Author: Thierry GouinPublisher: Presses Universitaires Lyon
ISBN: 9782729706203
Category :
Languages : fr
Pages : 332
Book Description
Stendhal roman
Author: Thierry GouinPublisher: Presses Universitaires Lyon
ISBN: 9782729706203
Category :
Languages : fr
Pages : 332
Book Description
Stendhal's Less-Loved Heroines
Author: Maria C. ScottPublisher: Routledge
ISBN: 1351191810
Category : Literary Criticism
Languages : en
Pages : 259
Book Description
"Stendhal's most independent heroines are usually disliked or marginalized by critics. However, when gender-neutral criteria are applied, Mina de Vanghel, Vanina Vanini, Mathilde de La Mole, and Lamiel can all be shown to enact extraordinary experiments in freedom. These experiments are all the more remarkable in view of the gender of their agents, the historical situation of the author (1783-1842), and the conventions of the literary movement that his fiction helped to found: realism. Simone de Beauvoir's 1949 study of Stendhal's heroines gives preference to the reserved females over his Amazons. But existentialism, as a philosophy of freedom, also enables a reading of the self-determining heroines that acknowledges the superiority of their choices: their resistance and counter-plots, their paradoxical authenticity, their rejection of seriousness, and their assumption of responsibility for the routes they plot."
Literary Lectures
Author: BI FeiyuPublisher: Taylor & Francis
ISBN: 1000554066
Category : Literary Criticism
Languages : en
Pages : 153
Book Description
This book is a collection of lectures on literature given in top universities in China by Bi Feiyu, one of the country's best known writers. From the perspective of a novelist, the author revisits and interprets classic works by renowned writers, aiming to illuminate what constitutes a classic. The lectures explore works of classical and modern Chinese literature such as A Dream of Red Mansions, Water Margin and works by Lu Xun and Wang Zengqi, as well as world-famous writers such as Guy de Maupassant, V.S. Naipaul, Ernest Hemingway and Thomas Hardy. The interpretation and criticism of the works goes beyond academic textual analysis, highlighting the instincts, writing experience and insights of a creative writer. Comparison is made between the literary elements of modernism and classical Chinese works, techniques of character shaping and plot development, thematic dimensions, narrative style, literary topos, literary aesthetics and the language of literature. These essays will appeal to readers interested in literature, literary criticism, Chinese literature and world classics.
Love
Author: StendhalPublisher: Penguin UK
ISBN: 0141907452
Category : Literary Collections
Languages : en
Pages : 336
Book Description
In 1818, when he was in his mid-thirties, Stendhal met and fell passionately in love with the beautiful Mathilde Dembowski. She, however, was quick to make it clear that she did not return his affections, and in his despair he turned to the written word to exorcise his love and explain his feelings. The result is an intensely personal dissection of the process of falling - and being - in love: a unique blend of poetry, anecdote, philosophy, psychology and social observation. Bringing together the conflicting sides of his nature, the deeply emotional and the coolly analytical, Stendhal created a work that is both acutely personal and universally applicable.
The Red and the Black
Author: StendhalPublisher: 谷月社
ISBN:
Category : Literary Collections
Languages : en
Pages : 501
Book Description
INTRODUCTION Some slight sketch of the life and character of Stendhal is particularly necessary to an understanding of Le Rouge et Le Noir (The Red and the Black) not so much as being the formal stuffing of which introductions are made, but because the book as a book stands in the most intimate relation to the author's life and character. The hero, Julien, is no doubt, viewed superficially, a cad, a scoundrel, an assassin, albeit a person who will alternate the moist eye of the sentimentalist with the ferocious grin of the beast of prey. But Stendhal so far from putting forward any excuses makes a specific point of wallowing defiantly in his own alleged wickedness. "Even assuming that Julien is a villain and that it is my portrait," he wrote shortly after the publication of the book, "why quarrel with me. In the time of the Emperor, Julien would have passed for a very honest man. I lived in the time of the Emperor. So—but what does it matter?" Henri Beyle was born in 1783 in Grenoble in Dauphiny, the son of a royalist lawyer, situated on the borderland between the gentry and that bourgeoisie which our author was subsequently to chastise with that malice peculiar to those who spring themselves from the class which they despise. The boy's character was a compound of sensibility and hard rebelliousness, virility and introspection. Orphaned of his mother at the age of seven, hated by his father and unpopular with his schoolmates, he spent the orthodox unhappy childhood of the artistic temperament. Winning a scholarship at the Ecole Polytechnique at the age of sixteen he proceeded to Paris, where with characteristic independence he refused to attend the college classes and set himself to study privately in his solitary rooms. In 1800 the influence of his relative M. Daru procured him a commission in the French Army, and the Marengo campaign gave him an opportunity of practising that Napoleonic worship to which throughout his life he remained consistently faithful, for the operation of the philosophical materialism of the French sceptics on an essentially logical and mathematical mind soon swept away all competing claimants for his religious adoration. Almost from his childhood, moreover, he had abominated the Jesuits, and "Papism is the source of all crimes," was throughout his life one of his favourite maxims. After the army's triumphant entry into Milan, Beyle returned to Grenoble on furlough, whence he dashed off to Paris in pursuit of a young woman to whom he was paying some attention, resigned his commission in the army and set himself to study "with the view of becoming a great man." It is in this period that we find the most marked development in Beyle's enthusiasm of psychology. This tendency sprang primarily no doubt from his own introspection. For throughout his life Beyle enjoyed the indisputable and at times dubious luxury of a double consciousness. He invariably carried inside his brain a psychological mirror which reflected every phrase of his emotion with scientific accuracy. And simultaneously, the critical spirit, half-genie, half-demon inside his brain, would survey in the semi-detached mood of a keenly interested spectator, the actual emotion itself, applaud or condemn it as the case might be, and ticket the verdict with ample commentations in the psychological register of its own analysis.
Stendhal Or the Pursuit of Happiness
Author: Matthew JosephsonPublisher: Jorge Pinto Books Inc.
ISBN: 0974261564
Category : Biography & Autobiography
Languages : en
Pages : 509
Book Description
On Stendhal: "The study of human nature, 'the observation of the human heart and its passions, ' was his constant preoccupation. But where could he study the passions better than in himself? Though he lived exuberantly, submitting himself to experience... he went on incessantly writing down everything that happened to him just as it happened. he even led to perform some remarkable experiments upon himself.He laid claim to having been a soldier, a man of fortune, a great lover, a society wit, a diplomat, a traveler, and even, sometimes, a revolutionary conspirator. "Fifty years after his death he becomes one of the demigods of the world's letters, taking his place in the ranks of the great social writers who appeared toward the end of the last century. his manner of life itself has fascinated whole regiments of literary scholars in France, Italy and Germany in the last forty years." -Matthew Josephson, From the Introduction (1946) "Like Josephson's Victor Hugo, it is the best and most comprehensive English study of its subject, a careful collection of material, skillfully assembled and organized...When Freud read Stendhal's memoirs of his childhood and adolescence he called them 'a manifestation of psychological genius.' Stendhal, he saw, had been a Freudian some 70 years before Freud himself."-TIME Magazine (1946)
The Red and the Black
Author: StendhalPublisher: Modern Library
ISBN: 0812972074
Category : Fiction
Languages : en
Pages : 562
Book Description
A Major New Translation The Red and the Black, Stendhal’s masterpiece, is the story of Julien Sorel, a young dreamer from the provinces, fueled by Napoleonic ideals, whose desire to make his fortune sets in motion events both mesmerizing and tragic. Sorel’s quest to find himself, and the doomed love he encounters along the way, are delineated with an unprecedented psychological depth and realism. At the same time, Stendhal weaves together the social life and fraught political intrigues of post–Napoleonic France, bringing that world to unforgettable, full-color life. His portrait of Julien and early-nineteenth-century France remains an unsurpassed creation, one that brilliantly anticipates modern literature. Neglected during its time, The Red and the Black has assumed its rightful place as one of the world’s great books, and Burton Raffel’s extraordinary new translation, coupled with an enlightening Introduction by Diane Johnson, helps it shine more brightly than ever before.
The Chartreuse of Parma
Author: StendhalPublisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 483
Book Description
The Charterhouse of Parma is a novel by Stendhal published in 1839. It tells the story of the life and love of a young Italian nobleman Fabrice del Dongo. The novel is full of political intrigues, complicated love triangles, true friendship, and loss.
Stendhal's Parallel Lives
Author: Francesco ManziniPublisher: Peter Lang
ISBN: 9783039101481
Category : Fiction
Languages : en
Pages : 500
Book Description
This book deals with the important and hitherto neglected relationship between the works of Stendhal and Plutarch's Parallel Lives. Stendhal's readings of Plutarch are shown to inform his literary representations of Revolution and Empire, Restoration and Orleanism, as well as his theorizations of Romanticism. In particular, the Plutarchan concept of Parallel Lives is used to analyse one of the major themes of Stendhal's writing: the self-construction of individual identity, whether (auto)biographical or fictional, by means of the emulation (as distinct from the imitation) of heroic exemplars. As a consequence, the balance between irony and idealism often identified by critics in Stendhal's work is shown rather to be an imbalance, weighted in favour of an idealism derived from Plutarchan conceptions of heroism, particularly as they are represented in the Lives of Julius Caesar and Marcus Brutus.
Stendhal, La Chartreuse de Parme
Author: Ann JeffersonPublisher:
ISBN: 9780729304405
Category : Literary Criticism
Languages : en
Pages : 87
Book Description
(Grant & Cutler 2003)