Author: Tony Rubino
Publisher:
ISBN: 9781079587708
Category :
Languages : en
Pages : 152
Book Description
Leonardo da Vinci was a Renaissance Master and is widely considered one of the greatest painters of all time. In addition to his paintings Leonardo da Vinci was famous for his highly detailed notebooks and manuscripts where he wrote and sketched his ideas on his studies of science, invention, anatomy and nature. The notebooks of Leonardo da Vinci provide a rare glimpse into the mind of a universal genius. These notebooks are carefully crafted with that in mind, to inspire the modern day artist and inventor in the tradition of this Renaissance genius. The Vitruvian Man note book makes a great personal journal, diary and sketchbook or a perfect birthday gift or Christmas gift for the renaissance man or woman in your life. Be sure to check our other Leonardo da Vinci Notebooks designs on the Leonardo da Vinci's Notebooks page.Graph Paper / Grid Lines pages - Leonardo da Vinci's Notebook, Journal, Sketchbook, Diary (Leonardo da Vinci Notebooks)Leonardo da Vinci Notebooks - The Vitruvian Man - Features: Beautiful Glossy cover.150 Graph Paper pages perfect for writing, journaling, drawing, sketching, or taking notes.5"x8" in size
The Leonardo Da Vinci Sketch Book
Author: Tony Rubino
Publisher:
ISBN: 9781079587708
Category :
Languages : en
Pages : 152
Book Description
Leonardo da Vinci was a Renaissance Master and is widely considered one of the greatest painters of all time. In addition to his paintings Leonardo da Vinci was famous for his highly detailed notebooks and manuscripts where he wrote and sketched his ideas on his studies of science, invention, anatomy and nature. The notebooks of Leonardo da Vinci provide a rare glimpse into the mind of a universal genius. These notebooks are carefully crafted with that in mind, to inspire the modern day artist and inventor in the tradition of this Renaissance genius. The Vitruvian Man note book makes a great personal journal, diary and sketchbook or a perfect birthday gift or Christmas gift for the renaissance man or woman in your life. Be sure to check our other Leonardo da Vinci Notebooks designs on the Leonardo da Vinci's Notebooks page.Graph Paper / Grid Lines pages - Leonardo da Vinci's Notebook, Journal, Sketchbook, Diary (Leonardo da Vinci Notebooks)Leonardo da Vinci Notebooks - The Vitruvian Man - Features: Beautiful Glossy cover.150 Graph Paper pages perfect for writing, journaling, drawing, sketching, or taking notes.5"x8" in size
Publisher:
ISBN: 9781079587708
Category :
Languages : en
Pages : 152
Book Description
Leonardo da Vinci was a Renaissance Master and is widely considered one of the greatest painters of all time. In addition to his paintings Leonardo da Vinci was famous for his highly detailed notebooks and manuscripts where he wrote and sketched his ideas on his studies of science, invention, anatomy and nature. The notebooks of Leonardo da Vinci provide a rare glimpse into the mind of a universal genius. These notebooks are carefully crafted with that in mind, to inspire the modern day artist and inventor in the tradition of this Renaissance genius. The Vitruvian Man note book makes a great personal journal, diary and sketchbook or a perfect birthday gift or Christmas gift for the renaissance man or woman in your life. Be sure to check our other Leonardo da Vinci Notebooks designs on the Leonardo da Vinci's Notebooks page.Graph Paper / Grid Lines pages - Leonardo da Vinci's Notebook, Journal, Sketchbook, Diary (Leonardo da Vinci Notebooks)Leonardo da Vinci Notebooks - The Vitruvian Man - Features: Beautiful Glossy cover.150 Graph Paper pages perfect for writing, journaling, drawing, sketching, or taking notes.5"x8" in size
Becoming Leonardo
Author: Mike Lankford
Publisher: Melville House
ISBN: 1612195962
Category : Biography & Autobiography
Languages : en
Pages : 321
Book Description
A Wall Street Journal Book of the Year A Spectator Book of the Year “A truly intimate portrait of one of the greatest creators in human history,” this biography of Leonardo Da Vinci “has the pace, elegance, and authorial omnipresence of a novel,” bringing both artist and Renaissance Italy to life (Noah Charney, author of The Art of Forgery) Why did Leonardo Da Vinci leave so many of his major works uncompleted? Why did this resolute pacifist build war machines for the notorious Borgias? Why did he carry the Mona Lisa with him everywhere he went for decades, yet never quite finish it? Why did he write backwards, and was he really at war with Michelangelo? And was he gay? In a book unlike anything ever written about the Renaissance genius, Mike Lankford explodes every cliché about Da Vinci and then reconstructs him based on a rich trove of available evidence—bringing to life for the modern reader the man who has been studied by scholars for centuries—yet has remained as mysterious as ever. Seeking to envision Da Vinci without the obscuring residue of historical varnish, the sights, sounds, smells, and feel of Renaissance Italy—usually missing in other biographies—are all here, transporting readers back to a world of war and plague and court intrigue, of viciously competitive famous artists, of murderous tyrants with exquisite tastes in art . . . Lankford brilliantly captures Da Vinci’s life as the compelling and dangerous adventure it seems to have actually been—fleeing from one sanctuary to the next, somehow surviving in war zones beside his friend Machiavelli, struggling to make art his way or no way at all . . . and often paying dearly for those decisions. It is a thrilling and absorbing journey into the life of a ferociously dedicated loner, whose artwork in one way or another represents his noble rebellion, providing inspiration that is timeless.
Publisher: Melville House
ISBN: 1612195962
Category : Biography & Autobiography
Languages : en
Pages : 321
Book Description
A Wall Street Journal Book of the Year A Spectator Book of the Year “A truly intimate portrait of one of the greatest creators in human history,” this biography of Leonardo Da Vinci “has the pace, elegance, and authorial omnipresence of a novel,” bringing both artist and Renaissance Italy to life (Noah Charney, author of The Art of Forgery) Why did Leonardo Da Vinci leave so many of his major works uncompleted? Why did this resolute pacifist build war machines for the notorious Borgias? Why did he carry the Mona Lisa with him everywhere he went for decades, yet never quite finish it? Why did he write backwards, and was he really at war with Michelangelo? And was he gay? In a book unlike anything ever written about the Renaissance genius, Mike Lankford explodes every cliché about Da Vinci and then reconstructs him based on a rich trove of available evidence—bringing to life for the modern reader the man who has been studied by scholars for centuries—yet has remained as mysterious as ever. Seeking to envision Da Vinci without the obscuring residue of historical varnish, the sights, sounds, smells, and feel of Renaissance Italy—usually missing in other biographies—are all here, transporting readers back to a world of war and plague and court intrigue, of viciously competitive famous artists, of murderous tyrants with exquisite tastes in art . . . Lankford brilliantly captures Da Vinci’s life as the compelling and dangerous adventure it seems to have actually been—fleeing from one sanctuary to the next, somehow surviving in war zones beside his friend Machiavelli, struggling to make art his way or no way at all . . . and often paying dearly for those decisions. It is a thrilling and absorbing journey into the life of a ferociously dedicated loner, whose artwork in one way or another represents his noble rebellion, providing inspiration that is timeless.
Vitruvian Man Notebook
Author: Leonardo Da Vinci
Publisher: Dover Publications
ISBN: 9780486836560
Category : Art
Languages : en
Pages : 0
Book Description
Featuring da Vinci's world-famous Vitruvian Man illustration on the cover, this pocket-sized notebook features 64 blank pages and makes a great place to store phone numbers, appointments, and more. It's also a wonderfully portable sketchbook.
Publisher: Dover Publications
ISBN: 9780486836560
Category : Art
Languages : en
Pages : 0
Book Description
Featuring da Vinci's world-famous Vitruvian Man illustration on the cover, this pocket-sized notebook features 64 blank pages and makes a great place to store phone numbers, appointments, and more. It's also a wonderfully portable sketchbook.
The Notebooks of Leonardo Da Vinci (Complete)
Author: Leonardo da Vinci
Publisher: Library of Alexandria
ISBN: 1465514147
Category : Fiction
Languages : en
Pages : 1118
Book Description
A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description. Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript. That, notwithstanding this eagerness to possess the Manuscripts, their contents remained a mystery, can only be accounted for by the many and great difficulties attending the task of deciphering them. The handwriting is so peculiar that it requires considerable practice to read even a few detached phrases, much more to solve with any certainty the numerous difficulties of alternative readings, and to master the sense as a connected whole. Vasari observes with reference to Leonardos writing: "he wrote backwards, in rude characters, and with the left hand, so that any one who is not practised in reading them, cannot understand them". The aid of a mirror in reading reversed handwriting appears to me available only for a first experimental reading. Speaking from my own experience, the persistent use of it is too fatiguing and inconvenient to be practically advisable, considering the enormous mass of Manuscripts to be deciphered. And as, after all, Leonardo's handwriting runs backwards just as all Oriental character runs backwards—that is to say from right to left—the difficulty of reading direct from the writing is not insuperable. This obvious peculiarity in the writing is not, however, by any means the only obstacle in the way of mastering the text. Leonardo made use of an orthography peculiar to himself; he had a fashion of amalgamating several short words into one long one, or, again, he would quite arbitrarily divide a long word into two separate halves; added to this there is no punctuation whatever to regulate the division and construction of the sentences, nor are there any accents—and the reader may imagine that such difficulties were almost sufficient to make the task seem a desperate one to a beginner. It is therefore not surprising that the good intentions of some of Leonardo s most reverent admirers should have failed.
Publisher: Library of Alexandria
ISBN: 1465514147
Category : Fiction
Languages : en
Pages : 1118
Book Description
A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description. Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript. That, notwithstanding this eagerness to possess the Manuscripts, their contents remained a mystery, can only be accounted for by the many and great difficulties attending the task of deciphering them. The handwriting is so peculiar that it requires considerable practice to read even a few detached phrases, much more to solve with any certainty the numerous difficulties of alternative readings, and to master the sense as a connected whole. Vasari observes with reference to Leonardos writing: "he wrote backwards, in rude characters, and with the left hand, so that any one who is not practised in reading them, cannot understand them". The aid of a mirror in reading reversed handwriting appears to me available only for a first experimental reading. Speaking from my own experience, the persistent use of it is too fatiguing and inconvenient to be practically advisable, considering the enormous mass of Manuscripts to be deciphered. And as, after all, Leonardo's handwriting runs backwards just as all Oriental character runs backwards—that is to say from right to left—the difficulty of reading direct from the writing is not insuperable. This obvious peculiarity in the writing is not, however, by any means the only obstacle in the way of mastering the text. Leonardo made use of an orthography peculiar to himself; he had a fashion of amalgamating several short words into one long one, or, again, he would quite arbitrarily divide a long word into two separate halves; added to this there is no punctuation whatever to regulate the division and construction of the sentences, nor are there any accents—and the reader may imagine that such difficulties were almost sufficient to make the task seem a desperate one to a beginner. It is therefore not surprising that the good intentions of some of Leonardo s most reverent admirers should have failed.
Leonardo Da Vinci: Vitruvian Man (Foiled Blank Journal)
Author: Flame Tree Studio
Publisher: Flame Tree Gift
ISBN: 9781787558618
Category :
Languages : en
Pages : 176
Book Description
A FLAME TREE SKETCHBOOK. Beautiful and luxurious the sketchbooks combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for artists, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. THE ARTIST. Painter, draughtsman, architect, military engineer, musician, scientific researcher, designer: Leonardo da Vinci was all these and more, and through his drawings we find the most direct access to his genius. This example is based on 'The Vitruvian Man', c. 1492 and printed on silver. THE FINAL WORD. As William Morris said,"Have nothing in your houses that you do not know to be useful, or believe to be beautiful."
Publisher: Flame Tree Gift
ISBN: 9781787558618
Category :
Languages : en
Pages : 176
Book Description
A FLAME TREE SKETCHBOOK. Beautiful and luxurious the sketchbooks combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for artists, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. THE ARTIST. Painter, draughtsman, architect, military engineer, musician, scientific researcher, designer: Leonardo da Vinci was all these and more, and through his drawings we find the most direct access to his genius. This example is based on 'The Vitruvian Man', c. 1492 and printed on silver. THE FINAL WORD. As William Morris said,"Have nothing in your houses that you do not know to be useful, or believe to be beautiful."
Leonardo's Art Workshop
Author: Amy Leidtke
Publisher: Rockport Publishers
ISBN: 1631595229
Category : Juvenile Nonfiction
Languages : en
Pages : 147
Book Description
Leonardo’s Art Workshop leads children on an interactive adventure through key art concepts by following the multidisciplinary approach of the Renaissance period polymath Leonardo da Vinci: experimenting, creating projects, and exploring how art intersects with science and nature. Photos of Leonardo’s own notebooks, paintings, and drawings provide visual inspiration. More than 500 years ago, Leonardo knew that the fields of science, technology, engineering, art, and mathematics (STEAM) are all connected. The insatiably curious Leonardo examined not just the outer appearance of his art subjects, but the science that explained them. He began his studies as a painter, but his curiosity, diligence, and genius made him also a master sculptor, architect, designer, scientist, engineer, and inventor. The Leonardo’s Workshop series shares this spirit of multidisciplinary inquiry with children through accessible, engaging explanations and hands-on learning. Following Leonardo’s example, this fascinating book harnesses children’s innate curiosity to explore the foundational elements of art—color, shadow and light, lines and patterns, forms and structures, and optics and special effects—and the science behind them. After each concept is explained using science, history, and real-world examples, kids can experience the principles first-hand with step-by-step STEAM projects, including: Create paints and dyes from food Harness a rainbow with a prism Build a camera obscura Make your own sundial Practice blind contour drawing Create a one-point perspective drawing Make an infinity scope Insight from other great artists and scientists—such as Sir Isaac Newton, Sandro Botticelli, Paul Klee, and Leonardo Pisano Fibonacci—are woven into the lessons throughout. Introduce vital STEAM skills through visually rich, hands-on learning with Leonardo’s Art Workshop.
Publisher: Rockport Publishers
ISBN: 1631595229
Category : Juvenile Nonfiction
Languages : en
Pages : 147
Book Description
Leonardo’s Art Workshop leads children on an interactive adventure through key art concepts by following the multidisciplinary approach of the Renaissance period polymath Leonardo da Vinci: experimenting, creating projects, and exploring how art intersects with science and nature. Photos of Leonardo’s own notebooks, paintings, and drawings provide visual inspiration. More than 500 years ago, Leonardo knew that the fields of science, technology, engineering, art, and mathematics (STEAM) are all connected. The insatiably curious Leonardo examined not just the outer appearance of his art subjects, but the science that explained them. He began his studies as a painter, but his curiosity, diligence, and genius made him also a master sculptor, architect, designer, scientist, engineer, and inventor. The Leonardo’s Workshop series shares this spirit of multidisciplinary inquiry with children through accessible, engaging explanations and hands-on learning. Following Leonardo’s example, this fascinating book harnesses children’s innate curiosity to explore the foundational elements of art—color, shadow and light, lines and patterns, forms and structures, and optics and special effects—and the science behind them. After each concept is explained using science, history, and real-world examples, kids can experience the principles first-hand with step-by-step STEAM projects, including: Create paints and dyes from food Harness a rainbow with a prism Build a camera obscura Make your own sundial Practice blind contour drawing Create a one-point perspective drawing Make an infinity scope Insight from other great artists and scientists—such as Sir Isaac Newton, Sandro Botticelli, Paul Klee, and Leonardo Pisano Fibonacci—are woven into the lessons throughout. Introduce vital STEAM skills through visually rich, hands-on learning with Leonardo’s Art Workshop.
Da Vinci's Ghost
Author: Toby Lester
Publisher: Simon and Schuster
ISBN: 1439189250
Category : History
Languages : en
Pages : 312
Book Description
In Da Vinci's Ghost, critically acclaimed historian Toby Lester tells the story of the world’s most iconic image, the Vitruvian Man, and sheds surprising new light on the artistry and scholarship of Leonardo da Vinci, one of history’s most fascinating figures. Deftly weaving together art, architecture, history, theology, and much else, Da Vinci's Ghost is a first-rate intellectual enchantment.”—Charles Mann, author of 1493 Da Vinci didn’t summon Vitruvian Man out of thin air. He was inspired by the idea originally formulated by the Roman architect Vitruvius, who suggested that the human body could be made to fit inside a circle, long associated with the divine, and a square, related to the earthly and secular. To place a man inside those shapes was to imply that the human body could indeed be a blueprint for the workings of the universe. Da Vinci elevated Vitruvius’ idea to exhilarating heights when he set out to do something unprecedented, if the human body truly reflected the cosmos, he reasoned, then studying its anatomy more thoroughly than had ever been attempted before—peering deep into body and soul—might grant him an almost godlike perspective on the makeup of the world. Written with the same narrative flair and intellectual sweep as Lester’s award-winning first book, the “almost unbearably thrilling” (Simon Winchester) Fourth Part of the World, and beautifully illustrated with Da Vinci's drawings, Da Vinci’s Ghost follows Da Vinci on his journey to understanding the secrets of the Vitruvian man. It captures a pivotal time in Western history when the Middle Ages were giving way to the Renaissance, when art, science, and philosophy were rapidly converging, and when it seemed possible that a single human being might embody—and even understand—the nature of the universe.
Publisher: Simon and Schuster
ISBN: 1439189250
Category : History
Languages : en
Pages : 312
Book Description
In Da Vinci's Ghost, critically acclaimed historian Toby Lester tells the story of the world’s most iconic image, the Vitruvian Man, and sheds surprising new light on the artistry and scholarship of Leonardo da Vinci, one of history’s most fascinating figures. Deftly weaving together art, architecture, history, theology, and much else, Da Vinci's Ghost is a first-rate intellectual enchantment.”—Charles Mann, author of 1493 Da Vinci didn’t summon Vitruvian Man out of thin air. He was inspired by the idea originally formulated by the Roman architect Vitruvius, who suggested that the human body could be made to fit inside a circle, long associated with the divine, and a square, related to the earthly and secular. To place a man inside those shapes was to imply that the human body could indeed be a blueprint for the workings of the universe. Da Vinci elevated Vitruvius’ idea to exhilarating heights when he set out to do something unprecedented, if the human body truly reflected the cosmos, he reasoned, then studying its anatomy more thoroughly than had ever been attempted before—peering deep into body and soul—might grant him an almost godlike perspective on the makeup of the world. Written with the same narrative flair and intellectual sweep as Lester’s award-winning first book, the “almost unbearably thrilling” (Simon Winchester) Fourth Part of the World, and beautifully illustrated with Da Vinci's drawings, Da Vinci’s Ghost follows Da Vinci on his journey to understanding the secrets of the Vitruvian man. It captures a pivotal time in Western history when the Middle Ages were giving way to the Renaissance, when art, science, and philosophy were rapidly converging, and when it seemed possible that a single human being might embody—and even understand—the nature of the universe.
Leonardo Da Vinci
Author: Martin Clayton
Publisher: Royal Collection Trust
ISBN: 9781909741034
Category : Anatomy, Artistic
Languages : en
Pages : 0
Book Description
"First published in hardback 2012 by Royal Collection Trust".-Title page verso.
Publisher: Royal Collection Trust
ISBN: 9781909741034
Category : Anatomy, Artistic
Languages : en
Pages : 0
Book Description
"First published in hardback 2012 by Royal Collection Trust".-Title page verso.
Leonardo Da Vinci
Author: Martin Clayton
Publisher: National Geographic Books
ISBN: 0847859401
Category : Art
Languages : en
Pages : 0
Book Description
"The year 2019 sees the 500th anniversary of the death of Leonardo da Vinci.... In the Spring of 2019, selections of the finest of Leonardo's drawings will be shown simultaneously at twelve museums and galleries across England, Scotland, Wales and Northern Ireland. The Queen's Gallery at Buckingham Palace will show 200 drawings during the Summer--the largest exhibition of Leonardo's work in almost 70 years--and many of those drawings will be displayed at the Palace of Holyroodhouse in Edinburgh the following Winter"--Foreword.
Publisher: National Geographic Books
ISBN: 0847859401
Category : Art
Languages : en
Pages : 0
Book Description
"The year 2019 sees the 500th anniversary of the death of Leonardo da Vinci.... In the Spring of 2019, selections of the finest of Leonardo's drawings will be shown simultaneously at twelve museums and galleries across England, Scotland, Wales and Northern Ireland. The Queen's Gallery at Buckingham Palace will show 200 drawings during the Summer--the largest exhibition of Leonardo's work in almost 70 years--and many of those drawings will be displayed at the Palace of Holyroodhouse in Edinburgh the following Winter"--Foreword.
Leonardo Da Vinci
Author: Leonardo (da Vinci)
Publisher: Scala Books
ISBN:
Category : Art
Languages : en
Pages : 148
Book Description
A unique interpretation of one of the most important pieces of scholarly material in existence.
Publisher: Scala Books
ISBN:
Category : Art
Languages : en
Pages : 148
Book Description
A unique interpretation of one of the most important pieces of scholarly material in existence.