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Author: Scott Cunningham Publisher: Éditions AdA ISBN: 2897337354 Category : Body, Mind & Spirit Languages : fr Pages : 203
Book Description
Le livre complet sur l’encens, les huiles essentielles et les infusions est, en effet, un livre de recettes féeriques. Comme tout livre de recettes, il enseigne, permet beaucoup de latitude pour faire des expériences personnelles et offre un grand nombre de recettes des plus variées. Ce ne sont pas les mêmes vieilles recettes dont nous sommes lassés, qui ont paru à maintes reprises dans les carnets magiques. Elles ont fait leurs preuves, et Cunningham les a recueillies de nombreuses sources après plusieurs années d’expérimentation. Nous trouvons dans ce livre un chapitre très bien rédigé sur les principes de base de la magie, qui répond à des questions comme: «Que puis-je utiliser si je ne peux pas trouver de genièvre?» Ne serait-ce que pour ceci, le livre en vaut le prix. Je le recommande fortement.
Author: Scott Cunningham Publisher: Éditions AdA ISBN: 2897337354 Category : Body, Mind & Spirit Languages : fr Pages : 203
Book Description
Le livre complet sur l’encens, les huiles essentielles et les infusions est, en effet, un livre de recettes féeriques. Comme tout livre de recettes, il enseigne, permet beaucoup de latitude pour faire des expériences personnelles et offre un grand nombre de recettes des plus variées. Ce ne sont pas les mêmes vieilles recettes dont nous sommes lassés, qui ont paru à maintes reprises dans les carnets magiques. Elles ont fait leurs preuves, et Cunningham les a recueillies de nombreuses sources après plusieurs années d’expérimentation. Nous trouvons dans ce livre un chapitre très bien rédigé sur les principes de base de la magie, qui répond à des questions comme: «Que puis-je utiliser si je ne peux pas trouver de genièvre?» Ne serait-ce que pour ceci, le livre en vaut le prix. Je le recommande fortement.
Author: Publisher: ISBN: Category : Languages : fr Pages :
Book Description
Le livre complet sur l’encens, les huiles essentielles et les infusions est, en effet, un livre de recettes féeriques. Comme tout livre de recettes, il enseigne, permet beaucoup de latitude pour faire des expériences personnelles et offre un grand nombre de recettes des plus variées. Ce ne sont pas les mêmes vieilles recettes dont nous sommes lassés, qui ont paru à maintes reprises dans les carnets magiques. Elles ont fait leurs preuves, et Cunningham les a recueillies de nombreuses sources après plusieurs années d’expérimentation. Nous trouvons dans ce livre un chapitre très bien rédigé sur les principes de base de la magie, qui répond à des questions comme: «Que puis-je utiliser si je ne peux pas trouver de genièvre?» Ne serait-ce que pour ceci, le livre en vaut le prix. Je le recommande fortement.
Author: Arie Wallert Publisher: Getty Publications ISBN: 0892363223 Category : Art Languages : en Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Author: Scott Cunningham Publisher: Llewellyn Worldwide ISBN: 0738716774 Category : Body, Mind & Spirit Languages : en Pages : 233
Book Description
Practice an ancient magic that is both natural and powerful—the elemental Earth magic of crystals, stones, and metals. This comprehensive and clear guidebook by Scott Cunningham has introduced over 200,000 readers to the secrets of over 100 gems and metals. Learn how to find and cleanse stones and use them in divinations, spells, and tarot card readings. Discover how to determine the energies and stories contained within each stone, and the symbolic meanings of a stone's color and shape. Also included in this classic guide: A 16-page, full-color insert, new with this edition Birthstone and jewelry magic lore Tables listing both planetary and elementary rulers of stones, magical intentions, and magical substitutions
Author: Scott Cunningham Publisher: Llewellyn Worldwide ISBN: 9780875421278 Category : Wicca Languages : en Pages : 202
Book Description
Praise for "The Truth about Witchcraft Today" ""A really good introduction to Witchcraft and Wicca. . . . I thought it was wonderful."" -Marian Zimmer Bradley, "The Mists of Avalon" ""... the first book I recommend to those seeking information about my religion." " -Ellen Cannon Reed, "The Witches'' Tarot" ""One of the best introductory books about Witchcraft and folk magic."" -The Broom Closet, BroomCloset.com Scott Cunningham authored more than fifty books, both fiction and non-fiction, including the classic "Wicca: A Guide for the Solitary Practitioner." He was a greatly respected teacher and one of the most influential members of the modern Craft movement.
Author: Wilfred Niels Arnold Publisher: Springer Science & Business Media ISBN: Category : Art Languages : en Pages : 344
Book Description
As a five year old I encountered a picture of a young man in a rakish hat and a yellow coat, on the wall of a large classroom. There was something instantly intriguing about the image, but it was also puzzling because it represented neither politician nor prince, the usual fare for Australian school decorations. I was eventually told that this was a reproduction of a painting, the artist was Vincent van Gogh, and that the subject was some young Frenchman. On special days we assembled in that room and during the next several years I found myself gazing beyond visiting speakers at the fellow in the yellow jacket. It was almost another fifty years before I felt properly conversant with the portrait and realized that van Gogh's subject, Armand Roulin, was seventeen at the time ofthe original painting and had died at seventy-four during my schoolboy contemplations. In the interim my enjoyment of the works of the Impressionists and Post Impressionists had grown and I occasionally ran into the name of Dr. Gachet, Vincent's last attending physician, in books and catalog essays. The doctor was my entree to the overlapping charms of medical and art histories. In 1987 I had the good fortune to participate as a biochemist in the centenary celebration of the Pasteur Institut in Paris.
Author: Scott Cunningham
Author: Scott Cunningham
Author: 
Author: Scott Cunningham
Author: Arie Wallert
Author: Reuben Gold Thwaites
Author: World Bank
Author: Scott Cunningham
Author: Scott Cunningham
Author: Champfleury
Author: Wilfred Niels Arnold