Author: Samuel Leigh
Publisher:
ISBN:
Category :
Languages : en
Pages : 564
Book Description
Leigh's New Picture of London; Or ... a Luminous Guide to the Stranger
Leigh's new picture of London; or, A view of the ... British metropolis [ed. by S.C.].
Author: Samuel Leigh (publisher.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 506
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 506
Book Description
Leigh's New Picture of London
Author: Samuel Leigh
Publisher:
ISBN:
Category : London (England)
Languages : en
Pages : 644
Book Description
Publisher:
ISBN:
Category : London (England)
Languages : en
Pages : 644
Book Description
Leigh's new picture of England and Wales [ed. by T.G.B.].
Author: Samuel Leigh (publisher.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 774
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 774
Book Description
New Picture of London, Or a View of the Political ... and Moral State of the British Metropolis (etc.) 4. Ed
The Stranger's Guide to the City of New-York ...
Author: Edmund March Blunt
Publisher:
ISBN:
Category : New York (N.Y.)
Languages : en
Pages : 332
Book Description
Publisher:
ISBN:
Category : New York (N.Y.)
Languages : en
Pages : 332
Book Description
Leigh's New Picture of London, Or, A View of the Political, Religious, Medical, Literary, Municipal, Commercial, and Moral State of the British Metropolis : Presenting a Luminous Guide to the Stranger, on All Subjects Connected with General Information, Business, Or Amusement : to which are Subjoined a Description of the Environs, and a Plan for Viewing London in Eight Days
Author: Samuel Leigh
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 594
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 594
Book Description
The Business of Satirical Prints in Late-Georgian England
Author: James Baker
Publisher: Springer
ISBN: 3319499890
Category : History
Languages : en
Pages : 240
Book Description
This book explores English single sheet satirical prints published from 1780-1820, the people who made those prints, and the businesses that sold them. It examines how these objects were made, how they were sold, and how both the complexity of the production process and the necessity to sell shaped and constrained the satiric content these objects contained. It argues that production, sale, and environment are crucial to understanding late-Georgian satirical prints. A majority of these prints were, after all, published in London and were therefore woven into the commercial culture of the Great Wen. Because of this city and its culture, the activities of the many individuals involved in transforming a single satirical design into a saleable and commercially viable object were underpinned by a nexus of making, selling, and consumption. Neglecting any one part of this nexus does a disservice both to the late-Georgian satirical print, these most beloved objects of British art, and to the story of their late-Georgian apotheosis – a story that James Baker develops not through the designs these objects contained, but rather through those objects and the designs they contained in the making.
Publisher: Springer
ISBN: 3319499890
Category : History
Languages : en
Pages : 240
Book Description
This book explores English single sheet satirical prints published from 1780-1820, the people who made those prints, and the businesses that sold them. It examines how these objects were made, how they were sold, and how both the complexity of the production process and the necessity to sell shaped and constrained the satiric content these objects contained. It argues that production, sale, and environment are crucial to understanding late-Georgian satirical prints. A majority of these prints were, after all, published in London and were therefore woven into the commercial culture of the Great Wen. Because of this city and its culture, the activities of the many individuals involved in transforming a single satirical design into a saleable and commercially viable object were underpinned by a nexus of making, selling, and consumption. Neglecting any one part of this nexus does a disservice both to the late-Georgian satirical print, these most beloved objects of British art, and to the story of their late-Georgian apotheosis – a story that James Baker develops not through the designs these objects contained, but rather through those objects and the designs they contained in the making.
The British Review, and London Critical Journal
Advice to the Teens; Or, Practical Helps Towards the Formation of One's Own Character
Author: Isaac Taylor
Publisher:
ISBN:
Category : Character
Languages : en
Pages : 218
Book Description
Publisher:
ISBN:
Category : Character
Languages : en
Pages : 218
Book Description