Le Drame en France Au XVIIIe Siècle PDF Download

Author: Félix Gaiffe
Publisher:
ISBN:
Category : French drama
Languages : en
Pages : 676

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Author: Ira Owen Wade
Publisher:
ISBN:
Category : French drama
Languages : en
Pages : 172

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Author: Sarah C. Maza
Publisher: Princeton University Press
ISBN: 1400856078
Category : Social Science
Languages : en
Pages : 384

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Here is the first major study of domestic service in France from the late seventeenth century to the early nineteenth century, describing its transformation from a male-oriented occupation, aristocratic in style and often geared to public display, to one that was female, middle-class, and centered on the household. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Author: Edward Nye
Publisher: Clarendon Press
ISBN: 9780198160120
Category : History
Languages : en
Pages : 270

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"Linguistic" theories in the eighteenth-century are also theories of literature and art, and it is probably better, therefore, to think of them as "aesthetic" theories. As such, they are answers to the age-old question "what is beauty?," but formulated, also, to respond to contemporary concerns. Edward Nye considers a wide range of authors from these two perspectives and draws the following conclusions: etymology is a theory of poetry, dictionaries of synonymy, prosody and metaphor are theories of preciosity, and Sensualism is a theory of artistic representation.

Author: Ralf Kadler
Publisher: Springer
ISBN: 9401761256
Category : Literary Criticism
Languages : en
Pages : 154

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The general aim of this book is to present a study of a dramatic genre which was a significant facet of French drama in the period from 1784 to 1834 and has never before been singled out or analyzed. The striking feature of the plays of this genre is that the protagonists represent French literary figures. A casual examination of a collection of late eighteenth-and early nineteenth-century plays, many of which concern literary figures, led to the initial idea for this study. Conscientious cross-checking was sub sequently done in a number of reference works and contemporary newspapers to obtain complete coverage and to draw up a list of all the plays in which French literary figures appeared as characters. From the total number of such plays, 153 have been used as the primary source of information. They were found scattered either in different collections or as separate copies in various libraries. This source has been supplemented by use of theatrical journals and almanacs giving reviews of some of the plays which were not published.

Author: William Doyle
Publisher: Oxford University Press
ISBN: 0199291209
Category : History
Languages : en
Pages : 598

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An exploration of current scholarly thinking about the wide and surprisingly complex range of historical problems associated with the study of Ancien Régime Europe

Author: Barrett Harper Clark
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 528

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Author: Julie Candler Hayes
Publisher: John Benjamins Publishing
ISBN: 9027217556
Category : Literary Criticism
Languages : en
Pages : 202

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In a study drawing on contemporary and 18th-century literary theory and philosophy, social history and history of the theatre, Hayes presents a reading of the dramas of Diderot and Sade and argues for a new understanding of the genre as a whole.

Author: Colin Jones
Publisher: Oxford University Press, USA
ISBN: 0198715811
Category : Art
Languages : en
Pages : 246

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You could be forgiven for thinking that the smile has no history; it has always been the same. However, just as different cultures in our own day have different rules about smiling, so did different societies in the past. In fact, amazing as it might seem, it was only in late eighteenth century France that western civilization discovered the art of the smile. In the 'Old Regime of Teeth' which prevailed in western Europe until then, smiling was quite literally frowned upon. Individuals were fatalistic about tooth loss, and their open mouths would often have been visually repulsive. Rules of conduct dating back to Antiquity disapproved of the opening of the mouth to express feelings in most social situations. Open and unrestrained smiling was associated with the impolite lower orders. In late eighteenth-century Paris, however, these age-old conventions changed, reflecting broader transformations in the way people expressed their feelings. This allowed the emergence of the modern smile par excellence: the open-mouthed smile which, while highlighting physical beauty and expressing individual identity, revealed white teeth. It was a transformation linked to changing patterns of politeness, new ideals of sensibility, shifts in styles of self-presentation - and, not least, the emergence of scientific dentistry. These changes seemed to usher in a revolution, a revolution in smiling. Yet if the French revolutionaries initially went about their business with a smile on their faces, the Reign of Terror soon wiped it off. Only in the twentieth century would the white-tooth smile re-emerge as an accepted model of self-presentation. In this entertaining, absorbing, and highly original work of cultural history, Colin Jones ranges from the history of art, literature, and culture to the history of science, medicine, and dentistry, to tell a unique and untold story about a facial expression at the heart of western civilization.

Author: Hilda Laura Norman
Publisher:
ISBN:
Category : France
Languages : en
Pages : 280

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