Voyage pittoresque de Scandinavie. Cahier de 24 vues avec descriptions PDF Download

Author: Étienne Bourgevin Vialart “de” Saint-Morys
Publisher:
ISBN:
Category : Scandinavia
Languages : en
Pages : 84

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Author: Charles Étienne Bourgevin de Vialart (comte de Saint Morys.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 82

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Author:
Publisher: Liguori Editore Srl
ISBN: 9788820740061
Category : Literary Criticism
Languages : en
Pages : 254

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Author: John Pinkerton
Publisher:
ISBN:
Category : Voyages and travels
Languages : en
Pages : 800

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Author: Richard Plantagenet Temple Nugent Brydges Chandos Grenville Duke of Buckingham and Chandos
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 368

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Author: Marc Walter
Publisher: Sterling Publishing Company
ISBN: 9781586637187
Category : Views
Languages : en
Pages : 344

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One hundred-fifty years of photographs, with quotations from the travel writers, capture landscapes of fragile beauty. Nostalgic images include enticing posters, postcards, menus, and timetables; lush trains and posh hotels; bridges, landmarks, waterways, and streets now irretrievably changed. Cross Europe on the lavish Orient Express. Go to the near East, from Bengal to Java, to the Land of the Rising Sun. It's a world tour and time travel in one.

Author: Valentina Gosetti
Publisher: Routledge
ISBN: 1317198611
Category : Foreign Language Study
Languages : en
Pages : 183

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Aloysius Bertrand’s Gaspard de la Nuit (1842) is a familiar title to music lovers, thanks to Ravel’s piano work of the same name, and to specialists of French literature, especially those interested in Baudelaire’s prose poetry. Yet until very recently the collection and its author have generally been viewed almost exclusively through the prism of their pioneering role in the development of the prose poem. By placing Bertrand back in his original context, adopting a comparative approach and engaging with recent critical work on the collection, Valentina Gosetti proposes a substantial reassessment of Gaspard de la Nuit and promotes a new understanding of Bertrand in his own terms, rather than those of his successors. Through his playful and ironic reinterpretation of Romantic clichés, and his overt defiance of the boundaries of poetry and beauty, Bertrand emerges as a fascinating figure in his own right. This book is one of the first full-length studies of Bertrand’s work, and it will be of particular interest to specialists of the nineteenth century and of provincial literature, and to students of nineteenth-century poetry or the fantastic.

Author:
Publisher: Ed. de Bruxelles
ISBN:
Category : Rare books
Languages : en
Pages : 722

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Author: Giorgio Bertellini
Publisher: Indiana University Press
ISBN: 0253221285
Category : Art
Languages : en
Pages : 465

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Giorgio Bertellini traces the origins of American cinema's century-long fascination with Italy and Italian immigrants to the popularity of the pre-photographic aesthetic—the picturesque. Once associated with landscape painting in northern Europe, the picturesque came to symbolize Mediterranean Europe through comforting views of distant landscapes and exotic characters. Taking its cue from a picturesque stage backdrop from The Godfather Part II, Italy in Early American Cinema shows how this aesthetic was transferred from 19th-century American painters to early 20th-century American filmmakers. Italy in Early American Cinema offers readings of early films that pay close attention to how landscape representations that were related to narrative settings and filmmaking locations conveyed distinct ideas about racial difference and national destiny.

Author: Daniela Bleichmar
Publisher: University of Pennsylvania Press
ISBN: 0812204964
Category : History
Languages : en
Pages : 390

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Book Description
In the early modern age more people traveled farther than at any earlier time in human history. Many returned home with stories of distant lands and at least some of the objects they collected during their journeys. And those who did not travel eagerly acquired wondrous materials that arrived from faraway places. Objects traveled various routes—personal, imperial, missionary, or trade—and moved not only across space but also across cultures. Histories of the early modern global culture of collecting have focused for the most part on European Wunderkammern, or "cabinets of curiosities." But the passion for acquiring unfamiliar items rippled across many lands. The court in Java marveled at, collected, and displayed myriad goods brought through its halls. African princes traded captured members of other African groups so they could get the newest kinds of cloth produced in Europe. Native Americans sought colored glass beads made in Europe, often trading them to other indigenous groups. Items changed hands and crossed cultural boundaries frequently, often gaining new and valuable meanings in the process. An object that might have seemed mundane in some cultures could become a target of veneration in another. The fourteen essays in Collecting Across Cultures represent work by an international group of historians, art historians, and historians of science. Each author explores a specific aspect of the cross-cultural history of collecting and display from the dawn of the sixteenth century to the early decades of the nineteenth century. As the essays attest, an examination of early modern collecting in cross-cultural contexts sheds light on the creative and complicated ways in which objects in collections served to create knowledge—some factual, some fictional—about distant peoples in an increasingly transnational world.