Author: Nicole Brossard
Publisher:
ISBN: 9782892953084
Category :
Languages : en
Pages : 302

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Book Description

Author: Nicole Brossard
Publisher: Coach House Books
ISBN: 9781552451724
Category : Fiction
Languages : en
Pages : 212

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Book Description
Fifteen-year-old Mélanie drives across the Arizona desert in a white Meteor, chasing fear and desire and the mysterious Angela Parkins, and breaking free from her mother and her mother's lover in their roadside Mauve Motel. And then we are with Maude Laures as she reads Mauve Desert, this story of Melanie, and becomes obsessed with it. She embarks on an extraordinary quest for its mysterious author, characters and meaning, which leads us into the third part, Mauve, the Horizon, Laures's eventual translation of Mauve Desert.

Author: Nicole Brossard
Publisher:
ISBN:
Category :
Languages : en
Pages : 220

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Author: Karen Gould
Publisher: SIU Press
ISBN: 9780809315826
Category : Literary Collections
Languages : en
Pages : 336

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Book Description
Gould (women's studies and French, Bowling Green State U.) analyzes four feminist rebels, all major Quebec women writers. These women--Nicole Brossard, Madeline Gagnon, Louky Bersianik, and France Theoret--are attempting to explode male-dominated language and to construct a new language and literature of women. Gould studies their work and also provides historical, political, and theoretical background. Annotation copyrighted by Book News, Inc., Portland, OR

Author: Erin Blakeslee Duffey
Publisher:
ISBN:
Category : French-Canadian fiction
Languages : en
Pages : 122

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Book Description

Author: Nicole Brossard
Publisher: Guernica Editions
ISBN: 9781550712339
Category :
Languages : en
Pages : 260

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Book Description
"This collection offers unpublished poems by Nicole Brossard, extensive fragments of a conversation with her, and essays that critically appreciate many of her more than twenty collections of poetry, nine novels, and countless works of theory and commentary."--BOOK JACKET.

Author: Jennifer Wawrzinek
Publisher: BRILL
ISBN: 9042029013
Category : Law
Languages : en
Pages : 156

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Book Description
In the history of ideas, the aesthetic categories of the sublime and the grotesque have exerted a powerful force over the cultural imagination. Ambiguous Subjects is one of the first studies to examine the relationship between these concepts. Tracing the history of the sublime from the eighteenth century through Burke and Kant, Wawrzinek illustrates the ways in which the sublime has traditionally been privileged as an inherently masculine and imperialist mode of experience that polices and abjects the grotesque to the margins of acceptable discourse, and the way in which twentieth-century reconfigurations of the sublime increasingly enable the productive situating of these concepts within a dialogic relation as a means of instating an ethical relation to others. This book examines the articulations of both the sublime and the grotesque in three postmodern texts. Looking at novels by Nicole Brossard and Morgan Yasbincek, and the performance work of The Women’s Circus, Wawrzinek illuminates the ways in which these writers and performers restructure the spatial and temporal parameters of the sublime in order to allow various forms of highly contingent transcendence that always necessarily remain in relation to the grotesque body. Ambiguous Subjects illustrates how the sublime and the grotesque can co-exist in a manner where each depends on and is inflected through the other, thus enabling a notion of individuality and of community as contingent, but nevertheless very real, moments in time. Ambiguous Subjects is essential reading for anyone interested in aesthetics, continental philosophy, gender studies, literary theory, sociology and politics.

Author: Jennifer Wawrzinek
Publisher: Rodopi
ISBN: 9042025484
Category : History
Languages : en
Pages : 157

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Book Description
In the history of ideas, the aesthetic categories of the sublime and the grotesque have exerted a powerful force over the cultural imagination. Ambiguous Subjects is one of the first studies to examine the relationship between these concepts. Tracing the history of the sublime from the eighteenth century through Burke and Kant, Wawrzinek illustrates the ways in which the sublime has traditionally been privileged as an inherently masculine and imperialist mode of experience that polices and abjects the grotesque to the margins of acceptable discourse, and the way in which twentieth-century reconfigurations of the sublime increasingly enable the productive situating of these concepts within a dialogic relation as a means of instating an ethical relation to others. This book examines the articulations of both the sublime and the grotesque in three postmodern texts. Looking at novels by Nicole Brossard and Morgan Yasbincek, and the performance work of The Women's Circus, Wawrzinek illuminates the ways in which these writers and performers restructure the spatial and temporal parameters of the sublime in order to allow various forms of highly contingent transcendence that always necessarily remain in relation to the grotesque body. Ambiguous Subjects illustrates how the sublime and the grotesque can co-exist in a manner where each depends on and is inflected through the other, thus enabling a notion of individuality and of community as contingent, but nevertheless very real, moments in time. Ambiguous Subjects is essential reading for anyone interested in aesthetics, continental philosophy, gender studies, literary theory, sociology and politics.

Author: Karen S. McPherson
Publisher: Princeton University Press
ISBN: 1400821312
Category : Literary Criticism
Languages : en
Pages : 225

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Book Description
Maintaining that women's storytelling is a telling activity, Karen McPherson "reads for guilt" in novels by five twentieth-century writers--Simone de Beauvoir (L'Invitée), Marguerite Duras (Le ravissement de Lol V. Stein), Anne Hébert (Kamouraska), Virginia Woolf (Mrs. Dalloway), and Nicole Brossard (Le désert mauve). She finds in the vocabulary and atmosphere of these novels a linking of female protagonists to crime and culpability. The guilt, however, is not clearly imputed or assumed; it tends to trouble the conscience of the entire narrative. Through critical close readings and an inquiry into the interrelations among narration, transgression, and gender, McPherson explores how the women in the stories come under suspicion and how they attempt to reverse or rewrite the guilty sentence. The author examines the complex process and language of incrimination, reflecting on its literary, philosophical, social, and political manifestations in the texts and contexts of the five novels. She looks for signs of possible subversion of the incriminating process within the texts: Can female protagonists (and women writers) escape the vicious circling of the story that would incriminate them? In the course of this book, the stories are made to reveal their strikingly modern and postmodern preoccupations with survival.

Author: Bruno Lessard
Publisher: University of Toronto Press
ISBN: 1442625724
Category : Social Science
Languages : en
Pages : 248

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Book Description
The Art of Subtraction is the first full-length study on the CD-ROM as a creative platform. Bruno Lessard traces the rise and relatively rapid fall of the CD-ROM in the 1980s and 1990s and its impact as a creative platform for media artists such as Jean-Louis Boissier, Zoe Beloff, Adriene Jenik, and Chris Marker. Although the CD-ROM was not a lasting commercial success it was a vibrant medium that allowed for experimentation in adapting literary works. Building on the work of Gilles Deleuze and Michele Foucault, Lessard establishes a comparative framework for linking digital adaptations with innovative concepts such as 'subtractive adaptation' and the 'object image' that will be of interest to researchers examining literary adaptations on other digital platforms such as websites, smart phones, tablets, and digital games. The Art of Subtraction is a fascinating study of intermediality in the late twentieth century and it provides the first chapter in the yet unwritten history of digital adaptation.