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Author: Harriet Fertik Publisher: JHU Press ISBN: 1421432900 Category : Literary Criticism Languages : en Pages : 255
Book Description
How Romans used the world of the house to interpret and interrogate the role of the emperor. The Julio-Claudian dynasty, beginning with the rise of Augustus in the late first century BCE and ending with the death of Nero in 68 CE, was the first ruling family of the Roman Empire. Elite Romans had always used domestic space to assert and promote their authority, but what was different about the emperor's house? In The Ruler's House, Harriet Fertik considers how the emperor's household and the space he called home shaped Roman conceptions of power and one-man rule. While previous studies of power and privacy in Julio-Claudian Rome have emphasized the emperor's intrusions into the private lives of his fellow elites, this book focuses on Roman ideas of the ruler's lack of privacy. Fertik argues that houses were spaces that Romans used to contest power and to confront the contingency of their own and others' claims to rule. Describing how the Julio-Claudian period provoked anxieties not only about the ruler's power but also about his vulnerability, she reveals that the ruler's house offered a point of entry for reflecting on the interdependence and intimacy of ruler and ruled. Fertik explores the world of the Roman house, from family bonds and elite self-display to bodily functions and relations between masters and slaves. She draws on a wide range of sources, including epic and tragedy, historiography and philosophy, and art and architecture, and she investigates shared conceptions of power in elite literature and everyday life in Roman Pompeii. Examining political culture and thought in early imperial Rome, The Ruler's House confronts the fragility of one-man rule.
Author: Harriet Fertik Publisher: JHU Press ISBN: 1421432900 Category : Literary Criticism Languages : en Pages : 255
Book Description
How Romans used the world of the house to interpret and interrogate the role of the emperor. The Julio-Claudian dynasty, beginning with the rise of Augustus in the late first century BCE and ending with the death of Nero in 68 CE, was the first ruling family of the Roman Empire. Elite Romans had always used domestic space to assert and promote their authority, but what was different about the emperor's house? In The Ruler's House, Harriet Fertik considers how the emperor's household and the space he called home shaped Roman conceptions of power and one-man rule. While previous studies of power and privacy in Julio-Claudian Rome have emphasized the emperor's intrusions into the private lives of his fellow elites, this book focuses on Roman ideas of the ruler's lack of privacy. Fertik argues that houses were spaces that Romans used to contest power and to confront the contingency of their own and others' claims to rule. Describing how the Julio-Claudian period provoked anxieties not only about the ruler's power but also about his vulnerability, she reveals that the ruler's house offered a point of entry for reflecting on the interdependence and intimacy of ruler and ruled. Fertik explores the world of the Roman house, from family bonds and elite self-display to bodily functions and relations between masters and slaves. She draws on a wide range of sources, including epic and tragedy, historiography and philosophy, and art and architecture, and she investigates shared conceptions of power in elite literature and everyday life in Roman Pompeii. Examining political culture and thought in early imperial Rome, The Ruler's House confronts the fragility of one-man rule.
Author: Caitlín Eilís Barrett Publisher: Oxford University Press ISBN: 0190641371 Category : Art Languages : en Pages : 451
Book Description
Domesticating Empire is the first contextually-oriented monograph on Egyptian imagery in Roman households. Caitlín Barrett draws on case studies from Flavian Pompeii to investigate the close association between representations of Egypt and a particular type of Roman household space: the domestic garden. Through paintings and mosaics portraying the Nile, canals that turned the garden itself into a miniature "Nilescape," and statuary depicting Egyptian themes, many gardens in Pompeii offered ancient visitors evocations of a Roman vision of Egypt. Simultaneously faraway and familiar, these imagined landscapes made the unfathomable breadth of empire compatible with the familiarity of home. In contrast to older interpretations that connect Roman "Aegyptiaca" to the worship of Egyptian gods or the problematic concept of "Egyptomania," a contextual analysis of these garden assemblages suggests new possibilities for meaning. In Pompeian houses, Egyptian and Egyptian-looking objects and images interacted with their settings to construct complex entanglements of "foreign" and "familiar," "self" and "other." Representations of Egyptian landscapes in domestic gardens enabled individuals to present themselves as sophisticated citizens of empire. Yet at the same time, household material culture also exerted an agency of its own: domesticizing, familiarizing, and "Romanizing" once-foreign images and objects. That which was once imagined as alien and potentially dangerous was now part of the domus itself, increasingly incorporated into cultural constructions of what it meant to be "Roman." Featuring brilliant illustrations in both color and black and white, Domesticating Empire reveals the importance of material culture in transforming household space into a microcosm of empire.
Author: Mary Harlow Publisher: Bloomsbury Publishing ISBN: 1350278424 Category : History Languages : en Pages : 249
Book Description
A Cultural History of Shopping was a Library Journal Best in Reference selection for 2022. Covering the period from 500 BCE to 500 CE, this is the first book to address the cultural history of shoppers and shopping in antiquity. Evidence for the existence of shops has been found across many archaeological sites in Europe, North Africa, and the Middle East but the study of shops and retailing in antiquity is a relatively new subject. From Classical Greece through to the Late Roman Empire, shopping shifted from being a means to an end – a method of supplementing the family diet or providing material goods the household could not manufacture itself – to a form of experience where the processes of browsing and not purchasing became as important as buying. This dramatic transformation is a reflection of the changing material desires of these societies and their perspectives on the ways in which the fulfilment of those desires could be achieved. Recurring themes in this interdisciplinary volume include the lives of 'ordinary' people; the relationship between gender and shopping; the contrast between Greece and Rome; the attitudes towards shopkeepers; the placing of shops in the cityscape; and the zoning of particular crafts and products. A Cultural History of Shopping in Antiquity presents an overview of the period with themes addressing practices and processes; spaces and places; shoppers and identities; luxury and everyday; home and family; visual and literary representations; reputation, trust and credit; and governance, regulation and the state.
Author: Anna Anguissola Publisher: Cambridge University Press ISBN: 1108307922 Category : Art Languages : en Pages : 282
Book Description
Figural and non-figural supports are a ubiquitous feature of Roman marble sculpture; they appear in sculptures ranging in size from miniature to colossal and of all levels of quality. At odds with modern ideas about beauty, completeness, and visual congruence, these elements, especially non-figural struts, have been dismissed by scholars as mere safeguards for production and transport. However, close examination of these features reveals the tastes and expectations of those who commissioned, bought, and displayed marble sculptures throughout the Mediterranean in the Hellenistic and Roman periods. Drawing on a large body of examples, Greek and Latin literary sources, and modern theories of visual culture, this study constitutes the first comprehensive investigation of non-figural supports in Roman sculpture. The book overturns previous conceptions of Roman visual values and traditions and challenges our understanding of the Roman reception of Greek art.
Author: Ellen Swift Publisher: Oxford University Press ISBN: 0198867344 Category : History Languages : en Pages : 472
Book Description
Artefact evidence has the unique power to illuminate many aspects of life that are rarely explored in written sources, yet this potential has been underexploited in research on Roman and Late Antique Egypt. This book presents the first in-depth study that uses everyday artefacts as its principal source of evidence to transform our understanding of the society and culture of Egypt during these periods. It represents a fundamental reference work for scholars, with much new and essential information on a wide range of artefacts, many of which are found not only in Egypt but also in the wider Roman and late antique world. By taking a social archaeology approach, it sets out a new interpretation of daily life and aspects of social relations in Roman and Late Antique Egypt, contributing substantial insights into everyday practices and their social meanings in the past. Artefacts from University College London's Petrie Museum of Egyptian Archaeology are the principal source of evidence; most of these objects have not been the subject of any previous research. The book integrates the close study of artefact features with other sources of evidence, including papyri and visual material. Part one explores the social functions of dress objects, while part two explores the domestic realm and everyday experience. An important theme is the life course, and how both dress-related artefacts and ordinary functional objects construct age and gender-related status and facilitate appropriate social relations and activities. There is also a particular focus on wider social experience in the domestic context, as well as broader consideration of economic and social changes across the period.
Author: Lieve Donnellan Publisher: Routledge ISBN: 1351003046 Category : Social Science Languages : en Pages : 230
Book Description
Archaeological Networks and Social Interaction focuses on conceptualisations of human interaction, human-thing entanglement, material affordances and agency. Network concepts in the archaeological discipline are ubiquitous these days. They range from loose concepts, used as metaphors to address a notion of connectivity, to highly formal and mathematically complex predictions of human behaviour. These different networked worlds sometimes clash and rarely converge. Archaeologists interested in network analysis, however, have achieved a much better understanding of the implications of adopting formal methods for studying social interaction and there have been theoretical advancements realising a better synergy between different theoretical perspectives. These nascent concerns are explored further in this volume with regional specialists exploring case studies from Prehistory to the Middle Ages throughout the Ancient and New Worlds, outlining how formal network approaches contribute to studying social interaction archaeologically. This book will be of interest to archaeologists wishing to access the latest research on networks and interconnectivity and how these approaches have been productively modified to archaeological research.
Author: Annette Giesecke Publisher: Bloomsbury Publishing ISBN: 1350259276 Category : History Languages : en Pages : 289
Book Description
A Cultural History of Plants in Antiquity covers the period from 10,000 BCE to 500 CE. This period witnessed the transition from hunter-gatherer subsistence to the practice of agriculture in Mesopotamia and elsewhere, and culminated in the fall of the Roman Empire, the end of the Han Dynasty in China, the rise of Byzantium, and the first flowering of Mayan civilization. Human uses for and understanding of plants drove cultural evolution and were inextricably bound to all aspects of cultural practice. The growth of botanical knowledge was fundamental to the development of agriculture, technology, medicine, and science, as well as to the birth of cities, the rise of religions and mythologies, and the creation of works of literature and art. The 6 volume set of the Cultural History of Plants presents the first comprehensive history of the uses and meanings of plants from prehistory to today. The themes covered in each volume are plants as staple foods; plants as luxury foods; trade and exploration; plant technology and science; plants and medicine; plants in culture; plants as natural ornaments; the representation of plants. Annette Giesecke is Professor of Classics at the University of Delaware, USA. Volume 1 in the Cultural History of Plants set. General Editors: Annette Giesecke, University of Delaware, USA, and David Mabberley, University of Oxford, UK.
Author: Victoria Austen Publisher: Bloomsbury Publishing ISBN: 1350265209 Category : History Languages : en Pages : 293
Book Description
This book demonstrates how the Romans constructed garden boundaries specifically in order to open up or undermine the division between a number of oppositions, such as inside/outside, sacred/profane, art/nature, and real/imagined. Using case studies from across literature and material and visual culture, Victoria Austen explores the perception of individual garden sites in response to their limits, and showcases how the Romans delighted in playing with concepts of boundedness and separation. Transculturally, the garden is understood as a marked-off and cultivated space. Distinct from their surroundings, gardens are material and symbolic spaces that constitute both universal and culturally specific ways of accommodating the natural world and expressing human attitudes and values. Although we define these spaces explicitly through the notions of separation and division, in many cases we are unable to make sense of the most basic distinction between 'garden' and 'not-garden'. In response to this ambiguity, Austen interrogates the notion of the 'boundary' as an essential characteristic of the Roman garden.
Author: Vaughan Judge Publisher: Routledge ISBN: 0429995504 Category : Art Languages : en Pages : 183
Book Description
Undergraduate Research in Art: A Guide for Students supplies tools for scaffolding research skills, with examples of undergraduate research activities and case studies on projects in the various areas of the study of art—from art history, art education, and fine art therapy, to studio art, graphic design, and digital media. Although art degree programs don’t always call it research, many undergraduate activities in art have components that could be combined into comprehensive projects. The book begins with an overview chapter, followed by seven chapters on research skills, including literature reviews, choosing topics, formulating questions, citing sources, disseminating results, and working with data and human subjects. A wide variety of subdisciplines follow in Chapters 9 through 18, with sample project ideas from each, as well as undergraduate research conference abstracts. The final chapter is an annotated guide to online resources that students can access and readily operate. Each chapter opens with inspiring quotations, and wraps up with applicable discussion questions. Professors and students can use Undergraduate Research in Art as a text or a reference book.
Author: Harriet Fertik
Author: Harriet Fertik
Author: Caitlín Eilís Barrett
Author: Mary Harlow
Author: Anna Anguissola
Author: Ellen Swift
Author: Lieve Donnellan
Author: Annette Giesecke
Author: Victoria Austen
Author: Vaughan Judge
Author: Fikret K. Yegül