Leonardo Da Vinci PDF Download

Author: Leonardo (da Vinci)
Publisher: Scala Books
ISBN:
Category : Art
Languages : en
Pages : 148

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Book Description
A unique interpretation of one of the most important pieces of scholarly material in existence.

Author: Leonardo (da Vinci)
Publisher: University of Illinois Press
ISBN:
Category : Art
Languages : en
Pages : 180

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Book Description
Includes facsim. of codex owned by Gates with commentaries by Desmond and others.

Author: Leonardo (da Vinci)
Publisher: Oxford University Press, USA
ISBN: 9780198832898
Category : History
Languages : en
Pages : 0

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Book Description
This new edition of Leonardo Da Vinci's Codex Leicester is the most comprehensive scholarly edition of any of Leonardo's manuscripts. It contains a high-quality facsimile reproduction of the Codex, a new transcription and translation, accompanied by a paraphrase in modern language and a page-by-page commentary, and a series of interpretative essays.The Codex Leicester deals almost exclusively with science, water and hydraulics. There are also studies on the subjects of astronomy, cosmology, geology, with important notes regarding the composition and nature of the "body" of the earth. This codex is now comprised of 18 loose double sheets, with densely compiled script in Leonardo's characteristic mirror writing and over 300 small illustrations in the margins.

Author: Domenico Laurenza
Publisher:
ISBN: 9788809873513
Category : Art
Languages : en
Pages : 104

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Author: Leonardo da Vinci
Publisher: Library of Alexandria
ISBN: 1465514147
Category : Fiction
Languages : en
Pages : 1118

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Book Description
A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description. Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript. That, notwithstanding this eagerness to possess the Manuscripts, their contents remained a mystery, can only be accounted for by the many and great difficulties attending the task of deciphering them. The handwriting is so peculiar that it requires considerable practice to read even a few detached phrases, much more to solve with any certainty the numerous difficulties of alternative readings, and to master the sense as a connected whole. Vasari observes with reference to Leonardos writing: "he wrote backwards, in rude characters, and with the left hand, so that any one who is not practised in reading them, cannot understand them". The aid of a mirror in reading reversed handwriting appears to me available only for a first experimental reading. Speaking from my own experience, the persistent use of it is too fatiguing and inconvenient to be practically advisable, considering the enormous mass of Manuscripts to be deciphered. And as, after all, Leonardo's handwriting runs backwards just as all Oriental character runs backwards—that is to say from right to left—the difficulty of reading direct from the writing is not insuperable. This obvious peculiarity in the writing is not, however, by any means the only obstacle in the way of mastering the text. Leonardo made use of an orthography peculiar to himself; he had a fashion of amalgamating several short words into one long one, or, again, he would quite arbitrarily divide a long word into two separate halves; added to this there is no punctuation whatever to regulate the division and construction of the sentences, nor are there any accents—and the reader may imagine that such difficulties were almost sufficient to make the task seem a desperate one to a beginner. It is therefore not surprising that the good intentions of some of Leonardo s most reverent admirers should have failed.

Author: Leonardo (da Vinci)
Publisher: Metropolitan Museum of Art
ISBN: 1588390330
Category : Drawing, Italian
Languages : en
Pages : 802

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Book Description
This handsome book offers a unified and fascinating portrait of Leonardo as draftsman, integrating his roles as artist, scientist, inventor, theorist, and teacher. 250 illustrations.

Author: Terry Brooks
Publisher: Grim Oak Press
ISBN: 1944145214
Category : Fiction
Languages : en
Pages : 409

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Book Description
It begins with a dire call-right before his father disappears and his skyscraper home's doors explode inward. Street Freaks is the kind of thrilling futuristic story only New York Times bestselling author Terry Brooks can tell. "Go into the Red Zone. Go to Street Freaks." his father directs Ashton Collins before the vid feed goes suddenly silent. The Red Zone is the dangerous heart of mega-city Los Angeles; it is a world Ash is forbidden from and one he knows little about. But if he can find Street Freaks, the strangest of aid awaits―human and barely human alike. As Ash is hunted, he must unravel the mystery left behind by his father and discover his role in this new world. Brooks has long been the grandmaster of fantasy. Now he turns his hand to science fiction filled with what his readers love best: complex characters, extraordinary settings, exciting action, and a page-turning story. Through it, Brooks reimagines his bestselling career yet again.

Author:
Publisher:
ISBN: 9788854413528
Category : Art
Languages : en
Pages : 0

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Book Description
Appreciate the multifaceted genius of Leonardo da Vinci with this beautiful look at his Codex Atlanticus. Nowhere is the genius of Leonardo da Vinci more evident than in the famous Codex Atlanticus, which preserves his dazzling ideas on subjects ranging from war machines and musical instruments to human anatomy and powered flight. Now, here are the finest pages of the Codex, shown in high-quality photographs that allow us to see details previously admired only by scholars. Leonardo da Vinci's work emerges with all its peerless force in this beautiful reproduction.

Author: Leonardo da Vinci
Publisher: Tebbo
ISBN: 9781486143924
Category : Fiction
Languages : en
Pages : 376

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Book Description
The award-winning and bestselling collection of the exquisite, annotated notebooks of Leonardo now in paperback. Culled from more than 7,000 pages of sketches and writings found in various rare books, papers, and other resources throughout the world, Leonardos Notebooks presents, for the first time, an exhaustive collection of the insights and brilliance of perhaps the finest mind the world has ever known.

Author: Stephen R. Donaldson
Publisher: Del Rey
ISBN: 0307818675
Category : Fiction
Languages : en
Pages : 545

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Book Description
“The Thomas Covenant saga . . . will certainly find a place on the small list of true classics in its specialized field.”—The Washington Post Book World After scant days in his “real” world, Thomas Covenant finds himself again summoned to the Land. There, forty bitter years have passed, while Lord Foul, immortal enemy of the Land, moves to fulfill his prophecy of doom. The Council of Lords find their spells useless, now that Foul the Despiser holds the Illearth Stone, ancient source of evil power. At last High Lord Elena turns in desperation to Covenant and the legendary white gold magic of his ring. . . .