Le surnaturel et les dieux d'apr�s les maladies mentales PDF Download

Author: Georges Dumas
Publisher: Lulu.com
ISBN: 0244814635
Category :
Languages : en
Pages : 508

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Author: Gilles Charles Vuille
Publisher: AuthorHouse
ISBN: 1496984439
Category : Religion
Languages : en
Pages : 181

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Lhomme qui nie lexistence dun Dieu-Crateur de toutes choses ne risque-t-il pas de se prendre pour Dieu ? Les crits sur lathisme sont lgion, font recette aujourdhui ! Question : comment reconnatre le bon grain de livraie ? Lintrt de ce Contre-chant lathisme de Richard Dawkins rside dabord dans sa conception, son approche, son style; il se trouve ensuite tre rvlateur et savamment clairant. Son auteur, Gilles Charles Vuille, na pas cherch, comme Richard Dawkins, transmettre sa pense personnelle, mais tout son contraire : on ressent, en effet, cette proccupation distiller, au fil des pages, des paroles fortes manant dune multitude dhommes et de femmes notoires, ayant fait lexprience de lAmour de Dieu. Cette recherche minutieuse, travers les millnaires, amne progressivement vider de sa substance les thses sur lathisme. Voil une lecture qui pourrait bien nous mener la Lumire ! Luc Claessens

Author: Jean François Lyotard
Publisher: U of Minnesota Press
ISBN: 9780816631070
Category : Biography & Autobiography
Languages : en
Pages : 340

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Traces the life and career of the French novelist, describing his participation in the Spanish Civil War, command of a World War II resistance brigade, and his position as a government minister.

Author: WALTER GRASSKAMP
Publisher: Getty Publications
ISBN: 1606065017
Category : Art
Languages : en
Pages : 244

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In 1954, the French writer, politician, and publisher André Malraux posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book Le musée imaginaire de la sculpture mondiale. The enchanting metaphor of the musée imaginaire (imaginary museum) was built upon that illustrated art book, and Malraux was one of its greatest champions. Drawing on a range of contemporary publications, he adopted images and responded to ideas. Indeed, Malraux’s book on the floor is a variation of photographer André Vigneau’s spectacular Encyclopédie photographique de l’art, published in five volumes from 1935 on—years before Malraux would enter this field. Both authors were engaged in juxtaposing artworks via photographs and publishing these photographs by the hundreds, but Malraux was the better sloganeer. Starting from a close examination of the photograph of Malraux in his salon, art historian Walter Grasskamp takes the reader back to the dawn of this genre of illustrated art book. He shows how it catalyzed the practice of comparing works of art on a global scale. He retraces the metaphor to earlier reproduction practices and highlights its ubiquity in contemporary art, ending with an homage to the other pioneer of the “museum without walls,” the unjustly forgotten Vigneau.

Author: Derek Allan
Publisher: Cambridge Scholars Publishing
ISBN: 1443867233
Category : Art
Languages : en
Pages : 195

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A well-known feature of great works of art is their power to “live on” long after the moment of their creation – to remain vital and alive long after the culture in which they were born has passed into history. This power to transcend time is common to works as various as the plays of Shakespeare, the Victory of Samothrace, and many works from early cultures such as Egypt and Buddhist India which we often encounter today in major art museums. What is the nature of this power and how does it operate? The Renaissance decided that works of art are timeless, “immortal” – immune from historical change – and this idea has exerted a profound influence on Western thought. But do we still believe it? Does it match our experience of art today which includes so many works from the past that spent long periods in oblivion and have clearly not been immune from historical change? This book examines the seemingly miraculous power of art to transcend time – an issue widely neglected in contemporary aesthetics. Tracing the history of the question from the Renaissance onwards, and discussing thinkers as various as David Hume, Hegel, Marx, Walter Benjamin, Sartre, and Theodor Adorno, the book argues that art transcends time through a process of metamorphosis – a thesis first developed by the French art theorist, André Malraux. The implications of this idea pose major challenges for traditional thinking about the nature of art.

Author: Derek Allan
Publisher: Rodopi
ISBN: 9042027495
Category : Art
Languages : en
Pages : 341

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Derek Allan has published widely on aspects of Malraux's works and the theory of art and literature. He holds a PhD in Philosophy and a Masters degree in French Language and Literature. and is currently a Visiting Scholar in the School of Humanities at the Australian National University. --Book Jacket.

Author: Sam Stuart
Publisher: Elsevier
ISBN: 1483139468
Category : Political Science
Languages : en
Pages : 329

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Drogue et Civilisation

Author:
Publisher: TheBookEdition
ISBN: 2959161408
Category :
Languages : en
Pages : 327

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Author:
Publisher: Oxford University Press
ISBN: 0192889435
Category : Philosophy
Languages : en
Pages : 997

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This volume focuses on the famous philosophical correspondence between the German polymath Gottfried Wilhelm Leibniz, writing in the final months of his life, and the English philosopher and cleric Samuel Clarke, as well as the correspondence between Leibniz and Caroline of Brandenburg-Ansbach, future Princess of Wales and Queen Consort of England, who played a significant role in the correspondence as both mediator of, and commentator on, the exchanges been Leibniz and Clarke. It provides a complete reproduction of Samuel Clarke's 1717 edition of his correspondence with Leibniz, as well as original language texts (in French and Latin) and English translations of the extant correspondence between Leibniz and Caroline from 1714 to 1716, as well as many of the letters exchanged between Leibniz and various correspondents during the period of the correspondence with Clarke. Many of the original language documents are here published and translated into English for the first time. Gregory Brown's introduction places the letters in historical and personal context. The first part discusses the correspondence and developing relationship between Caroline and Leibniz. This encompasses a period immediately leading up to the ascension of Caroline's father-in-law, Georg Ludwig, Elector of Braunschweig-Lüneburg (Hanover), to the throne of England as George I following the death of Queen Anne, as well as Caroline's ascension to the position of Princess of Wales and subsequent relocation to England, Leibniz's correspondence with Clarke, mediated by Caroline, and Leibniz's death in 1716. The second part of the introduction discusses the main themes of the correspondence between Leibniz and Clarke and highlights the importance and influence of Caroline in her role as mediator of the correspondence.

Author: Samuel II Clarke
Publisher:
ISBN:
Category :
Languages : en
Pages : 770

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