![Le Gelosie villane. A comic opera [by T. Grandi], as performed at the King's Theatre, etc. Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/30kXSchBfZoC?fife=w150-h200)
Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 88
Book Description
Le Gelosie villane. A comic opera [by T. Grandi], as performed at the King's Theatre, etc. Ital. & Eng
![Le Gelosie villane. A comic opera [by T. Grandi], as performed at the King's Theatre, etc. Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/30kXSchBfZoC?fife=w80-h100)
Author: Le Gelosie villane. A comic opera, as represented at the King's Theatre, etc. [By T. Grandi.] Ital. & Eng
![Le Gelosie villane. A comic opera, as represented at the King's Theatre, etc. [By T. Grandi.] Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/DDO6bAmTNEwC?fife=w80-h100)
Author: Le Gelosie villane. I Contadini bizzarri. A new comic opera, to be performed at the King's Theatre ... Translated by John Mazzinghi. (The words by Signor N- i.e. Tommaso Grandi , with additions and alterations by the Poet of this Theatre Lorenzo de Ponte .).
Author: Opera in London
Author: Theodore FennerPublisher: SIU Press
ISBN: 9780809319121
Category : Music
Languages : en
Pages : 830
Book Description
Theodore Fenner’s Opera in London offers a vivid portrait of the operatic and cultural life of a London under the influence of Romanticism as perceived by the English press and the public who viewed the performances. In part 1, Fenner discusses the rise of the periodical press in early nineteenth-century London and the critics of these publications who reviewed opera performances, such as Leigh Hunt and William Hazlitt. Fenner lists in the appendixes for part 1 the leading periodicals—including the Althenaeum, Examiner, and Spectator,— the critics, and reviews by leading critics. Fenner, in part 2, examines the productions of Italian opera in London at the King’s Theatre, including the problems in theatre management and financing; the varied nature of the audience; the operas and performances— those that were popular and those that failed in the words of the critics and the responses of the audience; the singers; and themes and attitudes of the period as expressed by the critics. In part 3, Fenner explores the same topics for the English operas presented at Drury Lane, Covent Garden, and other playhouses. Parts 2 and 3 also contain extensive appendixes listing seasonal and annual performances and reviews, productions by composers and by librettists, comic and serious productions, operas by known playwrights, and minor singers. Forty-eight illustrations of singers, critics, performances, composers, and theatres add to the richness of this study.
Lorenzo Da Ponte
Author: Sheila HodgesPublisher: Univ of Wisconsin Press
ISBN: 0299178730
Category : Biography & Autobiography
Languages : en
Pages : 299
Book Description
Three of the greatest operas ever written—The Marriage of Figaro, Don Giovanni, and Così fan tutte—join the exquisite music of Wolfgang Amadeus Mozart with the perfectly matched libretti of Lorenzo Da Ponte. Da Ponte’s own long life (1749–1838), however, was more fantastic than any opera plot. A poor Jew who became a Catholic priest; a priest who became a young gambler and rake; a teacher, poet, and librettist of genius who became a Pennsylvania greengrocer; an impoverished immigrant to America who became professor of Italian at Columbia University—wherever Da Ponte went, he arrived a penniless fugitive and made a new and eventful life. Sheila Hodges follows him from the last glittering years of the Venetian Republic to the Vienna of Mozart and Salieri, and from George III’s London to New York City.
The Culture of Opera Buffa in Mozart's Vienna
Author: Mary HunterPublisher: Princeton University Press
ISBN: 1400822750
Category : Music
Languages : en
Pages : 350
Book Description
Mozart's comic operas are among the masterworks of Western civilization, and yet the musical environment in which Mozart and his librettist Lorenzo da Ponte wrote these now-popular operas has received little critical attention. In this richly detailed book, Mary Hunter offers a sweeping, synthetic view of opera buffa in the lively theatrical world of late-eighteenth-century Vienna. Opera buffa (Italian-language comic opera) persistently entertained audiences at a time when Joseph was striving for a German national theater. Hunter attributes opera buffa's success to its ability to provide "sheer" pleasure and hence explores how the genre functioned as entertainment. She argues that opera buffa, like mainstream film today, projects a social world both recognizable and distinct from reality. It raises important issues while containing them in the "merely entertaining" frame of the occasion, as well as presenting them as a series of easily identifiable dramatic and musical conventions. Exploring nearly eighty comic operas, Hunter shows how the arias and ensembles convey a multifaceted picture of the repertory's social values and habits. In a concluding chapter, she discusses Cos" fan tutte as a work profoundly concerned with the conventions of its repertory and with the larger idea of convention itself and reveals the ways Mozart and da Ponte pointedly converse with their immediate contemporaries.
History of Music in Russia from Antiquity to 1800, Volume 2
Author: Nikolai FindeizenPublisher: Indiana University Press
ISBN: 0253023521
Category : Music
Languages : en
Pages : 910
Book Description
In its scope and command of primary sources and its generosity of scholarly inquiry, Nikolai Findeizen's monumental work, published in 1928 and 1929 in Soviet Russia, places the origins and development of music in Russia within the context of Russia's cultural and social history. Volume 2 of Findeizen's landmark study surveys music in court life during the reigns of Elizabeth I and Catherine II, music in Russian domestic and public life in the second half of the 18th century, and the variety and vitality of Russian music at the end of the 18th century.
Cyclopedia of Music and Musicians: Naaman-Zwillingsbrüder
Author: John Denison ChamplinPublisher:
ISBN:
Category : Music
Languages : en
Pages : 720
Book Description
Naaman-Zwillingsbrüder
Author: John Denison ChamplinPublisher:
ISBN:
Category : Music
Languages : en
Pages : 648
Book Description
Amico
Author: Warwick ListerPublisher: Oxford University Press
ISBN: 0199707073
Category : Music
Languages : en
Pages : 540
Book Description
This is the first full-length biography in English of Giovanni Battista Viotti (1755-1824), one of the great violinist-composers in the history of music, and arguably the most influential violinist who ever lived. This study is based on extensive documentary research, much of it here revealed for the first time.