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Book Description
Savez-vous que maintes civilisations ont associé le jasmin à l'expression du désir amoureux ? Que le pays d'origine de l'hortensia est le Japon ? Et qu'autrefois, les amants qui voulaient se voir en secret utilisaient un bouquet de glaïeuls permettant par le nombre de ses fleurs d'indiquer l'heure du rendez-vous galant ?Cet ouvrage recense 155 fleurs, mais aussi arbres, arbustes à fleurs, plantes à bulbe, grimpantes...Pour chaque fleur est expliqué l'origine, le mode de culture, la variété ainsi qu'une anecdote qui en surprendra plus d'un... Une jolie planche façon herbier d'autrefois accompagne chaque spécimen.Un bel ouvrage pour tout savoir sur ce qui pousse au jardin.
Book Description
Savez-vous que maintes civilisations ont associé le jasmin à l'expression du désir amoureux ? Que le pays d'origine de l'hortensia est le Japon ? Et qu'autrefois, les amants qui voulaient se voir en secret utilisaient un bouquet de glaïeuls permettant par le nombre de ses fleurs d'indiquer l'heure du rendez-vous galant ?Cet ouvrage recense 155 fleurs, mais aussi arbres, arbustes à fleurs, plantes à bulbe, grimpantes...Pour chaque fleur est expliqué l'origine, le mode de culture, la variété ainsi qu'une anecdote qui en surprendra plus d'un... Une jolie planche façon herbier d'autrefois accompagne chaque spécimen.Un bel ouvrage pour tout savoir sur ce qui pousse au jardin.
Author: Mary Kelly Publisher: Routledge ISBN: 1000405346 Category : Art Languages : en Pages : 270
Book Description
This book is the first full-length study dedicated to French women Orientalist artists. Mary Kelly has gathered primary documentation relating to seventy-two women artists whose works of art can be placed in the canon of French Orientalism between 1861 and 1956. Bringing these artists together for the first time and presenting close contextual analyses of works of art, attention is given to artists’ cross-cultural interactions with painted/sculpted representations of the Maghreb particularly in Algeria, Tunisia and Morocco. Using an interdisciplinary ‘open platform of discussion’ approach, Kelly builds on established theory which places emphases on the gendered gaze. This entails a discussion on women’s painted perspectives of and contacts with Muslim women as well as various Maghrebi cultures and land—all the while remaining mindful of the subject position of the French artist and the problematic issues which can arise when discussing European-made ‘ethnographic’ scenes. Kelly argues that French women’s perspectives of the Maghreb differed from the male gaze and were informed by their artistic training and social positions in Europe. In so doing, French women’s socio-cultural modernity is also examined. Moreover, executed between 1861 and 1956, the works of art presented show influences of Modernism; therefore, this book also pays close attention to progressive Realism and Naturalism in art and the Orientalist shift into Modernist subject matter and form. Through this research into French women Orientalists, Kelly engages with important discussions on the crossing view of the historical female other with the cultural other, artistic hybridity and influence in art as well as the postcolonial response to French activities in colonial Algeria and the protectorates of Tunisia and Morocco. On giving focus to women’s art and the impact of cross-cultural interchanges, this book rethinks Orientalism in French art. This book will be of particular interest to scholars in the history of art, gender studies, history, and Middle Eastern and North African studies.
Author: Publisher: ISBN: Category : Languages : en Pages : 1002
Book Description
A monthly register of the most important works published in North and South America, in India, China, and the British colonies: with occasional notes on German, Dutch, Danish, French, Italian, Spanish, Portuguese, and Russian books.
Author: Atlas,
Author: Atlas,
Author: Mary Kelly
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Author: Kevin J. Donohoe
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Author: Alfred Rehder
Author: Alfred Rehder
Author: Theodore Cantor
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