Author: Nicole Gingras
Publisher:
ISBN:
Category : Mois de la photo à Montréal
Languages : fr
Pages : 168
Book Description
Le Mois de la photo à Montreal
Le Mois de la Photo À Montréal
Author:
Publisher:
ISBN:
Category : Mois de la photo à Montréal (Exposition)
Languages : fr
Pages : 332
Book Description
Publisher:
ISBN:
Category : Mois de la photo à Montréal (Exposition)
Languages : fr
Pages : 332
Book Description
Majestic and Mundane, Mois de la Photo Special Edition
Author:
Publisher: HeuteKunst
ISBN: 097827752X
Category :
Languages : en
Pages : 98
Book Description
Publisher: HeuteKunst
ISBN: 097827752X
Category :
Languages : en
Pages : 98
Book Description
Le Mois de la Photo À Montréal, 2001
Author: Jacques Doyon
Publisher: Vox Centre Diffusion de La Photographie
ISBN:
Category : Art
Languages : fr
Pages : 242
Book Description
Publisher: Vox Centre Diffusion de La Photographie
ISBN:
Category : Art
Languages : fr
Pages : 242
Book Description
Now
Author: Vincent Lavoie
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773574301
Category : Photography
Languages : en
Pages : 320
Book Description
While the crisis that took place in photojournalism during the 1960's brought about a significant shift in the practices, discourses and institutional structures of press photography, it also affected the practices of artists, specifically with regard to work devoted to revitalizing the depiction of events. The art world attempted to revitalize the historical genre by undertaking its critical rereading, in the spirit of restoring a tradition diminished by the mass media. The problem may be expressed in these terms: How can history be depicted, bearing in mind that the media (mainly photojournalism and the electronic press) have claimed a monopoly of the genre unto themselves? At issue is the sizeable problem of mass media omnipotence as an obligatory referential universe for historiographical artistic practices. Today, it seems impossible to depict the event in any way other than by accentuating or eschewing the formal attributes, rhetorical artifices, and ideological precepts of the mass media. These approaches to addressing historical moments have been examined in this article both because they epitomize contemporary historical writing and, for the most part, they constitute critical responses to stereotyped depictions of events. Above all, they represent a paradigm shift: the mass media's prerogatives for depicting historical moments has shifted towards the field of art. Contemporary depictions of catastrophe - crimes, sensationalist news items, terrorist attacks, humanitarian disasters, genocides - (common themes in many of the artistic projects represented in the 8th edition of the Mois de la Photo a Montreal} have been especially striking in this respect. For of all contemporary events, catastrophes are the most likely to be spontaneously propelled to the top of the news - roster and the most susceptible to the various inflections of contemporary art photography.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773574301
Category : Photography
Languages : en
Pages : 320
Book Description
While the crisis that took place in photojournalism during the 1960's brought about a significant shift in the practices, discourses and institutional structures of press photography, it also affected the practices of artists, specifically with regard to work devoted to revitalizing the depiction of events. The art world attempted to revitalize the historical genre by undertaking its critical rereading, in the spirit of restoring a tradition diminished by the mass media. The problem may be expressed in these terms: How can history be depicted, bearing in mind that the media (mainly photojournalism and the electronic press) have claimed a monopoly of the genre unto themselves? At issue is the sizeable problem of mass media omnipotence as an obligatory referential universe for historiographical artistic practices. Today, it seems impossible to depict the event in any way other than by accentuating or eschewing the formal attributes, rhetorical artifices, and ideological precepts of the mass media. These approaches to addressing historical moments have been examined in this article both because they epitomize contemporary historical writing and, for the most part, they constitute critical responses to stereotyped depictions of events. Above all, they represent a paradigm shift: the mass media's prerogatives for depicting historical moments has shifted towards the field of art. Contemporary depictions of catastrophe - crimes, sensationalist news items, terrorist attacks, humanitarian disasters, genocides - (common themes in many of the artistic projects represented in the 8th edition of the Mois de la Photo a Montreal} have been especially striking in this respect. For of all contemporary events, catastrophes are the most likely to be spontaneously propelled to the top of the news - roster and the most susceptible to the various inflections of contemporary art photography.
Image & Imagination
Author: Martha Langford
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773529694
Category : Art
Languages : en
Pages : 350
Book Description
A richly illustrated exploration of the imagination in photography featuring the work of over sixty international artists.
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773529694
Category : Art
Languages : en
Pages : 350
Book Description
A richly illustrated exploration of the imagination in photography featuring the work of over sixty international artists.
The Cultural Work of Photography in Canada
Author: Carol Payne
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773585729
Category : Photography
Languages : en
Pages : 291
Book Description
The Cultural Work of Photography in Canada is an in-depth study on the use of photographic imagery in Canada from the late nineteenth century to the present. This volume of fourteen essays provides a thought-provoking discussion of the role photography has played in representing Canadian identities. In essays that draw on a diversity of photographic forms, from the snapshot and advertising image to works of photographic art, contributors present a variety of critical approaches to photography studies, examining themes ranging from photography's part in the formation of the geographic imaginary to Aboriginal self-identity and notions of citizenship. The volume explores the work of photographs as tools of self and collective expression while rejecting any claim to a definitive, singular telling of photography's history. Reflecting the rich interdisciplinarity of contemporary photography studies, The Cultural Work of Photography in Canada is essential reading for anyone interested in Canadian visual culture. Contributors include Sarah Bassnett (University of Western Ontario), Lynne Bell (University of Saskatchewan), Jill Delaney (Library and Archives Canada), Robert Evans (Carleton University), Sherry Farrell Racette (University of Manitoba), Blake Fitzpatrick (Toronto Metropolitan University), Vincent Lavoie (Université du Québec à Montréal), John O'Brian (University of British Columbia), James Opp (Carleton University), Joan M. Schwartz (Queen's University), Sarah Stacy (Library and Archives Canada), Jeffrey Thomas (Ottawa), and Carol Williams (Trent University/University of Lethbridge).
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773585729
Category : Photography
Languages : en
Pages : 291
Book Description
The Cultural Work of Photography in Canada is an in-depth study on the use of photographic imagery in Canada from the late nineteenth century to the present. This volume of fourteen essays provides a thought-provoking discussion of the role photography has played in representing Canadian identities. In essays that draw on a diversity of photographic forms, from the snapshot and advertising image to works of photographic art, contributors present a variety of critical approaches to photography studies, examining themes ranging from photography's part in the formation of the geographic imaginary to Aboriginal self-identity and notions of citizenship. The volume explores the work of photographs as tools of self and collective expression while rejecting any claim to a definitive, singular telling of photography's history. Reflecting the rich interdisciplinarity of contemporary photography studies, The Cultural Work of Photography in Canada is essential reading for anyone interested in Canadian visual culture. Contributors include Sarah Bassnett (University of Western Ontario), Lynne Bell (University of Saskatchewan), Jill Delaney (Library and Archives Canada), Robert Evans (Carleton University), Sherry Farrell Racette (University of Manitoba), Blake Fitzpatrick (Toronto Metropolitan University), Vincent Lavoie (Université du Québec à Montréal), John O'Brian (University of British Columbia), James Opp (Carleton University), Joan M. Schwartz (Queen's University), Sarah Stacy (Library and Archives Canada), Jeffrey Thomas (Ottawa), and Carol Williams (Trent University/University of Lethbridge).
Dateline Israel
Author: Susan Tumarkin Goodman
Publisher: Yale University Press
ISBN: 0300111568
Category : Art
Languages : en
Pages : 130
Book Description
The contributors to this book explore the role of art and artists in contemporary Israel; discuss the roots of Israeli photography and video and their international context; and examine the aesthetic and political underpinnings of lens-based art made in Israel today.
Publisher: Yale University Press
ISBN: 0300111568
Category : Art
Languages : en
Pages : 130
Book Description
The contributors to this book explore the role of art and artists in contemporary Israel; discuss the roots of Israeli photography and video and their international context; and examine the aesthetic and political underpinnings of lens-based art made in Israel today.
Prison Area, Independence Valley
Author: Rob Kroes
Publisher: UPNE
ISBN: 1611687314
Category : History
Languages : en
Pages : 209
Book Description
A major voice in transnational American studies addresses politics and culture in post-9/11 America
Publisher: UPNE
ISBN: 1611687314
Category : History
Languages : en
Pages : 209
Book Description
A major voice in transnational American studies addresses politics and culture in post-9/11 America
Encyclopedia of Twentieth-Century Photography, 3-Volume Set
Author: Lynne Warren
Publisher: Routledge
ISBN: 1135205361
Category : Photography
Languages : en
Pages : 1823
Book Description
The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.
Publisher: Routledge
ISBN: 1135205361
Category : Photography
Languages : en
Pages : 1823
Book Description
The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.