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Leaves from an Epigrapher's Notebook: Collected Papers in Hebrew and West Semitic Palaeography and Epigraphy

Leaves from an Epigrapher's Notebook: Collected Papers in Hebrew and West Semitic Palaeography and Epigraphy PDF Author: Frank Moore Cross
Publisher: BRILL
ISBN: 9004369880
Category : Language Arts & Disciplines
Languages : en
Pages : 391

Book Description
Preliminary Material -- The Development of the Jewish Scripts -- The Scripts of the Dâliyeh (Samaria) Papyri -- The Palaeographical Dating of the Copper Document -- Palaeography and the Date of the Tell Faḫariyeh Bilingual Inscription -- A Papyrus Recording a Divine Legal Decision and the Root rḥq in Biblical and Near Eastern Legal Usage -- Ammonite Ostraca from Tell Ḥisbān -- Epigraphic Notes on the ʻAmmān Citadel Inscription -- Notes on the Ammonite Inscription from Tell Sīrān -- A Forgotten Seal -- The Seal of Miqnêyaw, Servant of Yahweh -- Epigraphic Notes on Hebrew Documents of the Eighth-Sixth Centuries B.C.: I. A New Reading of a Place Name in the Samaria Ostraca -- Epigraphic Notes on Hebrew Documents of the Eighth-Sixth Centuries B.C.: II. The Murabbaʻât Papyrus and the Letter Found near Yabneh-yam -- Epigraphic Notes on Hebrew Documents of the Eighth-Sixth Centuries B.C.: III. The Inscribed Jar Handles from Gibeon -- A Literate Soldier: Lachish Letter III -- Lachish Letter IV -- An Ostracon in Literary Hebrew from Ḥorvat ʻUza -- Judaean Stamps -- An Inscribed Weight from ʻArâg el-ʾEmîr -- The Hebrew Inscriptions from Sardis -- Inscriptions from Tel Seraʻ -- A Philistine Ostracon from Ashkelon -- The Cave Inscriptions from Ḫirbat Bayt Layy [Khirbet Beit Lei] -- The Stele Dedicated to Melqart by Ben-Hadad of Damascus -- Fragments of the Prayer of Nabonidus -- An Aramaic Inscription from Daskyleion -- A New Aramaic Stele from Taymāʾ -- An Aramaic Ostracon of the Third Century BCE from the Excavations in Jerusalem -- A Note on a Burial Inscription from Mount Scopus -- The Arrow of Suwar, Retainer of ʻAbday -- An Inscribed Arrowhead of the Eleventh Century BCE in the Bible Lands Museum in Jerusalem -- Newly Discovered Inscribed Arrowheads of the Eleventh Century BCE -- Newly Found Inscriptions in Old Canaanite and Early Phoenician Scripts -- A Phoenician Inscription from Idalion: Some Old and New Inscriptions Relating to Child Sacrifice -- The Phoenician Inscription from Brazil: A Nineteenth-Century Forgery -- An Interpretation of the Nora Stone -- Phoenicians in the West: The Early Epigraphic Evidence -- The Oldest Phoenician Inscription from Sardinia: The Fragmentary Stele from Nora -- Phoenician Incantations on a Plaque of the Seventh Century BCE from Arslan Tash in Upper Syria -- A Second Phoenician Incantation Text from Arslan Tash -- The Old Phoenician Inscription from Spain Dedicated to Hurrian Astarte -- The Pronominal Suffixes of the Third Person Singular in Phoenician -- An Ostracon in Greek Bearing the Names of the Gates of Idalion -- A Newly Published Inscription of the Persian Age from Byblos -- Jar Inscriptions from Shiqmona -- Two Offering Dishes with Phoenician Inscriptions from the Sanctuary of ʻArad -- An Old Canaanite Inscription Recently Found at Lachish -- An Inscribed Jar Handle from Raddana by Frank Moore Cross and David Noel Freedman -- An Archaic Inscribed Seal from the Valley of Aijalon [Soreq] -- Inscribed Arrowheads from the Period of the Judges by J. T. Milik and Frank Moore Cross -- The Evolution of the Proto-Canaanite Alphabet -- A Ugaritic Abecedary and the Origins of the Proto-Canaanite Alphabet -- The Origin and Early Evolution of the Alph.

Leaves from an Epigrapher's Notebook: Collected Papers in Hebrew and West Semitic Palaeography and Epigraphy

Leaves from an Epigrapher's Notebook: Collected Papers in Hebrew and West Semitic Palaeography and Epigraphy PDF Author: Frank Moore Cross
Publisher: BRILL
ISBN: 9004369880
Category : Language Arts & Disciplines
Languages : en
Pages : 391

Book Description
Preliminary Material -- The Development of the Jewish Scripts -- The Scripts of the Dâliyeh (Samaria) Papyri -- The Palaeographical Dating of the Copper Document -- Palaeography and the Date of the Tell Faḫariyeh Bilingual Inscription -- A Papyrus Recording a Divine Legal Decision and the Root rḥq in Biblical and Near Eastern Legal Usage -- Ammonite Ostraca from Tell Ḥisbān -- Epigraphic Notes on the ʻAmmān Citadel Inscription -- Notes on the Ammonite Inscription from Tell Sīrān -- A Forgotten Seal -- The Seal of Miqnêyaw, Servant of Yahweh -- Epigraphic Notes on Hebrew Documents of the Eighth-Sixth Centuries B.C.: I. A New Reading of a Place Name in the Samaria Ostraca -- Epigraphic Notes on Hebrew Documents of the Eighth-Sixth Centuries B.C.: II. The Murabbaʻât Papyrus and the Letter Found near Yabneh-yam -- Epigraphic Notes on Hebrew Documents of the Eighth-Sixth Centuries B.C.: III. The Inscribed Jar Handles from Gibeon -- A Literate Soldier: Lachish Letter III -- Lachish Letter IV -- An Ostracon in Literary Hebrew from Ḥorvat ʻUza -- Judaean Stamps -- An Inscribed Weight from ʻArâg el-ʾEmîr -- The Hebrew Inscriptions from Sardis -- Inscriptions from Tel Seraʻ -- A Philistine Ostracon from Ashkelon -- The Cave Inscriptions from Ḫirbat Bayt Layy [Khirbet Beit Lei] -- The Stele Dedicated to Melqart by Ben-Hadad of Damascus -- Fragments of the Prayer of Nabonidus -- An Aramaic Inscription from Daskyleion -- A New Aramaic Stele from Taymāʾ -- An Aramaic Ostracon of the Third Century BCE from the Excavations in Jerusalem -- A Note on a Burial Inscription from Mount Scopus -- The Arrow of Suwar, Retainer of ʻAbday -- An Inscribed Arrowhead of the Eleventh Century BCE in the Bible Lands Museum in Jerusalem -- Newly Discovered Inscribed Arrowheads of the Eleventh Century BCE -- Newly Found Inscriptions in Old Canaanite and Early Phoenician Scripts -- A Phoenician Inscription from Idalion: Some Old and New Inscriptions Relating to Child Sacrifice -- The Phoenician Inscription from Brazil: A Nineteenth-Century Forgery -- An Interpretation of the Nora Stone -- Phoenicians in the West: The Early Epigraphic Evidence -- The Oldest Phoenician Inscription from Sardinia: The Fragmentary Stele from Nora -- Phoenician Incantations on a Plaque of the Seventh Century BCE from Arslan Tash in Upper Syria -- A Second Phoenician Incantation Text from Arslan Tash -- The Old Phoenician Inscription from Spain Dedicated to Hurrian Astarte -- The Pronominal Suffixes of the Third Person Singular in Phoenician -- An Ostracon in Greek Bearing the Names of the Gates of Idalion -- A Newly Published Inscription of the Persian Age from Byblos -- Jar Inscriptions from Shiqmona -- Two Offering Dishes with Phoenician Inscriptions from the Sanctuary of ʻArad -- An Old Canaanite Inscription Recently Found at Lachish -- An Inscribed Jar Handle from Raddana by Frank Moore Cross and David Noel Freedman -- An Archaic Inscribed Seal from the Valley of Aijalon [Soreq] -- Inscribed Arrowheads from the Period of the Judges by J. T. Milik and Frank Moore Cross -- The Evolution of the Proto-Canaanite Alphabet -- A Ugaritic Abecedary and the Origins of the Proto-Canaanite Alphabet -- The Origin and Early Evolution of the Alph.

The American Novel After Ideology, 1961–2000

The American Novel After Ideology, 1961–2000 PDF Author: Laurie Rodrigues
Publisher: Bloomsbury Publishing USA
ISBN: 1501361880
Category : Literary Criticism
Languages : en
Pages : 232

Book Description
Claims of ideology's end are, on the one hand, performative denials of ideology's inability to end; while, on the other hand, paradoxically, they also reiterate an idea that 'ending' is simply what all ideologies eventually do. Situating her work around the intersecting publications of Daniel Bell's The End of Ideology (1960) and J.D. Salinger's Franny and Zooey (1961), Laurie Rodrigues argues that American novels express this paradox through nuanced applications of non-realist strategies, distorting realism in manners similar to ideology's distortions of reality, history, and belief. Reflecting the astonishing cultural variety of this period, The American Novel After Ideology, 1961 - 2000 examines Franny and Zooey, Carlene Hatcher Polite's The Flagellants (1967), Leslie Marmon Silko's Almanac of the Dead (1991), and Philip Roth's The Human Stain (2001) alongside the various discussions around ideology with which they intersect. Each novel's plotless narratives, dissolving subjectivities, and cultural codes organize the texts' peculiar relations to the post-ideological age, suggesting an aesthetic return of the repressed.

Music of the Soviet Era: 1917-1991

Music of the Soviet Era: 1917-1991 PDF Author: Levon Hakobian
Publisher: Routledge
ISBN: 1317091868
Category : Music
Languages : en
Pages : 613

Book Description
This volume is a comprehensive and detailed survey of music and musical life of the entire Soviet era, from 1917 to 1991, which takes into account the extensive body of scholarly literature in Russian and other major European languages. In this considerably updated and revised edition of his 1998 publication, Hakobian traces the strikingly dramatic development of the music created by outstanding and less well-known, ‘modernist’ and ‘conservative’, ‘nationalist’ and ‘cosmopolitan’ composers of the Soviet era. The book’s three parts explore, respectively, the musical trends of the 1920s, music and musical life under Stalin, and the so-called ’Bronze Age’ of Soviet music after Stalin’s death. Music of the Soviet Era: 1917–1991 considers the privileged position of music in the USSR in comparison to the written and visual arts. Through his examination of the history of the arts in the Soviet state, Hakobian’s work celebrates the human spirit’s wonderful capacity to derive advantage even from the most inauspicious conditions.

The Legends of the Modern

The Legends of the Modern PDF Author: Didier Maleuvre
Publisher: Bloomsbury Publishing USA
ISBN: 1501353853
Category : Literary Criticism
Languages : en
Pages : 261

Book Description
What made art modern? What is modern art? The Legends of the Modern demystifies the ideas and "legends" that have shaped our appreciation of modern art and literature. Beginning with an examination of the early modern artists Shakespeare, Michelangelo, and Cervantes, Didier Maleuvre demonstrates how many of the foundational works of modern culture were born not from the legendry of expressive freedom, originality, creativity, subversion, or spiritual profundity but out of unease with these ideas. This ambivalence toward the modern has lain at the heart of artistic modernity from the late Renaissance onward, and the arts have since then shown both exhilaration and disappointment with their own creative power. The Legends of the Modern lays bare the many contradictions that pull at the fabric of modernity and demonstrates that modern art's dissatisfaction with modernity is in fact a vital facet of this cultural period.

Rob Neyer's Big Book of Baseball Legends

Rob Neyer's Big Book of Baseball Legends PDF Author: Rob Neyer
Publisher: Simon and Schuster
ISBN: 1416564918
Category : Sports & Recreation
Languages : en
Pages : 825

Book Description
The latest and greatest in ESPN.com baseball guru Rob Neyer's Big Book series, Legends is a highly entertaining guide to baseball fables that have been handed down through generations. The well-told baseball story has long been a staple for baseball fans. In Rob Neyer's Big Book of Baseball Legends, Neyer breathes new life into both classic and obscure stories throughout twentieth-century baseball -- stories that, while engaging on their own, also tell us fascinating things about their main characters and about the sport's incredibly rich history. With his signature style, Rob gets to the heart of every anecdote, working through the particulars with careful research drawn from a variety of primary sources. For each story, he asks: Did this really happen? Did it happen, sort of? Or was the story simply the wild invention of someone's imagination? Among the scores of legends Neyer questions and investigates... Did an errant Bob Feller pitch really destroy the career of a National League All-Star? Did Greg Maddux mean to give up a long blast to Jeff Bagwell? Was Fred Lynn the clutch player he thinks he was? Did Tommy Lasorda have a direct line to God? Did Negro Leaguer Gene Benson really knock Indians second baseman Johnny Berardino out of baseball and into General Hospital? Did Billy Martin really outplay Jackie Robinson every time they met? Oh, and what about Babe Ruth's "Called Shot"? Rob checks each story, separates the truths from the myths, and places their fascinating characters into the larger historical context. Filled with insider lore and Neyer's sharp wit and insights, this is an exciting addition to a superb series and an essential read for true fans of our national pastime.

Field & Stream

Field & Stream PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 128

Book Description
FIELD & STREAM, America’s largest outdoor sports magazine, celebrates the outdoor experience with great stories, compelling photography, and sound advice while honoring the traditions hunters and fishermen have passed down for generations.

Field & Stream

Field & Stream PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 176

Book Description
FIELD & STREAM, America’s largest outdoor sports magazine, celebrates the outdoor experience with great stories, compelling photography, and sound advice while honoring the traditions hunters and fishermen have passed down for generations.

Jack Kerouac's Duluoz Legend

Jack Kerouac's Duluoz Legend PDF Author: James T. Jones
Publisher: SIU Press
ISBN: 9780809322633
Category : Biography & Autobiography
Languages : en
Pages : 304

Book Description
Noting that even casual readers recognize family relationships as the basis for Kerouac's autobiographical prose, Jones discusses these relationships in terms of Freud's notion of the Oedipus complex."--BOOK JACKET.

The Traveling Companion & Other Plays

The Traveling Companion & Other Plays PDF Author: Tennessee Williams
Publisher: New Directions Publishing
ISBN: 0811226417
Category : Drama
Languages : en
Pages : 356

Book Description
Twelve previously uncollected experimental shorter plays: The Chalky White Substance • The Day on Which a Man Dies (An Occidental Noh Play) • A Cavalier for Milady • The Pronoun "I" • The Remarkable Rooming House of Mme. LeMonde • Kirche, Küche, Kinder (An Outrage for the Stage) • Green Eyes • The Parade • The One Exception • Sunburst • Will Mr. Merriwether Return from Memphis? • The Traveling Companion Even with his great commercial success, Tennessee Williams always considered himself an experimental playwright. In the last 25 years of his life his explorations increased—especially in shorter forms and one-act plays—as Williams created performance pieces with elements of theater of the absurd, theater of cruelty, theater of the ridiculous, as well as motifs from Japanese forms such as Noh and Kabuki, high camp and satire, and with innovative visual and verbal styles that were entirely his own. Influenced by Beckett, Genet, and Pinter, among others, Williams worked hard to expand the boundaries of the lyric realism he was best known for. These plays were explicitly intended to be performed off-off Broadway or regionally. Sometimes disturbing, sometimes outrageous, quite often the tone of these plays is rough, bawdy or even cartoonish. While a number of these plays employ what could be termed bizarre "happy endings," others gaze unblinkingly into the darkness. Though several of Williams' lesser-known works from this period have already been published by New Directions, these twelve plays have never been collected. Most of these shorter plays are unknown to audiences and scholars—some are published here for the first time—yet all of them embrace, in one way or another, what Time magazine called "the four major concerns that have spurred Williams' dramatic imagination: loneliness, love, the violated heart and the valiancy of survival."

Bridget Riley: The Stripe Paintings 1961-2014

Bridget Riley: The Stripe Paintings 1961-2014 PDF Author: Bridget Riley
Publisher: David Zwirner Books
ISBN: 0989980979
Category : Art
Languages : en
Pages : 184

Book Description
Published on the occasion of Bridget Riley’s major exhibition at David Zwirner in London in the summer of 2014, this fully illustrated catalogue offers intimate explorations of paintings and works on paper produced by the legendary British artist over the past fifty years, focusing specifically on her recurrent use of the stripe motif. Riley has devoted her practice to actively engaging viewers through elementary shapes such as lines, circles, curves, and squares, creating visual experiences that at times trigger optical sensations of vibration and movement. The London show, her most extensive presentation in the city since her 2003 retrospective at Tate Britain, explored the stunning visual variety she has managed to achieve working exclusively with stripes, manipulating the surfaces of her vibrant canvases through subtle changes in hue, weight, rhythm, and density. As noted by Paul Moorhouse, “Throughout her development, Riley has drawn confirmation from Euge`ne Delacroix’s observation that ‘the first merit of a painting is to be a feast for the eyes.’ [Her] most recent stripe paintings are a striking reaffirmation of that principle, exciting and entrancing the eye in equal measure.” Created in close collaboration with the artist, the publication’s beautifully produced color plates offer a selection of the iconic works from the exhibition. These include the artist’s first stripe works in color from the 1960s, a series of vertical compositions from the 1980s that demonstrate her so-called “Egyptian” palette—a “narrow chromatic range that recalled natural phenomena”—and an array of her modestly scaled studies, executed with gouache on graph paper and rarely before seen. A range of texts about Riley’s original and enduring practice grounds and contextualizes the images, including new scholarship by art historian Richard Shiff, texts on both the artist’s wall paintings and newest body of work by Paul Moorhouse, 20th Century Curator at the National Portrait Gallery in London, and a 1978 interview with Robert Kudielka, her longtime confidant and foremost critic. Additionally, the book features little-seen archival imagery of Riley at work over the years; documentation of her recent commissions for St. Mary’s Hospital in West London, taken especially for this publication; and installation views of the exhibition itself, installed throughout the three floors of the gallery’s eighteenth-century Georgian townhouse located in the heart of Mayfair.