Author: Concile de Trente
Publisher:
ISBN:
Category : Council of Trent
Languages : fr
Pages : 566
Book Description
Le saint Concile de Trente oecuménique et général, célébré sous Paul III, Jules III, et Pie IV, souverains pontifes
Author: Concile de Trente
Publisher:
ISBN:
Category : Council of Trent
Languages : fr
Pages : 566
Book Description
Publisher:
ISBN:
Category : Council of Trent
Languages : fr
Pages : 566
Book Description
Le saint Concile de Trente oecuménique et général, célébré sous Paul III, Jules III et Pie IV souverains pontifes. Nouvellement traduit par M. l'abbé Chanut
Le saint Concile de Trente oecuménique et général, célébré sous Paul III, Jules III et Pie IV souverains pontifes. Nouvellement traduit par M. l'abbé Chanut
Le saint Concile de Trente oecuménique et général, célébré sous Paul 3. Jules 3. et Pie 4. souverains pontifes. Nouvellement traduit par m. l'abbé Chanut
British Museum Catalogue of Printed Books
Le Saint Concile de Trente, oecumenique et general
Ceremonial Splendor
Author: Joy Palacios
Publisher: University of Pennsylvania Press
ISBN: 1512822779
Category : History
Languages : en
Pages : 289
Book Description
By the end of France’s long seventeenth century, the seminary-trained, reform-minded Catholic priest had crystalized into a type recognizable by his clothing, gestures, and ceremonial skill. Although critics denounced these priests as hypocrites or models for Molière’s Tartuffe, seminaries associated the features of this priestly identity with the idea of the vray ecclésiastique, or true churchman. Ceremonial Splendor examines the way France’s early seminaries promoted the emergence and construction of the true churchman as a mode of embodiment and ecclesiastical ideal between approximately 1630 and 1730. Based on an analysis of sources that regulated priestly training in France, such as seminary rules and manuals, liturgical handbooks, ecclesiastical pamphlets and conferences, and episcopal edicts, the book uses theories of performance to reconstruct the way clergymen learned to conduct liturgical ceremonies, abide by clerical norms, and aspire to perfection. Joy Palacios shows how the process of crafting a priestly identity involved a wide range of performances, including improvisation, role-playing, and the display of skills. In isolation, any one of these performance obligations, if executed in a way that drew attention to the self, could undermine a clergyman’s priestly persona and threaten the institution of the priesthood more broadly. Seminaries counteracted the ever-present threat of theatricality by ceremonializing the clergyman’s daily life, rendering his body and gestures contiguous with the mass. Through its focus on priestly identity, Ceremonial Splendor reconsiders the relationship between Church and theater in early modern France and uncovers ritual strategies that continue to shape religious authority today.
Publisher: University of Pennsylvania Press
ISBN: 1512822779
Category : History
Languages : en
Pages : 289
Book Description
By the end of France’s long seventeenth century, the seminary-trained, reform-minded Catholic priest had crystalized into a type recognizable by his clothing, gestures, and ceremonial skill. Although critics denounced these priests as hypocrites or models for Molière’s Tartuffe, seminaries associated the features of this priestly identity with the idea of the vray ecclésiastique, or true churchman. Ceremonial Splendor examines the way France’s early seminaries promoted the emergence and construction of the true churchman as a mode of embodiment and ecclesiastical ideal between approximately 1630 and 1730. Based on an analysis of sources that regulated priestly training in France, such as seminary rules and manuals, liturgical handbooks, ecclesiastical pamphlets and conferences, and episcopal edicts, the book uses theories of performance to reconstruct the way clergymen learned to conduct liturgical ceremonies, abide by clerical norms, and aspire to perfection. Joy Palacios shows how the process of crafting a priestly identity involved a wide range of performances, including improvisation, role-playing, and the display of skills. In isolation, any one of these performance obligations, if executed in a way that drew attention to the self, could undermine a clergyman’s priestly persona and threaten the institution of the priesthood more broadly. Seminaries counteracted the ever-present threat of theatricality by ceremonializing the clergyman’s daily life, rendering his body and gestures contiguous with the mass. Through its focus on priestly identity, Ceremonial Splendor reconsiders the relationship between Church and theater in early modern France and uncovers ritual strategies that continue to shape religious authority today.
The Polyphonic Mass in France, 1600–1780
Author: Jean-Paul C. Montagnier
Publisher: Cambridge University Press
ISBN: 1316833917
Category : Music
Languages : en
Pages : 359
Book Description
This is the first ever book-length study of the a cappella masses which appeared in France in choirbook layout during the baroque era. Though the musical settings of the Ordinarium missæ and of the Missa pro defunctis have been the subject of countless studies, the stylistic evolution of the polyphonic masses composed in France during the seventeenth and eighteenth centuries has been neglected owing to the labor involved in creating scores from the surviving individual parts. Jean-Paul C. Montagnier has examined closely the printed, engraved and stenciled choirbooks containing this repertoire, and his book focuses mainly on the music as it stands in them. After tracing the choirbooks' publishing history, the author places these mass settings in their social, liturgical and musical context. He shows that their style did not all adhere strictly to the stile antico, but could also employ the most up-to-date musical language of the period.
Publisher: Cambridge University Press
ISBN: 1316833917
Category : Music
Languages : en
Pages : 359
Book Description
This is the first ever book-length study of the a cappella masses which appeared in France in choirbook layout during the baroque era. Though the musical settings of the Ordinarium missæ and of the Missa pro defunctis have been the subject of countless studies, the stylistic evolution of the polyphonic masses composed in France during the seventeenth and eighteenth centuries has been neglected owing to the labor involved in creating scores from the surviving individual parts. Jean-Paul C. Montagnier has examined closely the printed, engraved and stenciled choirbooks containing this repertoire, and his book focuses mainly on the music as it stands in them. After tracing the choirbooks' publishing history, the author places these mass settings in their social, liturgical and musical context. He shows that their style did not all adhere strictly to the stile antico, but could also employ the most up-to-date musical language of the period.
Le saint concile de Trente, oecuménique et général, celebré sous Paul III, Jules III et Pie IV, souvetains pontifes
Exegesis and History of Reception
Author: Régis Burnet
Publisher: Mohr Siebeck
ISBN: 3161596536
Category : Religion
Languages : en
Pages : 256
Book Description
"Why should we take into account the history of reception in biblical methods? It is because as exegetes we have no choice. Recognizing our dependence on interpretations of the past is not a new method, but it is the very way we understand texts. Régis Burnet shows how this allows us to put our current interpretations into perspective, but also to dialogue with those of the past." --
Publisher: Mohr Siebeck
ISBN: 3161596536
Category : Religion
Languages : en
Pages : 256
Book Description
"Why should we take into account the history of reception in biblical methods? It is because as exegetes we have no choice. Recognizing our dependence on interpretations of the past is not a new method, but it is the very way we understand texts. Régis Burnet shows how this allows us to put our current interpretations into perspective, but also to dialogue with those of the past." --