Author: Fabio Masala
Publisher:
ISBN: 9788859193203
Category : Poetry
Languages : un
Pages : 0

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Author: Fabio Masala
Publisher: Aletti Editore
ISBN: 885919329X
Category : Poetry
Languages : en
Pages : 101

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Book Description
Mi chiamo Fabio Masala sono nato a Cagliari l’11 maggio 1980. Ho conseguito il titolo di scuola media superiore nel 1999. Vivo a Sassari e sono divorziato. Lavoro per l'azienda MULTISS, da qualche anno, all'età di trentasei anni sono stato tragicamente colpito da una malattia, la leucemia, che mi ha tenuto lontano dalla vita quotidiana per molto tempo. Inizia un percorso di cambiamento tecnico culturale, a prescindere dall'evoluzione della vita, ho deciso di intraprendere un lungo viaggio culturale e spirituale per adattarmi al cambiamento della vita. Creare un nuovo IO, una nuova persona con nuovi obiettivi da raggiungere. Durante questo viaggio ho conosciuto nella solitudine la lettura e la scrittura. Ho iniziato a scrivere per vivere, adesso continuo a scrivere per passione. Ringrazio la casa editrice Aletti e Giuseppe Aletti che mi hanno dato la possibilità di partecipare a diversi concorsi internazionali, progetti culturali, al video corso di scrittura poetica, alla Mastermind e conoscere il professore Hafez Haidar, con il quale ho condiviso, con grande stima, diversi progetti culturali importanti. th My name is Fabio Masala, I was born in Cagliari on May 11 , 1980. In 1999, I ended my studies in an upper secondary school. I live in Sassari, and I am divorced. I have been working for MULTISS for a few years. When I was 36, I have been tragically diagnosed with an illness, leukemia, which kept me away from daily life for a long time. I have started a journey of technical-cultural transformation, regardless of the evolution of life. I have decided to take up a long cultural and spiritual journey, to adapt to life's transformation. Create a new “I”, a new person with new goals to reach. During this journey, in the solitude, I came across reading and writing. I started writing to live, now I keep writing for passion. I thank the publishing company Aletti and Giuseppe Aletti, that have given me the possibility to participate in different international contests, cultural projects, video-course of poetic writing, the Mastermind. I thank Professor Hafez Haidar with whom I have shared with great esteem some important cultural projects.

Author: Manuele Gragnolati
Publisher: ICI Berlin Press
ISBN: 3965580140
Category : Literary Criticism
Languages : en
Pages : 226

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Opening to passion as an unsettling, transformative force; extending desire to the text, expanding the self, and dissolving its boundaries; imagining pleasures outside the norm and intensifying them; overcoming loss and reaching beyond death; being loyal to oneself and defying productivity, resolution, and cohesion while embracing paradox, non-linearity, incompletion. These are some of the possibilities of lyric that this book explores by reading Petrarch’s vernacular poetry in dialogue with that of other poets, including Guido Cavalcanti, Dante, and Shakespeare. In the Epilogue, the poet Antonella Anedda Angioy engages with Ossip Mandel’štam and Paul Celan’s dialogue with Petrarch and extends it into the present.

Author: Teodolinda Barolini
Publisher: Fordham Univ Press
ISBN: 0823227057
Category : Literary Criticism
Languages : en
Pages : 496

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In this book, Teodolinda Barolini explores the sources of Italian literary culture in the figures of its lyric poets and its “three crowns”: Dante, Petrarch, and Boccaccio. Barolini views the origins of Italian literary culture through four prisms: the ideological/philosophical, the intertextual/multicultural, the structural/formal, and the social. The essays in the first section treat the ideology of love and desire from the early lyric tradition to the Inferno and its antecedents in philosophy and theology. In the second, Barolini focuses on Dante as heir to both the Christian visionary and the classical pagan traditions (with emphasis on Vergil and Ovid). The essays in the third part analyze the narrative character of Dante’s Vita nuova, Petrarch’s lyric sequence, and Boccaccio’s Decameron. Barolini also looks at the cultural implications of the editorial history of Dante’s rime and at what sparso versus organico spells in the Italian imaginary. In the section on gender, she argues that the didactic texts intended for women’s use and instruction, as explored by Guittone, Dante, and Boccaccio—but not by Petrarch—were more progressive than the courtly style for which the Italian tradition is celebrated. Moving from the lyric origins of the Divine Comedy in “Dante and the Lyric Past” to Petrarch’s regressive stance on gender in “Notes toward a Gendered History of Italian Literature”—and encompassing, among others, Giacomo da Lentini, Guido Cavalcanti, and Guittone d’Arezzo—these sixteen essays by one of our leading critics frame the literary culture of thirteenth-and fourteenth-century Italy in fresh, illuminating ways that will prove useful and instructive to students and scholars alike.

Author: Anne Carson
Publisher: Princeton University Press
ISBN: 1400823153
Category : Literary Criticism
Languages : en
Pages : 156

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The ancient Greek lyric poet Simonides of Keos was the first poet in the Western tradition to take money for poetic composition. From this starting point, Anne Carson launches an exploration, poetic in its own right, of the idea of poetic economy. She offers a reading of certain of Simonides' texts and aligns these with writings of the modern Romanian poet Paul Celan, a Jew and survivor of the Holocaust, whose "economies" of language are notorious. Asking such questions as, What is lost when words are wasted? and Who profits when words are saved? Carson reveals the two poets' striking commonalities. In Carson's view Simonides and Celan share a similar mentality or disposition toward the world, language and the work of the poet. Economy of the Unlost begins by showing how each of the two poets stands in a state of alienation between two worlds. In Simonides' case, the gift economy of fifth-century b.c. Greece was giving way to one based on money and commodities, while Celan's life spanned pre- and post-Holocaust worlds, and he himself, writing in German, became estranged from his native language. Carson goes on to consider various aspects of the two poets' techniques for coming to grips with the invisible through the visible world. A focus on the genre of the epitaph grants insights into the kinds of exchange the poets envision between the living and the dead. Assessing the impact on Simonidean composition of the material fact of inscription on stone, Carson suggests that a need for brevity influenced the exactitude and clarity of Simonides' style, and proposes a comparison with Celan's interest in the "negative design" of printmaking: both poets, though in different ways, employ a kind of negative image making, cutting away all that is superfluous. This book's juxtaposition of the two poets illuminates their differences--Simonides' fundamental faith in the power of the word, Celan's ultimate despair--as well as their similarities; it provides fertile ground for the virtuosic interplay of Carson's scholarship and her poetic sensibility.

Author: Virginia Walker Jackson
Publisher: JHU Press
ISBN: 1421412004
Category : Literary Criticism
Languages : en
Pages : 678

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Book Description
Reading lyric poetry over the past century. The Lyric Theory Reader collects major essays on the modern idea of lyric, made available here for the first time in one place. Representing a wide range of perspectives in Anglo-American literary criticism from the twentieth and twenty-first centuries, the collection as a whole documents the diversity and energy of ongoing critical conversations about lyric poetry. Virginia Jackson and Yopie Prins frame these conversations with a general introduction, bibliographies for further reading, and introductions to each of the anthology’s ten sections: genre theory, historical models of lyric, New Criticism, structuralist and post-structuralist reading, Frankfurt School approaches, phenomenologies of lyric reading, avant-garde anti-lyricism, lyric and sexual difference, and comparative lyric. Designed for students, teachers, scholars, poets, and readers with a general interest in poetics, this book presents an intellectual history of the theory of lyric reading that has circulated both within and beyond the classroom, wherever poetry is taught, read, discussed, and debated today.

Author: Erich Auerbach
Publisher: Princeton University Press
ISBN: 0691234523
Category : Literary Criticism
Languages : en
Pages : 334

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Important essays from one of the giants of literary criticism, including a dozen published here in English for the first time Erich Auerbach (1892-1957), best known for his classic literary study Mimesis, is celebrated today as a founder of comparative literature, a forerunner of secular criticism, and a prophet of global literary studies. Yet the true depth of Auerbach's thinking and writing remains unplumbed. Time, History, and Literature presents a wide selection of Auerbach's essays, many of which are little known outside the German-speaking world. Of the twenty essays culled for this volume from the full length of his career, twelve have never appeared in English before, and one is being published for the first time. Foregrounded in this major new collection are Auerbach's complex relationship to the Judaeo-Christian tradition, his philosophy of time and history, and his theory of human ethics and responsible action. Auerbach effectively charts out the difficult discovery, in the wake of Christianity, of the sensuous, the earthly, and the human and social worlds. A number of the essays reflect Auerbach's responses to an increasingly hostile National Socialist environment. These writings offer a challenging model of intellectual engagement, one that remains as compelling today as it was in Auerbach's own time.

Author: W. B. Yeats
Publisher: Clarendon Press
ISBN: 9780198126829
Category : Literary Collections
Languages : en
Pages : 872

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Described by Seamus Heaney as `one of the great publishing events of the decade', The Collected Letters of W. B. Yeats is redefining the territory of modern literary history. Covering a formative period in Yeats's political career, and the beginning of his theatrical involvement, Volume II (1896-1900) is indispensable to anyone interested in modern poetry, Irish drama, and cultural history. Letter by letter Yeat's private concerns, artistic quarrels and exhausting political life are revealed. Rich and readable notes provide a narrative of these years, explaining allusions, and setting the correspondence in its cultural and political contexts, as well as relating it to the emergence of Yeats's canon.

Author: Zygmunt G. Baranski
Publisher:
ISBN: 9780268048778
Category :
Languages : en
Pages : 426

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Since the beginnings of Italian vernacular literature, the nature of the relationship between Francesco Petrarch (1304-1374) and his predecessor Dante Alighieri (1265-1321) has remained an open and endlessly fascinating question of both literary and cultural history. In this volume nine leading scholars of Italian medieval literature and culture address this question involving the two foundational figures of Italian literature. Through their collective reexamination of the question of who and what came between Petrarch and Dante in ideological, historiographical, and rhetorical terms, the authors explore the emergence of an anti-Dantean polemic in Petrarch's work. That stance has largely escaped scrutiny, thanks to a critical tradition that tends to minimize any suggestion of rivalry or incompatibility between them. The authors examine Petrarch's contentious and dismissive attitude toward the literary authority of his illustrious predecessor; the dramatic shift in theological and philosophical context that occurs from Dante to Petrarch; and their respective contributions as initiators of modern literary traditions in the vernacular. Petrarch's substantive ideological dissent from Dante clearly emerges, a dissent that casts in high relief the poets' radically divergent views of the relation between the human and the divine and of humans' capacity to bridge that gap.

Author: Sarah Kay
Publisher: University of Pennsylvania Press
ISBN: 0812208382
Category : Literary Criticism
Languages : en
Pages : 473

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Book Description
The love songs of Occitan troubadours inspired a rich body of courtly lyric by poets working in neighboring languages. For Sarah Kay, these poets were nightingales, composing verse that is recognizable yet original. But troubadour poetry also circulated across Europe in a form that is less well known but was more transformative. Writers outside Occitania quoted troubadour songs word for word in their original language, then commented upon these excerpts as linguistic or poetic examples, as guides to conduct, and even as sources of theological insight. If troubadours and their poetic imitators were nightingales, these quotation artists were parrots, and their practices of excerption and repetition brought about changes in poetic subjectivity that would deeply affect the European canon. The first sustained study of the medieval tradition of troubadour quotation, Parrots and Nightingales examines texts produced along the arc of the northern Mediterranean—from Catalonia through southern France to northern Italy—through the thirteenth century and the first half of the fourteenth. Featuring extensive appendices of over a thousand troubadour passages that have been quoted or anthologized, Parrots and Nightingales traces how quotations influenced the works of grammarians, short story writers, biographers, encyclopedists, and not least, other poets including Dante and Petrarch. Kay explores the instability and fluidity of medieval textuality, revealing how the art of quotation affected the transmission of knowledge and transformed perceptions of desire from the "courtly love" of the Middle Ages to the more learned formulations that emerged in the Renaissance. Parrots and Nightingales deftly restores the medieval tradition of lyric quotation to visibility, persuasively arguing for its originality and influence as a literary strategy.