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Author: Osbel Suárez Publisher: Actar D ISBN: Category : Art Languages : en Pages : 292
Book Description
Kinetic art is art that contains moving parts or depends on motion for its effect. The moving parts are generally powered by wind, a motor or the observer. The term kinetic sculpture refers to a class of art made primarily from the late 1950s through 1960s. Kinetic art was first recorded by the sculptors Naum Gabo and Antoine Pevsner in their Realist Manifesto issued as part of a manifesto of constructivism in 1920 in Moscow. Bicycle Wheel, of 1913, by Marcel Duchamp, is said to be the first kinetic sculpture.
Author: Osbel Suárez Publisher: Actar D ISBN: Category : Art Languages : en Pages : 292
Book Description
Kinetic art is art that contains moving parts or depends on motion for its effect. The moving parts are generally powered by wind, a motor or the observer. The term kinetic sculpture refers to a class of art made primarily from the late 1950s through 1960s. Kinetic art was first recorded by the sculptors Naum Gabo and Antoine Pevsner in their Realist Manifesto issued as part of a manifesto of constructivism in 1920 in Moscow. Bicycle Wheel, of 1913, by Marcel Duchamp, is said to be the first kinetic sculpture.
Author: Paul J.J.M. Bakker Publisher: Leuven University Press ISBN: 946270046X Category : Philosophy Languages : en Pages : 273
Book Description
CONTENTS Paul J.J.M BakkerIntroduction Cristina CeramiL’éternel par soi Jean-Baptiste BrenetAlexandre d’Aphrodise ou le matérialiste malgré lui Dag Nikolaus HasseAverroes’ Critique of Ptolemy and Its Reception by John of Jandun andAgostino Nifo Silvia DonatiIs Celestial Motion a Natural Motion? Cecilia TrifogliThe Reception of Averroes’ View on Motion in the Latin West Edith Dudley SyllaAverroes and Fourteenth-Century Theories of Alteration Craig MartinProvidence and Seventeenth-Century Attacks on Averroes Bibliography Index Codicum Manu ScriptorumIndex Nominum
Author: Sylvain Roudaut Publisher: BRILL ISBN: 9004501894 Category : Philosophy Languages : en Pages : 443
Book Description
The aim of this book is to analyze the problem of the intensity of forms in the late Middle Ages and to show how this debate eventually gave rise to a new metaphysical project in the 14th century: the project of quantifying the different types of perfections existing in the universe – that is the project of “measuring being”. Cet ouvrage se propose d’analyser l’histoire du débat relatif à l’intensité des formes au Moyen Âge, et de retracer la manière dont il conduisit au XIVe siècle à l’émergence d’un projet métaphysique nouveau : celui de quantifier les perfections contenues dans l’univers et, ainsi, de “mesurer l’être”.
Author: William Fortenbaugh Publisher: Routledge ISBN: 1351487930 Category : Philosophy Languages : en Pages : 486
Book Description
Volume 16 of Transaction's acclaimed Rutgers University Studies in Classical Humanities series, continues the work of Project Theophrastus on the School of Aristotle. The subject of this volume is Strato of Lampsacus in Mysia on the Hellespont. Strato was the third head of the Peripatetic School after Aristotle and Theophrastus. He succeeded the latter in c. 286 BCE and was in turn succeeded by Lyco of Troas in c. 268. Diogenes Laertius describes Strato as a distinguished person who became known as "the physicist," because more than anyone else he devoted himself to the careful study of nature. Strato's concern with the physical world is well attested by the titles of his books: On the Void, On the Heaven, and On the Wind. His other books point to a keen interest in human physiology, animal life and diseases. But it would be a mistake to think that Strato was uninterested in other areas of philosophic concern. Indeed, he wrote works on logic, first principles, theology, politics and ethics. None of this work survives intact, but the reports that have come down to us reveal much of present-day interest. Included is a new and complete edition of the ancient sources, together with a critical apparatus to the ancient texts, an English translation, and notes to the translation.
Author: Publisher: BRILL ISBN: 9401201145 Category : Social Science Languages : en Pages : 330
Book Description
La danse a inspiré la littérature, et la littérature a inspiré la danse. Mais comment fonctionne exactement l’articulation entre les deux, et quelles sont les conséquences de leur réciprocité ? Cet ouvrage analyse ce lien depuis la Renaissance jusqu’à l’époque moderne, de d’Aubigné à Francis Ponge, de la danse macabre à la théorie de Laban. La relation entre danse et littérature est variable : parfois elle se fonde sur un principe esthétique, parfois sur un principe thématique, ou bien sociologique. Quelque soit la nature de ce rapport, ce livre démontre qu’il est durable et riche de sens. Les moyens d’expression de la danse et de la littérature sont radicalement différents, aussi éloignés les uns des autres que l’on puisse imaginer. Entre l’abstraction du langage et la matérialité du corps, le fossé paraît infranchissable. Ceci n’est qu’apparence. Mots et mouvements se complètent, les uns aidant à la compréhension des autres. Ce livre relate le désir à travers les siècles d’explorer cette inspiration mutuelle.
Author: Osbel Suárez
Author: Osbel Suárez
Author: Paul J.J.M. Bakker
Author: Sylvain Roudaut
Author: Susan Sturdivant
Author: William Fortenbaugh
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Author: Anne-Robert-Jacques Turgot (baron de l'Aulne)
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