Le récit spéculaire PDF Download

Author: Lucien Dällenbach
Publisher: Seuil
ISBN:
Category : Fiction
Languages : fr
Pages : 264

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Author: Ruth Mayer
Publisher: UPNE
ISBN: 9781584651925
Category : History
Languages : en
Pages : 386

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Book Description
A groundbreaking investigation of Western conceptions of Africa.

Author: North American Society for Seventeenth-Century French Literature. Conference
Publisher: Gunter Narr Verlag
ISBN: 9783823362234
Category : French literature
Languages : fr
Pages : 316

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Author: Joseph Hillis Miller
Publisher: Princeton University Press
ISBN: 1400854768
Category : Literary Criticism
Languages : en
Pages : 469

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Book Description
This series of readings, explores the functioning of moments in poems when the medium--language--becomes an issue. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Author: Roxanne Hanney
Publisher: Edwin Mellen Press
ISBN: 9780889465664
Category : Metaphor
Languages : en
Pages : 186

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Book Description
This volume seeks to offer a new way of reading A la Recherche du Temps Perdu, using a fluid manner of interpretation which suggests process rather than product. This study contends that everything in Proust's work is threefold. The middle term is the common ground shared by the two terms of comparison that constitute a metaphor.

Author: Lucy Bolton
Publisher: Peter Lang
ISBN: 9783039110438
Category : Art
Languages : en
Pages : 244

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Book Description
Broaching the notion of the 'frame' from a variety of analytic perspectives, and employing a range of approaches, this collection of articles engages with contemporary debates on text and image relations, literary reception and translation, narratology and cinematographic technique. The various contributions to this collection provide new readings in their respective fields, and share a common concern with exploring the productive and problematic notion of the 'frame' and of 'framing' in a wide variety of cultural media in French Studies. This interdisciplinary analysis of literary and theoretical texts, visual art and film allows for fruitful connections to be made at the level of analysis of themes and of methodology. It thus provides material that is of interest both to specialists in these fields, and also to those seeking a more general introduction to each area. This collection of articles is selected from the proceedings of the 'Framed! in French Studies' workshop, held at the Institut Français in London in February 2006.

Author: Alastair Duncan
Publisher: Manchester University Press
ISBN: 9780719064845
Category : Literary Criticism
Languages : en
Pages : 250

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Book Description
This book introduces novels by the Nobel Prize for Literature author, Claude Simon, giving emphasis to peaks in his literary achievement.

Author: Athalya Brenner-Idan
Publisher: A&C Black
ISBN: 0567348261
Category : Religion
Languages : en
Pages : 222

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Book Description
This volume is part of a series which provides a fundamental resource for feminist biblical scholarship, containing a comprehensive selection of essays, both reprinted and specially written for the series, by leading feminist scholars. 'An enterprising series of collections of important and pioneering studies.... Those teaching feminist courses will find the books invaluable as a resource for students.' C.S. Rodd, Expository Times.

Author: Silvia Bigliazzi
Publisher: Routledge
ISBN: 1351161466
Category : Literary Criticism
Languages : en
Pages : 356

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Book Description
'Collaboration' is a complex cultural and political phenomenon: the combined practice of two or more artists, simultaneously or across time, or the willing (and therefore publicly reprehensible) collusion implied by the term's specifically historical meaning. These interdisciplinary essays propose collaboration as a strategy for ensuring creativity within a dynamic tradition, and as a means of mutual enrichment both between individuals and between disciplines. Writers from Chaucer to Wilde and Conrad are considered in this context, together with medieval iconography and German Romanticism. Yet collaboration as collusion and coercion are also implicated in diverse political and cultural agendas informed by xenophobic and exclusive, rather than inclusive, ideologies. Their impact spreads beyond the lives and minds of individual artists and individual texts to touch on the relationship between the citizen and the state, whether writers from the 'losing' side, the immigrant in Italy, writers who supported Fascisim, or the Roma in Britain.

Author: José M. Lopes
Publisher: University of Toronto Press
ISBN: 1442655801
Category : Literary Criticism
Languages : en
Pages : 292

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Book Description
In this wide-ranging study, José Manuel Lopes proposes a theoretical framework for analysing the role of description in prose fiction. He offers readings of texts drawn from four national literatures—French, Spanish, Portuguese, and Brazilian—testing his model across a cultural and temporal spectrum. This critical breadth also illustrates the significance of description in disparate contexts: the postmodern novel, which implicitly challenges conventional notions of foreground and background, as well as the naturalist and realist fiction of the nineteenth century. Lopes applies his model to detailed readings of Emile Zola's Une Page d'amour, Claude Simon's Histoire, Benito Pérez Galdós' La de Bringas, Cornélio Penna's A Menina Morta, and Carlos de Oliveira's Finisterra. In addition to exploring the interplay of description and narration, these readings pay particular attention to spatial descriptions, and analyse the diverse roles of description in different contexts. After subjecting each fictional text to a detailed analysis which seeks to bring out the crucial aspects that contribute towards the foregrounding of descriptive passages (e.g., mise en abyme, parody, modes of representation), and which establishes, on occasion, certain relations that literary description may entertain with the other arts, he attempts to isolate the primary functions of foregrounding descriptions. What he seeks to demonstrate is that description constitutes a major textual component necessary for the analysis and understanding of both nineteenth- and twentieth-century fictional texts.