Author: Martin A. Sweeney
Publisher: Rowman & Littlefield
ISBN: 0761873333
Category : History
Languages : en
Pages : 425
Book Description
In The Heart of Central New York: Stories of Historic Homer, NY Martin A. Sweeney makes the past come alive through this collection of articles from his column in The Homer News. Through his writing, Sweeney offers readers a glimpse of the excitement he brought to his classrooms by bringing to life the people, events, manners, and mores of the past in a community that is the heart of Central New York State. This compilation represents Sweeney’s successful efforts as a public historian in using the press as a tool for generating interest in his community’s unique historical identity.With annotations and a touch of humor, this book illustrates for current and emerging public historians how to successfully engage a community in acknowledging their history matters—that the fibers of “microhistory” contribute to the rich tapestry that is county, regional, state, and national history.
The Heart of Central New York
Author: Martin A. Sweeney
Publisher: Rowman & Littlefield
ISBN: 0761873333
Category : History
Languages : en
Pages : 425
Book Description
In The Heart of Central New York: Stories of Historic Homer, NY Martin A. Sweeney makes the past come alive through this collection of articles from his column in The Homer News. Through his writing, Sweeney offers readers a glimpse of the excitement he brought to his classrooms by bringing to life the people, events, manners, and mores of the past in a community that is the heart of Central New York State. This compilation represents Sweeney’s successful efforts as a public historian in using the press as a tool for generating interest in his community’s unique historical identity.With annotations and a touch of humor, this book illustrates for current and emerging public historians how to successfully engage a community in acknowledging their history matters—that the fibers of “microhistory” contribute to the rich tapestry that is county, regional, state, and national history.
Publisher: Rowman & Littlefield
ISBN: 0761873333
Category : History
Languages : en
Pages : 425
Book Description
In The Heart of Central New York: Stories of Historic Homer, NY Martin A. Sweeney makes the past come alive through this collection of articles from his column in The Homer News. Through his writing, Sweeney offers readers a glimpse of the excitement he brought to his classrooms by bringing to life the people, events, manners, and mores of the past in a community that is the heart of Central New York State. This compilation represents Sweeney’s successful efforts as a public historian in using the press as a tool for generating interest in his community’s unique historical identity.With annotations and a touch of humor, this book illustrates for current and emerging public historians how to successfully engage a community in acknowledging their history matters—that the fibers of “microhistory” contribute to the rich tapestry that is county, regional, state, and national history.
The Billboard
Homer
Author: Andrew Ford
Publisher: Cornell University Press
ISBN: 1501734628
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
Andrew Ford here addresses, in a manner both engaging and richly informed, the perennial questions of what poetry is, how it came to be, and what it is for. Focusing on the critical moment in Western literature when the heroic tales of the Greek oral tradition began to be preserved in writing, he examines these questions in the light of Homeric poetry. Through fresh readings of the Iliad and the Odyssey, and referring to other early epics as well, Ford deepens our understanding of what poetry was at a time before written texts, before a developed sense of authorship, and before the existence of institutionalized criticism. Placing what is known about Homer's art in the wider context of Homer's world, Ford traces the effects of the oral tradition upon the development of the epic and addresses such issues as the sources of the poet's inspiration and the generic constraints upon epic composition. After exploring Homer's poetic vocabulary and his fictional and mythical representations of the art of singing, Ford reconstructs an idea of poetry much different from that put forth by previous interpreters. Arguing that Homer grounds his project in religious rather than literary or historical terms, he concludes that archaic poetry claims to give a uniquely transparent and immediate rendering of the past. Homer: The Poetry of the Past will be stimulating and enjoyable reading for anyone interested in the traditions of poetry, as well as for students and scholars in the fields of classics, literary theory and literary history, and intellectual history.
Publisher: Cornell University Press
ISBN: 1501734628
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
Andrew Ford here addresses, in a manner both engaging and richly informed, the perennial questions of what poetry is, how it came to be, and what it is for. Focusing on the critical moment in Western literature when the heroic tales of the Greek oral tradition began to be preserved in writing, he examines these questions in the light of Homeric poetry. Through fresh readings of the Iliad and the Odyssey, and referring to other early epics as well, Ford deepens our understanding of what poetry was at a time before written texts, before a developed sense of authorship, and before the existence of institutionalized criticism. Placing what is known about Homer's art in the wider context of Homer's world, Ford traces the effects of the oral tradition upon the development of the epic and addresses such issues as the sources of the poet's inspiration and the generic constraints upon epic composition. After exploring Homer's poetic vocabulary and his fictional and mythical representations of the art of singing, Ford reconstructs an idea of poetry much different from that put forth by previous interpreters. Arguing that Homer grounds his project in religious rather than literary or historical terms, he concludes that archaic poetry claims to give a uniquely transparent and immediate rendering of the past. Homer: The Poetry of the Past will be stimulating and enjoyable reading for anyone interested in the traditions of poetry, as well as for students and scholars in the fields of classics, literary theory and literary history, and intellectual history.
Popular Science
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 228
Book Description
Popular Science gives our readers the information and tools to improve their technology and their world. The core belief that Popular Science and our readers share: The future is going to be better, and science and technology are the driving forces that will help make it better.
Publisher:
ISBN:
Category :
Languages : en
Pages : 228
Book Description
Popular Science gives our readers the information and tools to improve their technology and their world. The core belief that Popular Science and our readers share: The future is going to be better, and science and technology are the driving forces that will help make it better.
Popular Mechanics
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 276
Book Description
Popular Mechanics inspires, instructs and influences readers to help them master the modern world. Whether it’s practical DIY home-improvement tips, gadgets and digital technology, information on the newest cars or the latest breakthroughs in science -- PM is the ultimate guide to our high-tech lifestyle.
Publisher:
ISBN:
Category :
Languages : en
Pages : 276
Book Description
Popular Mechanics inspires, instructs and influences readers to help them master the modern world. Whether it’s practical DIY home-improvement tips, gadgets and digital technology, information on the newest cars or the latest breakthroughs in science -- PM is the ultimate guide to our high-tech lifestyle.
Borrowed Voices
Author: Jennifer Glaser
Publisher: Rutgers University Press
ISBN: 0813577411
Category : Literary Criticism
Languages : en
Pages : 225
Book Description
In the decades following World War II, many American Jews sought to downplay their difference, as a means of assimilating into Middle America. Yet a significant minority, including many prominent Jewish writers and intellectuals, clung to their ethnic difference, using it to register dissent with the status quo and act as spokespeople for non-white America. In this provocative book, Jennifer Glaser examines how racial ventriloquism became a hallmark of Jewish-American fiction, as Jewish writers asserted that their own ethnicity enabled them to speak for other minorities. Rather than simply condemning this racial ventriloquism as a form of cultural appropriation or commending it as an act of empathic imagination, Borrowed Voices offers a nuanced analysis of the technique, judiciously assessing both its limitations and its potential benefits. Glaser considers how the practice of racial ventriloquism has changed over time, examining the books of many well-known writers, including Bernard Malamud, Cynthia Ozick, Philip Roth, Michael Chabon, Saul Bellow, and many others. Bringing Jewish studies into conversation with critical race theory, Glaser also opens up a dialogue between Jewish-American literature and other forms of media, including films, magazines, and graphic novels. Moreover, she demonstrates how Jewish-American fiction can help us understand the larger anxieties about ethnic identity, authenticity, and authorial voice that emerged in the wake of the civil rights movement.
Publisher: Rutgers University Press
ISBN: 0813577411
Category : Literary Criticism
Languages : en
Pages : 225
Book Description
In the decades following World War II, many American Jews sought to downplay their difference, as a means of assimilating into Middle America. Yet a significant minority, including many prominent Jewish writers and intellectuals, clung to their ethnic difference, using it to register dissent with the status quo and act as spokespeople for non-white America. In this provocative book, Jennifer Glaser examines how racial ventriloquism became a hallmark of Jewish-American fiction, as Jewish writers asserted that their own ethnicity enabled them to speak for other minorities. Rather than simply condemning this racial ventriloquism as a form of cultural appropriation or commending it as an act of empathic imagination, Borrowed Voices offers a nuanced analysis of the technique, judiciously assessing both its limitations and its potential benefits. Glaser considers how the practice of racial ventriloquism has changed over time, examining the books of many well-known writers, including Bernard Malamud, Cynthia Ozick, Philip Roth, Michael Chabon, Saul Bellow, and many others. Bringing Jewish studies into conversation with critical race theory, Glaser also opens up a dialogue between Jewish-American literature and other forms of media, including films, magazines, and graphic novels. Moreover, she demonstrates how Jewish-American fiction can help us understand the larger anxieties about ethnic identity, authenticity, and authorial voice that emerged in the wake of the civil rights movement.
Country Life
Chapman's Odyssey
Author: Paul Bailey
Publisher: Bloomsbury Publishing
ISBN: 1408821664
Category : Fiction
Languages : en
Pages : 225
Book Description
Harry Chapman is not well, and he doesn't like hospitals. Furthermore, Dr Pereira's wonder drug is causing some strange side effects: he can hear more than the usual quotient of voices. First, it is his mother, acerbic and disappointed in him as ever, but then more and more voices add their differing notes and stories to the chorus, squabbling, cajoling and commenting. Friends from childhood, lovers, characters from novels and poetry, Virginia Woolf and a man who wants to sell him T.S Eliot's teeth. Written with a gentle, effortless generosity, full of delicate observation, Chapman's Odyssey is the work of a master; a superbly rendered act of storytelling and ventriloquism that is both witty and deeply moving.
Publisher: Bloomsbury Publishing
ISBN: 1408821664
Category : Fiction
Languages : en
Pages : 225
Book Description
Harry Chapman is not well, and he doesn't like hospitals. Furthermore, Dr Pereira's wonder drug is causing some strange side effects: he can hear more than the usual quotient of voices. First, it is his mother, acerbic and disappointed in him as ever, but then more and more voices add their differing notes and stories to the chorus, squabbling, cajoling and commenting. Friends from childhood, lovers, characters from novels and poetry, Virginia Woolf and a man who wants to sell him T.S Eliot's teeth. Written with a gentle, effortless generosity, full of delicate observation, Chapman's Odyssey is the work of a master; a superbly rendered act of storytelling and ventriloquism that is both witty and deeply moving.
The Science of Society
Author: William Graham Sumner
Publisher:
ISBN:
Category : Sociology
Languages : en
Pages : 1368
Book Description
Vols. 1-3 paged continuously. Vol. 4 by W.G. Sumner, A.G. Keller, and M.R. Davie."Published under the auspices of the Sumner Club on the foundation established in memory of Philip Hamilton McMillan of the class of 1894, Yale College." "Bibliographical note": v. 4, p. [1193]-1268.
Publisher:
ISBN:
Category : Sociology
Languages : en
Pages : 1368
Book Description
Vols. 1-3 paged continuously. Vol. 4 by W.G. Sumner, A.G. Keller, and M.R. Davie."Published under the auspices of the Sumner Club on the foundation established in memory of Philip Hamilton McMillan of the class of 1894, Yale College." "Bibliographical note": v. 4, p. [1193]-1268.
Epic in American Culture
Author: Christopher N. Phillips
Publisher: JHU Press
ISBN: 142140527X
Category : Literary Criticism
Languages : en
Pages : 375
Book Description
The epic calls to mind the famous works of ancient poets such as Homer, Virgil, and Ovid. These long, narrative poems, defined by valiant characters and heroic deeds, celebrate events of great importance in ancient times. In this thought-provoking study, Christopher N. Phillips shows in often surprising ways how this exalted classical form proved as vital to American culture as it did to the great societies of the ancient world. Through close readings of James Fenimore Cooper, Lydia Sigourney, Henry Wadsworth Longfellow, and Herman Melville, as well as the transcendentalists, Phillips traces the rich history of epic in American literature and art from early colonial times to the late nineteenth century. Phillips shows that far from fading in the modern age, the epic form was continuously remade to frame a core element of American cultural expression. He finds the motive behind this sustained popularity in the historical interrelationship among the malleability of the epic form, the idea of a national culture, and the prestige of authorship—a powerful dynamic that extended well beyond the boundaries of literature. By locating the epic at the center of American literature and culture, Phillips’s imaginative study yields a number of important finds: the early national period was a time of radical experimentation with poetic form; the epic form was crucial to the development of constitutional law and the professionalization of visual arts; engagement with the epic synthesized a wide array of literary and artistic forms in efforts to launch the United States into the arena of world literature; and a number of writers shaped their careers around revising the epic form for their own purposes. Rigorous archival research, careful readings, and long chronologies of genre define this magisterial work, making it an invaluable resource for scholars of American studies, American poetry, and literary history.
Publisher: JHU Press
ISBN: 142140527X
Category : Literary Criticism
Languages : en
Pages : 375
Book Description
The epic calls to mind the famous works of ancient poets such as Homer, Virgil, and Ovid. These long, narrative poems, defined by valiant characters and heroic deeds, celebrate events of great importance in ancient times. In this thought-provoking study, Christopher N. Phillips shows in often surprising ways how this exalted classical form proved as vital to American culture as it did to the great societies of the ancient world. Through close readings of James Fenimore Cooper, Lydia Sigourney, Henry Wadsworth Longfellow, and Herman Melville, as well as the transcendentalists, Phillips traces the rich history of epic in American literature and art from early colonial times to the late nineteenth century. Phillips shows that far from fading in the modern age, the epic form was continuously remade to frame a core element of American cultural expression. He finds the motive behind this sustained popularity in the historical interrelationship among the malleability of the epic form, the idea of a national culture, and the prestige of authorship—a powerful dynamic that extended well beyond the boundaries of literature. By locating the epic at the center of American literature and culture, Phillips’s imaginative study yields a number of important finds: the early national period was a time of radical experimentation with poetic form; the epic form was crucial to the development of constitutional law and the professionalization of visual arts; engagement with the epic synthesized a wide array of literary and artistic forms in efforts to launch the United States into the arena of world literature; and a number of writers shaped their careers around revising the epic form for their own purposes. Rigorous archival research, careful readings, and long chronologies of genre define this magisterial work, making it an invaluable resource for scholars of American studies, American poetry, and literary history.