Author: Martin Duffy
Publisher: Troubador Publishing Ltd
ISBN: 1803132817
Category : Biography & Autobiography
Languages : en
Pages : 200
Book Description
This memoir tells the story of the first twenty-one years of my life, growing up and coming of age in the working class Dublin Corporation housing estate of Crumlin. Although humorous when telling my tale, the book also includes stories of abuse, death and loss. The chapters unfold from my unlikely birth – the youngest of fifteen children – to Crumlin life, the death of my brother Paddy in a London road accident and the abuse I suffered through a 'Christian' Brother at school. From a little boy priest in Blackrock College and then as an apprentice projectionist in the Kenilworth Cinema and a year as clapper/loader in Ardmore Studios. The story goes on through my difficult teenage years of alienation from my father and his death at the age of seventy, a month before my 21st birthday and a few months before my marrying my pregnant 18-year-old girlfriend. That marked the end of my life in 147, Leighlin Road and the start of my life as a married man and father-to-be. This book will be of interest to anyone of a Dublin/Irish heritage who will understand my journey. Back in my day emigration, particularly to England, was part of Irish life and that is reflected in my story. I am an experienced storyteller and now I am finally telling my own story of the years that formed the man I am today.
Leighlin Road
Author: Martin Duffy
Publisher: Troubador Publishing Ltd
ISBN: 1803132817
Category : Biography & Autobiography
Languages : en
Pages : 200
Book Description
This memoir tells the story of the first twenty-one years of my life, growing up and coming of age in the working class Dublin Corporation housing estate of Crumlin. Although humorous when telling my tale, the book also includes stories of abuse, death and loss. The chapters unfold from my unlikely birth – the youngest of fifteen children – to Crumlin life, the death of my brother Paddy in a London road accident and the abuse I suffered through a 'Christian' Brother at school. From a little boy priest in Blackrock College and then as an apprentice projectionist in the Kenilworth Cinema and a year as clapper/loader in Ardmore Studios. The story goes on through my difficult teenage years of alienation from my father and his death at the age of seventy, a month before my 21st birthday and a few months before my marrying my pregnant 18-year-old girlfriend. That marked the end of my life in 147, Leighlin Road and the start of my life as a married man and father-to-be. This book will be of interest to anyone of a Dublin/Irish heritage who will understand my journey. Back in my day emigration, particularly to England, was part of Irish life and that is reflected in my story. I am an experienced storyteller and now I am finally telling my own story of the years that formed the man I am today.
Publisher: Troubador Publishing Ltd
ISBN: 1803132817
Category : Biography & Autobiography
Languages : en
Pages : 200
Book Description
This memoir tells the story of the first twenty-one years of my life, growing up and coming of age in the working class Dublin Corporation housing estate of Crumlin. Although humorous when telling my tale, the book also includes stories of abuse, death and loss. The chapters unfold from my unlikely birth – the youngest of fifteen children – to Crumlin life, the death of my brother Paddy in a London road accident and the abuse I suffered through a 'Christian' Brother at school. From a little boy priest in Blackrock College and then as an apprentice projectionist in the Kenilworth Cinema and a year as clapper/loader in Ardmore Studios. The story goes on through my difficult teenage years of alienation from my father and his death at the age of seventy, a month before my 21st birthday and a few months before my marrying my pregnant 18-year-old girlfriend. That marked the end of my life in 147, Leighlin Road and the start of my life as a married man and father-to-be. This book will be of interest to anyone of a Dublin/Irish heritage who will understand my journey. Back in my day emigration, particularly to England, was part of Irish life and that is reflected in my story. I am an experienced storyteller and now I am finally telling my own story of the years that formed the man I am today.
Cowboy Song
Author: Graeme Thomson
Publisher: Chicago Review Press
ISBN: 1613739214
Category : Biography & Autobiography
Languages : en
Pages : 382
Book Description
The first biography written with the cooperation of the Lynott Estate, Cowboy Song explores the fascinating contradictions between Philip Lynott's unbridled rock star excesses and the shy, sensitive "orphan" raised in working-class Dublin. The mixed-race child of a Catholic teenager and a Guyanese stowaway, Lynott rose above daunting obstacles and wounding abandonments to lead Thin Lizzy as Ireland's first rock star. Cowboy Song analyses his unsettled childhood; musical apprenticeship; key alliances with the poets, painters, and folkies of 1960s Dublin; stardom with Thin Lizzy; and drug-induced decline. It examines the unique blend of cultural influences which informed Lynott's writing, connecting Ireland's rich reserves of music, myth, and poetry to hard rock, progressive folk, punk, soul, and new wave. The results—including the hits "Whiskey in the Jar," "The Boys Are Back in Town," and "Dancing in the Moonlight," and classic albums Jailbreak and Live and Dangerous—are now part of the rock canon. Including an afterword by Lynott's former wife Caroline Taraskevics, Cowboy Song is the definitive authorized account of an extraordinary life and career.
Publisher: Chicago Review Press
ISBN: 1613739214
Category : Biography & Autobiography
Languages : en
Pages : 382
Book Description
The first biography written with the cooperation of the Lynott Estate, Cowboy Song explores the fascinating contradictions between Philip Lynott's unbridled rock star excesses and the shy, sensitive "orphan" raised in working-class Dublin. The mixed-race child of a Catholic teenager and a Guyanese stowaway, Lynott rose above daunting obstacles and wounding abandonments to lead Thin Lizzy as Ireland's first rock star. Cowboy Song analyses his unsettled childhood; musical apprenticeship; key alliances with the poets, painters, and folkies of 1960s Dublin; stardom with Thin Lizzy; and drug-induced decline. It examines the unique blend of cultural influences which informed Lynott's writing, connecting Ireland's rich reserves of music, myth, and poetry to hard rock, progressive folk, punk, soul, and new wave. The results—including the hits "Whiskey in the Jar," "The Boys Are Back in Town," and "Dancing in the Moonlight," and classic albums Jailbreak and Live and Dangerous—are now part of the rock canon. Including an afterword by Lynott's former wife Caroline Taraskevics, Cowboy Song is the definitive authorized account of an extraordinary life and career.
Leigh's New Pocket Road-book of Ireland
Author: Samuel Leigh (Publisher.)
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 388
Book Description
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 388
Book Description
Hand Book for Travellers in Ireland
Author: James Fraser
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 804
Book Description
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 804
Book Description
A Hand Book for Travellers in Ireland ...
Author: James Fraser (Landscape Gardener, of Dublin.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 776
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 776
Book Description
A Hand Book for Travellers in Ireland
Author: James Fraser
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 770
Book Description
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 770
Book Description
Social and Community Development
Author: John Eversley
Publisher: Bloomsbury Publishing
ISBN: 1350313467
Category : Social Science
Languages : en
Pages : 410
Book Description
Social and Community Development is an essential introduction to the subject for students, potential practitioners, and activists interested in community action and emancipatory social change. It reflects on the underlying principles of development: what development is, why it is promoted and the implications for practice, indicating potential strategies and goals.
Publisher: Bloomsbury Publishing
ISBN: 1350313467
Category : Social Science
Languages : en
Pages : 410
Book Description
Social and Community Development is an essential introduction to the subject for students, potential practitioners, and activists interested in community action and emancipatory social change. It reflects on the underlying principles of development: what development is, why it is promoted and the implications for practice, indicating potential strategies and goals.
The presentments of the grand jury. Lent assizes, 1801 (-Spring assizes, 1824).
The Irish Catholic Directory and Almanac for ... with Complete Directory in English
We Don't Know Ourselves: A Personal History of Modern Ireland
Author: Fintan O'Toole
Publisher: Liveright Publishing
ISBN: 1631496549
Category : History
Languages : en
Pages : 788
Book Description
NEW YORK TIMES BESTSELLER NEW YORK TIMES • 10 BEST BOOKS OF THE YEAR NATIONAL BESTSELLER The Atlantic: 10 Best Books of 2022 Best Books of the Year: Washington Post, New Yorker, Salon, Foreign Affairs, New Statesman, Chicago Public Library, Vroman's “[L]ike reading a great tragicomic Irish novel.” —James Wood, The New Yorker “Masterful . . . astonishing.” —Cullen Murphy, The Atlantic "A landmark history . . . Leavened by the brilliance of O'Toole's insights and wit.” —Claire Messud, Harper’s Winner • 2021 An Post Irish Book Award — Nonfiction Book of the Year • from the judges: “The most remarkable Irish nonfiction book I’ve read in the last 10 years”; “[A] book for the ages.” A celebrated Irish writer’s magisterial, brilliantly insightful chronicle of the wrenching transformations that dragged his homeland into the modern world. Fintan O’Toole was born in the year the revolution began. It was 1958, and the Irish government—in despair, because all the young people were leaving—opened the country to foreign investment and popular culture. So began a decades-long, ongoing experiment with Irish national identity. In We Don’t Know Ourselves, O’Toole, one of the Anglophone world’s most consummate stylists, weaves his own experiences into Irish social, cultural, and economic change, showing how Ireland, in just one lifetime, has gone from a reactionary “backwater” to an almost totally open society—perhaps the most astonishing national transformation in modern history. Born to a working-class family in the Dublin suburbs, O’Toole served as an altar boy and attended a Christian Brothers school, much as his forebears did. He was enthralled by American Westerns suddenly appearing on Irish television, which were not that far from his own experience, given that Ireland’s main export was beef and it was still not unknown for herds of cattle to clatter down Dublin’s streets. Yet the Westerns were a sign of what was to come. O’Toole narrates the once unthinkable collapse of the all-powerful Catholic Church, brought down by scandal and by the activism of ordinary Irish, women in particular. He relates the horrific violence of the Troubles in Northern Ireland, which led most Irish to reject violent nationalism. In O’Toole’s telling, America became a lodestar, from John F. Kennedy’s 1963 visit, when the soon-to-be martyred American president was welcomed as a native son, to the emergence of the Irish technology sector in the late 1990s, driven by American corporations, which set Ireland on the path toward particular disaster during the 2008 financial crisis. A remarkably compassionate yet exacting observer, O’Toole in coruscating prose captures the peculiar Irish habit of “deliberate unknowing,” which allowed myths of national greatness to persist even as the foundations were crumbling. Forty years in the making, We Don’t Know Ourselves is a landmark work, a memoir and a national history that ultimately reveals how the two modes are entwined for all of us.
Publisher: Liveright Publishing
ISBN: 1631496549
Category : History
Languages : en
Pages : 788
Book Description
NEW YORK TIMES BESTSELLER NEW YORK TIMES • 10 BEST BOOKS OF THE YEAR NATIONAL BESTSELLER The Atlantic: 10 Best Books of 2022 Best Books of the Year: Washington Post, New Yorker, Salon, Foreign Affairs, New Statesman, Chicago Public Library, Vroman's “[L]ike reading a great tragicomic Irish novel.” —James Wood, The New Yorker “Masterful . . . astonishing.” —Cullen Murphy, The Atlantic "A landmark history . . . Leavened by the brilliance of O'Toole's insights and wit.” —Claire Messud, Harper’s Winner • 2021 An Post Irish Book Award — Nonfiction Book of the Year • from the judges: “The most remarkable Irish nonfiction book I’ve read in the last 10 years”; “[A] book for the ages.” A celebrated Irish writer’s magisterial, brilliantly insightful chronicle of the wrenching transformations that dragged his homeland into the modern world. Fintan O’Toole was born in the year the revolution began. It was 1958, and the Irish government—in despair, because all the young people were leaving—opened the country to foreign investment and popular culture. So began a decades-long, ongoing experiment with Irish national identity. In We Don’t Know Ourselves, O’Toole, one of the Anglophone world’s most consummate stylists, weaves his own experiences into Irish social, cultural, and economic change, showing how Ireland, in just one lifetime, has gone from a reactionary “backwater” to an almost totally open society—perhaps the most astonishing national transformation in modern history. Born to a working-class family in the Dublin suburbs, O’Toole served as an altar boy and attended a Christian Brothers school, much as his forebears did. He was enthralled by American Westerns suddenly appearing on Irish television, which were not that far from his own experience, given that Ireland’s main export was beef and it was still not unknown for herds of cattle to clatter down Dublin’s streets. Yet the Westerns were a sign of what was to come. O’Toole narrates the once unthinkable collapse of the all-powerful Catholic Church, brought down by scandal and by the activism of ordinary Irish, women in particular. He relates the horrific violence of the Troubles in Northern Ireland, which led most Irish to reject violent nationalism. In O’Toole’s telling, America became a lodestar, from John F. Kennedy’s 1963 visit, when the soon-to-be martyred American president was welcomed as a native son, to the emergence of the Irish technology sector in the late 1990s, driven by American corporations, which set Ireland on the path toward particular disaster during the 2008 financial crisis. A remarkably compassionate yet exacting observer, O’Toole in coruscating prose captures the peculiar Irish habit of “deliberate unknowing,” which allowed myths of national greatness to persist even as the foundations were crumbling. Forty years in the making, We Don’t Know Ourselves is a landmark work, a memoir and a national history that ultimately reveals how the two modes are entwined for all of us.