Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages :
Book Description
Le plaisir d'apprendre
Le plaisir d'apprendre ... Le langage par l'image
Author:
Publisher: Odile Jacob
ISBN: 2738172202
Category :
Languages : en
Pages : 298
Book Description
Publisher: Odile Jacob
ISBN: 2738172202
Category :
Languages : en
Pages : 298
Book Description
Modern Language Teaching
Audio-visual Language Journal
Author:
Publisher:
ISBN:
Category : Language and languages
Languages : en
Pages : 172
Book Description
Publisher:
ISBN:
Category : Language and languages
Languages : en
Pages : 172
Book Description
Missionaires Oblates
Author: Rosa Bruno-Jofré
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773575499
Category : Religion
Languages : en
Pages : 248
Book Description
Dans cette importante analyse féministe, Rosa Bruno-Jofré présente un portrait sensible et nuancé de comment un groupe de femmes -- les Soeurs Missionnaires Oblates, une congrégation bilingue d'enseignantes au Manitoba -- composait avec les structures patriarcales et les opinions, traditions et attitudes divergentes des Soeurs qui provenaient de diverses communautés canadiennes-françaises du Manitoba, du Québec, du Saskatchewan, de l'Ontario et des États-Unis. Puisant en profondeur dans des archives privées et dans l'histoire orale, Bruno-Jofré illumine la vie intérieure de la congrégation et de son travail éducatif. Elle démontre que les Soeurs jouèrent un rôle important dans la construction d'une identité canadienne-française au Manitoba et au Québec. Elle offre une fenêtre sur les relations complexes entre les Soeurs et les Pères Oblates, incluant le rôle des Soeurs en tant qu'auxiliaires dans les pensionnats. En conclusion, le livre offre une analyse des efforts de la congrégation depuis 1973 à reformuler sa vision et sa mission dans le contexte de Vatican II, ce désir de vivre en tant que communauté qui motivait les Soeurs à réexaminer leurs souvenirs et leurs interprétations du passé.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773575499
Category : Religion
Languages : en
Pages : 248
Book Description
Dans cette importante analyse féministe, Rosa Bruno-Jofré présente un portrait sensible et nuancé de comment un groupe de femmes -- les Soeurs Missionnaires Oblates, une congrégation bilingue d'enseignantes au Manitoba -- composait avec les structures patriarcales et les opinions, traditions et attitudes divergentes des Soeurs qui provenaient de diverses communautés canadiennes-françaises du Manitoba, du Québec, du Saskatchewan, de l'Ontario et des États-Unis. Puisant en profondeur dans des archives privées et dans l'histoire orale, Bruno-Jofré illumine la vie intérieure de la congrégation et de son travail éducatif. Elle démontre que les Soeurs jouèrent un rôle important dans la construction d'une identité canadienne-française au Manitoba et au Québec. Elle offre une fenêtre sur les relations complexes entre les Soeurs et les Pères Oblates, incluant le rôle des Soeurs en tant qu'auxiliaires dans les pensionnats. En conclusion, le livre offre une analyse des efforts de la congrégation depuis 1973 à reformuler sa vision et sa mission dans le contexte de Vatican II, ce désir de vivre en tant que communauté qui motivait les Soeurs à réexaminer leurs souvenirs et leurs interprétations du passé.
Canadian Books in Print
Canadiana
Now
Author: Vincent Lavoie
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773574301
Category : Photography
Languages : en
Pages : 320
Book Description
While the crisis that took place in photojournalism during the 1960's brought about a significant shift in the practices, discourses and institutional structures of press photography, it also affected the practices of artists, specifically with regard to work devoted to revitalizing the depiction of events. The art world attempted to revitalize the historical genre by undertaking its critical rereading, in the spirit of restoring a tradition diminished by the mass media. The problem may be expressed in these terms: How can history be depicted, bearing in mind that the media (mainly photojournalism and the electronic press) have claimed a monopoly of the genre unto themselves? At issue is the sizeable problem of mass media omnipotence as an obligatory referential universe for historiographical artistic practices. Today, it seems impossible to depict the event in any way other than by accentuating or eschewing the formal attributes, rhetorical artifices, and ideological precepts of the mass media. These approaches to addressing historical moments have been examined in this article both because they epitomize contemporary historical writing and, for the most part, they constitute critical responses to stereotyped depictions of events. Above all, they represent a paradigm shift: the mass media's prerogatives for depicting historical moments has shifted towards the field of art. Contemporary depictions of catastrophe - crimes, sensationalist news items, terrorist attacks, humanitarian disasters, genocides - (common themes in many of the artistic projects represented in the 8th edition of the Mois de la Photo a Montreal} have been especially striking in this respect. For of all contemporary events, catastrophes are the most likely to be spontaneously propelled to the top of the news - roster and the most susceptible to the various inflections of contemporary art photography.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773574301
Category : Photography
Languages : en
Pages : 320
Book Description
While the crisis that took place in photojournalism during the 1960's brought about a significant shift in the practices, discourses and institutional structures of press photography, it also affected the practices of artists, specifically with regard to work devoted to revitalizing the depiction of events. The art world attempted to revitalize the historical genre by undertaking its critical rereading, in the spirit of restoring a tradition diminished by the mass media. The problem may be expressed in these terms: How can history be depicted, bearing in mind that the media (mainly photojournalism and the electronic press) have claimed a monopoly of the genre unto themselves? At issue is the sizeable problem of mass media omnipotence as an obligatory referential universe for historiographical artistic practices. Today, it seems impossible to depict the event in any way other than by accentuating or eschewing the formal attributes, rhetorical artifices, and ideological precepts of the mass media. These approaches to addressing historical moments have been examined in this article both because they epitomize contemporary historical writing and, for the most part, they constitute critical responses to stereotyped depictions of events. Above all, they represent a paradigm shift: the mass media's prerogatives for depicting historical moments has shifted towards the field of art. Contemporary depictions of catastrophe - crimes, sensationalist news items, terrorist attacks, humanitarian disasters, genocides - (common themes in many of the artistic projects represented in the 8th edition of the Mois de la Photo a Montreal} have been especially striking in this respect. For of all contemporary events, catastrophes are the most likely to be spontaneously propelled to the top of the news - roster and the most susceptible to the various inflections of contemporary art photography.
Ré-inventer le réel
Author: Groupe de recherches anglo-américaines de Tours
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 296
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 296
Book Description