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Author: Caroll Lesage Publisher: FriesenPress ISBN: 1039181015 Category : Biography & Autobiography Languages : en Pages : 151
Book Description
Tout le monde a ses secrets, mais à quel prix? Lorsque l’auteur Caroll Lesage a retrouvé sa demi-sœur, aucun d’eux ne pouvait prédire les secrets qu’ils allaient déterrer ensemble sur leur père. Des amours secrètes aux triangles amoureux, en passant par l’adoption et la bigamie, plus ils creusent l’histoire de leur famille, plus les mystères font surface. Secrets d’un père insaisissable est à la fois un livre de souvenirs et un ouvrage de généalogie sur la quête d’un fils pour découvrir la vérité sur son père. Caroll Lesage aborde avec courage des sujets difficiles, tels que l’abus sexuel, le viol et l’orientation sexuelle. Encouragé par ses proches à partager son histoire dans toute sa complexité, M. Lesage espère ainsi montrer à d’autres personnes qu’elles ne sont pas les seules à vivre ce genre d’épreuves et qu’il est possible de s’affranchir de ses propres difficultés familiales. Il démontre les pouvoirs du pardon et de la compassion, même lorsqu’on découvre l’ampleur des secrets. Souvent ces secrets sont plus complexes qu’il n’y paraît même si, à l’origine, ils ont été gardés sans malice. Les lecteurs ayant un intérêt pour les drames familiaux prendront plaisir à percer les secrets les plus lourds dans ce récit captivant et à découvrir les sacrifices qu’un père est prêt à faire pour protéger sa famille.
Author: Caroll Lesage Publisher: FriesenPress ISBN: 1039181015 Category : Biography & Autobiography Languages : en Pages : 151
Book Description
Tout le monde a ses secrets, mais à quel prix? Lorsque l’auteur Caroll Lesage a retrouvé sa demi-sœur, aucun d’eux ne pouvait prédire les secrets qu’ils allaient déterrer ensemble sur leur père. Des amours secrètes aux triangles amoureux, en passant par l’adoption et la bigamie, plus ils creusent l’histoire de leur famille, plus les mystères font surface. Secrets d’un père insaisissable est à la fois un livre de souvenirs et un ouvrage de généalogie sur la quête d’un fils pour découvrir la vérité sur son père. Caroll Lesage aborde avec courage des sujets difficiles, tels que l’abus sexuel, le viol et l’orientation sexuelle. Encouragé par ses proches à partager son histoire dans toute sa complexité, M. Lesage espère ainsi montrer à d’autres personnes qu’elles ne sont pas les seules à vivre ce genre d’épreuves et qu’il est possible de s’affranchir de ses propres difficultés familiales. Il démontre les pouvoirs du pardon et de la compassion, même lorsqu’on découvre l’ampleur des secrets. Souvent ces secrets sont plus complexes qu’il n’y paraît même si, à l’origine, ils ont été gardés sans malice. Les lecteurs ayant un intérêt pour les drames familiaux prendront plaisir à percer les secrets les plus lourds dans ce récit captivant et à découvrir les sacrifices qu’un père est prêt à faire pour protéger sa famille.
Author: Martin Kriele Publisher: LIT Verlag Münster ISBN: 9783825834593 Category : Law Languages : en Pages : 388
Book Description
The hermeneutic path involved in the interpretation of law as well as in the interpretation of sacred texts, though peculiar, seems - as Emilio Betti pointed out - to share several things, most importantly the "normative" nature of interpretation. The 1999 issue of the Yearbook "Ars Interpretandi" accounts for the several and disparate relationships between these two important "regional hermeneutics".
Author: Publisher: TheBookEdition ISBN: 2959161408 Category : Languages : en Pages : 327
Author: Philippe Rège Publisher: Scarecrow Press ISBN: 081086939X Category : Performing Arts Languages : en Pages : 1486
Book Description
Cinema has been long associated with France, dating back to 1895, when Louis and Auguste Lumi_re screened their works, the first public viewing of films anywhere. Early silent pioneers Georges MZli_s, Alice Guy BlachZ and others followed in the footsteps of the Lumi_re brothers and the tradition of important filmmaking continued throughout the 20th century and beyond. In Encyclopedia of French Film Directors, Philippe Rège identifies every French director who has made at least one feature film since 1895. From undisputed masters to obscure one-timers, nearly 3,000 directors are cited here, including at least 200 filmmakers not mentioned in similar books published in France. Each director's entry contains a brief biographical summary, including dates and places of birth and death; information on the individual's education and professional training; and other pertinent details, such as real names (when the filmmaker uses a pseudonym). The entries also provide complete filmographies, including credits for feature films, shorts, documentaries, and television work. Some of the most important names in the history of film can be found in this encyclopedia, from masters of the Golden Age_Jean Renoir and RenZ Clair_to French New Wave artists such as Fran_ois Truffaut and Jean-Luc Godard.
Author: Nina Kushner Publisher: U of Nebraska Press ISBN: 1496236262 Category : History Languages : en Pages : 361
Book Description
Histories of French Sexuality contends that the history of sexuality is at a crossroads. Decades of scholarship have shown that sexuality is implicated in a wide range of topics, such as studies of reproduction, the body, sexual knowledge, gender identity, marriage, and sexual citizenship. These studies have broadened historical narratives and interpretations of areas such as urbanization, the family, work, class, empire, the military and war, and the nation. Yet while the field has evolved, not everyone has caught on, especially scholars of French history. Covering the early eighteenth century through the present, the essays in Histories of French Sexuality show how attention to the history of sexuality deepens, changes, challenges, supports, or otherwise complicates the major narratives of French history. This volume makes a set of historical arguments about the nature of the past and a larger historiographical claim about the value and place of the field of the history of sexuality within the broader discipline of history. The topics include early empire-building, religion, the Enlightenment, feminism, socialism, formation of the modern self, medicine, urbanization, decolonization, the social world of postwar France, and the rise of modern and social media.
Author: Paul Boucher Publisher: John Benjamins Publishing Company ISBN: 902726418X Category : Foreign Language Study Languages : en Pages : 313
Book Description
A Linguistic Handbook of French for Translators and Language Students offers the reader an in-depth contrastive study of French and English based on recent theories of linguistics and discourse analysis. At the same time it is a practical manual for the advanced language student or the translator with dozens of exercises in analyzing and translating French along with detailed corrections. Organized in three sections – Structure, Perspective and Coherence – the handbook first explores French word formation and syntax, then moves on to the use of tense and aspect, illocution and speech styles in various text types. Finally, problems concerning textual coherence and cohesion in both languages are discussed: anaphora and ellipsis, relevance and equivalence and information structure. Each chapter is followed by a list of suggested readings for further discussion and a detailed glossary at the end of the book explains all technical terms used. The handbook is designed to be used either as a textbook or for individuals working at home.
Author: Robert Ignatius Letellier Publisher: Cambridge Scholars Publishing ISBN: 1443821683 Category : Music Languages : en Pages : 780
Book Description
Opéra-comique, like grand opéra, a specifically French genre of opera, emerged from the political changes and intellectual discussion that played a recurrent role in determining the nature of artistic expression and production in Paris from the late 17th until the mid-18th centuries. Opéra-comique is distinguished by its use of spoken dialogue to link the arias and sung parts, and its more restrained use of recitatives. It emerged out of the popular entertainments, called opéras-comiques en vaudevilles, that were a feature of the theatres held at the seasonal Parisian fairs of St Germain and St Laurent, and of the Comédie-Italienne. The similarity of the entertainments provided by the Comédie-Italienne and the fairs resulted in their amalgamation on 3 February 1756, when they established a theatre for their joint productions, the Hôtel Bourgogne. Their type of entertainment, combining existing popular tunes with spoken sections, lent its generic name to this house, which, regardless of its changing venue, would become known as the Opéra-Comique. The genre of opéra-comique exercised a powerful popular appeal because of its unique fusion of fixed musical form with fluid improvised dialogue. The well-known airs of the day, invariably strophic, came to be the genre’s staple medium of artistic expression—the couplets. But opéra-comique was not necessarily comic or light in nature. Indeed, the most famous example, Bizet’s Carmen (1875), is a tragedy. The genre, with its unique mixture of comedy and drama, its captivating musical fluency, its handling of serious and Romantic themes—expertly crafted by its most famous librettist Augustin-Eugène Scribe (1791-1861)—became universally popular in the masterpieces of its heyday between 1820 and 1870: Adrien Boieldieu’s La Dame blanche (1825), Daniel-François-Esprit Auber’s Fra Diavolo (1830) and Le Domino noir (1837), Ferdinand Hérold’s Zampa (1831) and Le Pré aux clercs (1832), Fromental Halévy’s L’Éclair (1835) and Ambroise Thomas’s Mignon (1866). The history of the opéra-comique between 1762 and 1915 reflects the political and cultural life of France—from the last days of the ancien régime, through the tumult of the Revolution and Napoleonic era, the July Monarchy and Second Empire, to the shattering defeat of France by Prussia in 1870. After this, apart from isolated works (by Bizet, Delibes, Offenbach, Massenet), new works by the younger generation of musicians now tended to be French adaptations of the Wagnerian aesthetic and the record of success is very thin. Hardly any native French works in this imitative mode premiered at the Opéra-Comique between 1870 and 1915 have survived—apart from Debussy’s unique Pelléas et Mélisande (1902). This study serves as a sourcebook for this very French genre, with details of forgotten composers, their operas—performance dates, plot summaries, the singers who created them, the names of important numbers in the works (from libretti and scores that are either now to be found only in the Paris libraries, or are lost completely), often with contemporary observations about the reception of particular works, the effectiveness of their dramaturgy and music. It provides a resource for operatic culture and convention, from the late 18th to the early 20th centuries. The record of the fortunes of the Opéra-Comique provides a way into the changing culture and aesthetic values of an age.
Author: Caroll Lesage
Author: Caroll Lesage
Author: Martin Kriele
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Author: M. de Frénilly (Auguste-François)
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Author: Philippe Rège
Author: Nina Kushner
Author: Paul Boucher
Author: Robert Ignatius Letellier
Author: Public record office