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Author: Antoine De Baecque Publisher: Knopf ISBN: 0593535693 Category : Biography & Autobiography Languages : en Pages : 681
Book Description
One of the most celebrated filmmakers of all time, Francois Truffaut was an intensely private individual who cultivated the public image of a man completely consumed by his craft. But his personal story—from which he drew extensively to create the characters and plots of his films—is itself an extraordinary human drama. Now, with captivating immediacy, Antoine de Baecque and Serge Toubiana give us the definitive story of this beloved artist. They begin with the unwanted, mischievous child who learned to love movies and books as an escape from sadness and confusion: as a boy, Francois came to identify with screen characters and to worship actresses. Following his early adult years as a journalist, during which he gained fame as France's most iconoclastic film critic, the obsessive prodigy began to make films of his own, and before he was thirty, notched the two masterpieces The 400 Blows and Jules and Jim. As Truffaut's dazzling body of work evolves, in the shadow of the politics of his day, including the student uprisings of 1968, we watch him learning the lessons of his masters Fellini and Hitchcock. And we witness the progress of his often tempestuous personal relationships, including his violent falling-out with Jean-Luc Godard (who owed Truffaut the idea for Breathless) and his rapturous love affairs with the many glamorous actresses he directed, among them Jacqueline Bisset and Jeanne Moreau. With Fanny Ardant, Truffaut had a child only thirteen months before dying of a brain tumor at the age of fifty-two. Here is a life of astonishing emotional range, from the anguish of severe depression to the exaltation of Oscar victory. Based on unprecedented access to Truffaut's papers, including notes toward an unwritten autobiography, de Baecque and Toubiana's richly detailed work is an incomparably authoritative revelation of a singular genius.
Author: Antoine De Baecque Publisher: Knopf ISBN: 0593535693 Category : Biography & Autobiography Languages : en Pages : 681
Book Description
One of the most celebrated filmmakers of all time, Francois Truffaut was an intensely private individual who cultivated the public image of a man completely consumed by his craft. But his personal story—from which he drew extensively to create the characters and plots of his films—is itself an extraordinary human drama. Now, with captivating immediacy, Antoine de Baecque and Serge Toubiana give us the definitive story of this beloved artist. They begin with the unwanted, mischievous child who learned to love movies and books as an escape from sadness and confusion: as a boy, Francois came to identify with screen characters and to worship actresses. Following his early adult years as a journalist, during which he gained fame as France's most iconoclastic film critic, the obsessive prodigy began to make films of his own, and before he was thirty, notched the two masterpieces The 400 Blows and Jules and Jim. As Truffaut's dazzling body of work evolves, in the shadow of the politics of his day, including the student uprisings of 1968, we watch him learning the lessons of his masters Fellini and Hitchcock. And we witness the progress of his often tempestuous personal relationships, including his violent falling-out with Jean-Luc Godard (who owed Truffaut the idea for Breathless) and his rapturous love affairs with the many glamorous actresses he directed, among them Jacqueline Bisset and Jeanne Moreau. With Fanny Ardant, Truffaut had a child only thirteen months before dying of a brain tumor at the age of fifty-two. Here is a life of astonishing emotional range, from the anguish of severe depression to the exaltation of Oscar victory. Based on unprecedented access to Truffaut's papers, including notes toward an unwritten autobiography, de Baecque and Toubiana's richly detailed work is an incomparably authoritative revelation of a singular genius.
Author: Publisher: Indiana University Press ISBN: 0253026563 Category : Biography & Autobiography Languages : en Pages : 409
Book Description
“The writings reveal a Truffaut who was as incisive and direct in assessing his own work as he was in assessing the work of other directors.” —Choice Between 1959 and 1984, French film director François Truffaut was interviewed over three hundred times. Each interview offers critical insight into the genesis of Truffaut’s films as he shares the sources of his inspiration, the choice of his themes, and the development of his screenplays. In addition, Truffaut discusses his relationships with collaborators, actors, and the circumstances surrounding the shooting of each film. These texts, originally assembled by Anne Gillain and published in French in 1988, are presented here in a montage arranged chronologically by film. This compilation includes an impressive array of reflections on cinema as an art form. Truffaut defines the aims and practices of the French New Wave, comparing their efforts to the films made by their predecessors and including comments that encompass the entire history of cinema. Truffaut on Cinema provides commentary on contemporary events, a wealth of biographical information, and Truffaut’s own artistic itinerary.
Author: Anne Gillain Publisher: Oxford University Press ISBN: 0197536336 Category : Performing Arts Languages : en Pages : 337
Book Description
In Totally Truffaut, author Anne Gillain answers two complex riddles: How is experience imprinted into films? What draws audiences to theaters? François Truffaut, like Fellini, Bergman or Scorsese, worked with an autobiographical material and Totally Truffaut follows the coded inscription of major life events in his films from his illegitimate birth to his passionate and doomed relationship with Catherine Deneuve. The book focuses first on the process that embeds experience into fictions, and more specifically into visual forms and patterns. It also tries to define the mode of perception film language triggers in the spectator. When entering a movie theater, we expect perceptual pleasure. Truffaut's creative work is devoted to distilling this drug to audiences, an ambition central to the evolution of his style. These two issues are closely connected and Totally Truffaut follows, film after film, their crisscrossing paths. It also highlights the essential role several great actresses-Jeanne Moreau, Françoise Dorléac, Isabelle Adjani, Jacqueline Bisset, Fanny Ardant or Catherine Deneuve- played in the creation of the films.
Author: Francois Truffaut Publisher: Simon and Schuster ISBN: 1501143220 Category : Art Languages : en Pages : 368
Book Description
Iconic, groundbreaking interviews of Alfred Hitchcock by film critic François Truffaut—providing insight into the cinematic method, the history of film, and one of the greatest directors of all time. In Hitchcock, film critic François Truffaut presents fifty hours of interviews with Alfred Hitchcock about the whole of his vast directorial career, from his silent movies in Great Britain to his color films in Hollywood. The result is a portrait of one of the greatest directors the world has ever known, an all-round specialist who masterminded everything, from the screenplay and the photography to the editing and the soundtrack. Hitchcock discusses the inspiration behind his films and the art of creating fear and suspense, as well as giving strikingly honest assessments of his achievements and failures, his doubts and hopes. This peek into the brain of one of cinema’s greats is a must-read for all film aficionados.
Author: Dudley Andrew Publisher: John Wiley & Sons ISBN: 1118321200 Category : Performing Arts Languages : en Pages : 642
Book Description
A Companion to François Truffaut “An unprecedented critical tribute to the director who, in France, wound up becoming the most controversial figure of the New Wave he helped found.” Raymond Bellour, Centre National de la Recherche Scientifique “This exciting collection breaks through the widely held critical view that Truffaut abandoned the iconoclasm of his early work for an academicism he had consistently railed against in his own film criticism. Indeed, if ‘fever’ and ‘fire’ were Truffaut’s most consistent motifs, the essays in this collection live up to his lifelong, burning passion for the cinema. Written by world-famous scholars, the essays exhaustively explore the themes and styles of the films, as well as Truffaut’s relationships to André Bazin, Alfred Hitchcock, and the directors of the New Wave, his ground-breaking and controversial film criticism, and his position in the complex politics of French cultural life from the Popular Front to 1968 and after.” Angelo Restivo, Georgia State University Although the New Wave, one of the most influential aesthetic revolutions in the history of cinema, might not have existed without him, François Truffaut has largely been ignored by film scholars since his death almost thirty years ago. As an innovative theoretician, an influential critic, and a celebrated filmmaker, Truffaut formulated, disseminated, and illustrated the ideals of the New Wave with exceptional energy and distinction. Yet no book in recent years has focused on Truffaut’s value, and his overall contribution to cinema deserves to be redefined not only to reinstate him in his proper place but to let us rethink how cinema developed during his lifetime. In this new Companion, thirty-four original essays by leading film scholars offer new readings of individual films and original perspectives on the filmmaker’s background, influences, and consequence. Hugely influential around the globe, Truffaut is assessed by international contributors who delve into the unique quality of his narratives and establish the depth of his distinctively styled work. An extended interview with French filmmaker Arnaud Desplechin tracks Truffaut’s controversial stature within French cinema and vividly identifies how he thinks and works as a director, adding an irreplaceable perspective to this essential volume.
Author: Diana Holmes Publisher: Manchester University Press ISBN: 1526141418 Category : Performing Arts Languages : en Pages : 236
Book Description
First in a series designed to situate and explain the films of French directors. A concise, accessible and original reading of Truffaut's films. A timely evaluation of the films of a popular director whose work features on most A-level French syllabuses and on the majority of University French Studies programmes both in the UK and the USA .
Author: Robert Stam Publisher: Rutgers University Press ISBN: 9780813537252 Category : Literary Criticism Languages : en Pages : 274
Book Description
Drawing on "Jules and Jim" and other films by Francois Truffaut, the author provides an in-depth examination of the multifaceted relationship between Truffaut and Henri-Pierre Roche, the French writer and art collector. The book also moves beyond Truffaut's films to explore the intertwined lives and works of other famous artists and intellectuals.
Author: Alan J. Singerman Publisher: Hackett Publishing ISBN: 1585108944 Category : Performing Arts Languages : en Pages : 434
Book Description
Like its French-language companion volume Le Cinéma français contemporain: Manuel de classe, Alan Singerman and Michèle Bissière's Contemporary French Cinema: A Student's Book offers a detailed look at recent French cinema through its analyses of twenty notable and representative French films that have appeared since 1980. Sure to delight Anglophone fans of French film, it can be used with equal success in English-language courses and, when paired with its companion volume, dual-language ones. Acclaim for Le Cinéma français contemporain: Manuel de classe "From Le Dernier Métro to Intouchables, Bissière and Singerman cover the latest trends of French cinema, emphasizing context and analytical method as Singerman did in Apprentissage du cinéma français (Focus 2004). The authors offer a selection of films most French cinephiles will applaud, and they incorporate insights from some of the best critical work on French cinema. Students of French film will also find all the bibliographical pointers they need to dig deeper, and instructors will appreciate the pedagogical components included in the chapters." —Jonathan Walsh, Department of French Studies, Wheaton College, Massachusetts "This remarkable book comes to us from two seasoned teachers and critics and beautifully complements an earlier work, Alan Singerman's Apprentissage du cinéma français. The time period covered, more targeted here than in the preceding text, is admirably well chosen, and the breakdown by broad category, each offering multiple options, guides the teacher while offering a choice among an abundance of interesting films. The preliminary chapters, both succinct and informative, give students an excellent overview of French cinema as a whole and of the technical knowledge needed for film analysis. Each of the subsequent chapters offers an indispensable introduction discussing the plot, director, production, actors, reception, and context of the film in question and also provides a very useful filmography and bibliography… an exemplary work." —Brigitte E. Humbert, Department of French and Francophone Studies, Middlebury College
Author: Susan Hayward Publisher: Routledge ISBN: 1136214860 Category : Social Science Languages : en Pages : 372
Book Description
The second edition of this innovative textbook brings together leading scholars to provide detailed analyses of twenty-two key films within the canon of French cinema, from the 1920s to the 1990s. Films discussed include: * masterpieces such as Renoir's La Bete Humaine and Carne's Les Enfants du Paradis * popular classics such as Les Vacances de Monsieur Hulot and Ma Nuit chez Maud * landmarks of the New Wave such as Les 400 Coups and A bout de souffle * important films of the 1990s such as Nikita and La Haine The films are considered in relation to such issues as the history of French cinema, the social and cultural contexts of their production and reception, the relationship with Hollywood cinema, gender politics, authorship and genre. Each article is accompanied with a guide to further reading and a filmography of the director, and the new edition also includes a fully revised introduction and a bibliography on French cinema.
Author: Peter Graham Publisher: Bloomsbury Publishing ISBN: 1839022310 Category : Performing Arts Languages : en Pages : 321
Book Description
The French New Wave is an essential anthology of writings by and about the critics and filmmakers of this revolutionary cinematic movement, which has had a radical impact on film practice and the way we think and write about film. The volume includes foundational writings such as Francois Truffaut's A Certain Tendency in French Cinema and Andre Bazin's La Politique des auteurs, as well writings by Jean-Luc Godard, Claude Chabrol and Alexandre Astruc. This new edition now represents writings by and about women critics and film-makers, including important articles by the critics Evelyne Sullerot, Michele Firk and Françoise Aude, addressing issues of gender and representation, as well as considering New Wave films in the context of contemporary political events, notably France's colonialist war on the Algerian independence movement. To accompany the case study of Godard's À bout de souffle, the new edition includes a case study of the critical reception of two films by Agnès Varda: La Pointe Courte and Cléo de 5 à 7 . The articles have been specially translated for the volume by Peter Graham, and some are published for the first time in English. These classic writings are accompanied by contextualising introductions by Ginette Vincendeau, updated for this new edition, to form a unique resource on this key cinematic movement and its practitioners.
Author: Antoine De Baecque
Author: Antoine De Baecque
Author: 
Author: Anne Gillain
Author: Francois Truffaut
Author: Dudley Andrew
Author: Diana Holmes
Author: Robert Stam
Author: Alan J. Singerman
Author: Susan Hayward
Author: Peter Graham