan Castellaneta, the voice-actor who plays Homer, improvised the exclamation, “D’oh!” It stuck. 3. The godfather of “D’oh!” Dan Castellaneta freely admits that he lifted Homer’s famous yelp from James Finlayson, a Scottish actor who played a bald, cross-eyed villain in a number of Laurel & Hardy films in the 1930s. Finlayson’s annoyed grunt was a more drawn-out groan — Doooohhh! Castellaneta sped it up to create Homer’s trademark.
Blogging, Citizenship, and the Future of Media
Author: Mark Tremayne
Publisher: Routledge
ISBN: 1135863539
Category : Computers
Languages : en
Pages : 296
Book Description
This collection of original essays addresses a number of questions seeking to increase our understanding of the role of blogs in the contemporary media landscape. It takes a provocative look at how blogs are reshaping culture, media, and politics while offering multiple theoretical perspectives and methodological approaches to the study. Americans are increasingly turning to blogs for news, information, and entertainment. But what is the content of blogs? Who writes them? What is the consequence of the population’s growing dependence on blogs for political information? What are the effects of blogging? Do readers trust blogs as credible sources of information? The volume includes quantitative and qualitative studies of the blogosphere, its contents, its authors, and its networked connections. The readers of blogs are another focus of the collection: how are blog readers different from the rest of the population? What consequences do blogs have for the lives of everyday people? Finally, the book explores the ramifications of the blog phenomenon on the future of traditional media: television, newspapers, and radio.
Publisher: Routledge
ISBN: 1135863539
Category : Computers
Languages : en
Pages : 296
Book Description
This collection of original essays addresses a number of questions seeking to increase our understanding of the role of blogs in the contemporary media landscape. It takes a provocative look at how blogs are reshaping culture, media, and politics while offering multiple theoretical perspectives and methodological approaches to the study. Americans are increasingly turning to blogs for news, information, and entertainment. But what is the content of blogs? Who writes them? What is the consequence of the population’s growing dependence on blogs for political information? What are the effects of blogging? Do readers trust blogs as credible sources of information? The volume includes quantitative and qualitative studies of the blogosphere, its contents, its authors, and its networked connections. The readers of blogs are another focus of the collection: how are blog readers different from the rest of the population? What consequences do blogs have for the lives of everyday people? Finally, the book explores the ramifications of the blog phenomenon on the future of traditional media: television, newspapers, and radio.