Author: Pierre Zürcher
Publisher: Editions L'Harmattan
ISBN: 2336418711
Category : Music
Languages : fr
Pages : 79
Book Description
Lorsque nous venons au monde, la musique est déjà là. Mais nous n’avons dans notre organisme pas de fonction spécifique qui y serait dédiée. Pour l’enfant, elle est donc à construire. Voici quatre essais, quatre approches différentes sur les interactions nécessaires à cette tâche. L’ouvrage présente une somme d’observations systématiques faites dans le cadre de l’initiation musicale. Elles révèlent la constance des formes altérées produites, que chacun peut observer. On peut en faire émerger la spécificité des besoins de l’enfant, donc de l’appui à lui fournir, et c’est ainsi que se dessinent les bases d’une véritable pédagogie de l’appropriation musicale.
Le besoin de musique
Author: Pierre Zürcher
Publisher: Editions L'Harmattan
ISBN: 2336418711
Category : Music
Languages : fr
Pages : 79
Book Description
Lorsque nous venons au monde, la musique est déjà là. Mais nous n’avons dans notre organisme pas de fonction spécifique qui y serait dédiée. Pour l’enfant, elle est donc à construire. Voici quatre essais, quatre approches différentes sur les interactions nécessaires à cette tâche. L’ouvrage présente une somme d’observations systématiques faites dans le cadre de l’initiation musicale. Elles révèlent la constance des formes altérées produites, que chacun peut observer. On peut en faire émerger la spécificité des besoins de l’enfant, donc de l’appui à lui fournir, et c’est ainsi que se dessinent les bases d’une véritable pédagogie de l’appropriation musicale.
Publisher: Editions L'Harmattan
ISBN: 2336418711
Category : Music
Languages : fr
Pages : 79
Book Description
Lorsque nous venons au monde, la musique est déjà là. Mais nous n’avons dans notre organisme pas de fonction spécifique qui y serait dédiée. Pour l’enfant, elle est donc à construire. Voici quatre essais, quatre approches différentes sur les interactions nécessaires à cette tâche. L’ouvrage présente une somme d’observations systématiques faites dans le cadre de l’initiation musicale. Elles révèlent la constance des formes altérées produites, que chacun peut observer. On peut en faire émerger la spécificité des besoins de l’enfant, donc de l’appui à lui fournir, et c’est ainsi que se dessinent les bases d’une véritable pédagogie de l’appropriation musicale.
Music
Author: Sholto Percy
Publisher:
ISBN:
Category : Anecdotes
Languages : en
Pages : 196
Book Description
Publisher:
ISBN:
Category : Anecdotes
Languages : en
Pages : 196
Book Description
Le Corps Musical et la Méthode P.R.M
Author: Faya CHIDEKH
Publisher: Lulu.com
ISBN: 3639860292
Category :
Languages : en
Pages : 137
Book Description
Publisher: Lulu.com
ISBN: 3639860292
Category :
Languages : en
Pages : 137
Book Description
Music and its Virtues in Islamic and Judaic Writings
Author: Amnon Shiloah
Publisher: Taylor & Francis
ISBN: 1000939235
Category : Music
Languages : en
Pages : 332
Book Description
A fascinating aspect of the study of music in medieval Islamic and Judaic writings is the broad and interdisciplinary nature of the works and treatises in which it is covered. In addition, such works verbalize an art that was transmitted orally and took shape spontaneously, typically with improvisation during performance. As a result of this outlook the musical concept (or science) is often intertwined with practice (or history). This second collection by Amnon Shiloah brings together twenty-two studies exemplifying such multi-faceted viewpoints on the world of sounds and its virtue. The first studies concern the origin and originators of music and to how its essential constituents came into being; included here is the art of dance along with the controversial attitudes towards it. Next comes the symbolic, philosophical and metaphorical interpretation of music; one of the major ideas epitomizing this approach claimed that the pursuit of knowledge is the path to human perfection and happiness. There follow studies on the transmission of knowledge, along with some annotated key works dealing with therapeutic effects. The last articles focus on cultural traditions elaborated on European soil developing a particular style and musical practice, centred on the Iberian Peninsula, which was the scene of one of the most fascinating examples of cultural interchange.
Publisher: Taylor & Francis
ISBN: 1000939235
Category : Music
Languages : en
Pages : 332
Book Description
A fascinating aspect of the study of music in medieval Islamic and Judaic writings is the broad and interdisciplinary nature of the works and treatises in which it is covered. In addition, such works verbalize an art that was transmitted orally and took shape spontaneously, typically with improvisation during performance. As a result of this outlook the musical concept (or science) is often intertwined with practice (or history). This second collection by Amnon Shiloah brings together twenty-two studies exemplifying such multi-faceted viewpoints on the world of sounds and its virtue. The first studies concern the origin and originators of music and to how its essential constituents came into being; included here is the art of dance along with the controversial attitudes towards it. Next comes the symbolic, philosophical and metaphorical interpretation of music; one of the major ideas epitomizing this approach claimed that the pursuit of knowledge is the path to human perfection and happiness. There follow studies on the transmission of knowledge, along with some annotated key works dealing with therapeutic effects. The last articles focus on cultural traditions elaborated on European soil developing a particular style and musical practice, centred on the Iberian Peninsula, which was the scene of one of the most fascinating examples of cultural interchange.
Erreurs sur la musique dans l'Encyclopédie. [With “Suite des Erreurs sur la musique dans l'Encyclopédie.”] A criticism by J. P. Rameau of J. J. Rousseau's articles on music in the “Encyclopédie.”]
The World of Music
Music and the Renaissance
Author: Philippe Vendrix
Publisher: Routledge
ISBN: 1351557505
Category : History
Languages : en
Pages : 609
Book Description
This volume unites a collection of articles which illustrate brilliantly the complexity of European cultural history in the Renaissance. On the one hand, scholars of this period were inspired by classical narratives on the sublime effects of music and, on the other hand, were affected by the profound religious upheavals which destroyed the unity of Western Christianity and, in so doing, opened up new avenues in the world of music. These articles offer as broad a vision as possible of the ways of thinking about music which developed in the fifteenth and sixteenth centuries.
Publisher: Routledge
ISBN: 1351557505
Category : History
Languages : en
Pages : 609
Book Description
This volume unites a collection of articles which illustrate brilliantly the complexity of European cultural history in the Renaissance. On the one hand, scholars of this period were inspired by classical narratives on the sublime effects of music and, on the other hand, were affected by the profound religious upheavals which destroyed the unity of Western Christianity and, in so doing, opened up new avenues in the world of music. These articles offer as broad a vision as possible of the ways of thinking about music which developed in the fifteenth and sixteenth centuries.
Research-Creation in Music and the Arts
Author: Sophie Stévance
Publisher: Routledge
ISBN: 1317065611
Category : Music
Languages : en
Pages : 239
Book Description
Since the 1970s, the landscape of higher education and research has been considerably altered by the integration of the arts within the university environment. Even though a form of research is inherent to artistic creation, the creative process is not comparable to the established procedures involved in academic research. As such, how can the imperatives of intellectual (and sometimes restrictive) rigour characteristic of scholarly endeavours be reconciled with the more explorative and intuitive approach of artistic creation? The concept of 'research-creation' allows artists and scholars to collaborate on a common project, acknowledging each participant’s expertise in the production of an artistic work that either generates theoretical reflections or has emerged from academic research. This fully revised and updated translation of Sophie Stévance and Serge Lacasse’s original French book offers an overview of the historical, political, social, cultural and academic contexts within which research-creation has emerged in Quebec and Canada, before similar (yet often divergent) conceptions appeared elsewhere in the world. Focussing primarily on the case of music, the book goes on to explore the pedagogical potential of research-creation within a university-based environment and proposes a clear and encompassing definition, as well as a theoretical model, of research-creation supported by concrete examples. By underscoring the reciprocal nature of this approach and the potential benefits of collaborative relationships, the authors’ vision of research-creation extends far beyond the field of music and art alone: rather, it has the potential to integrate all approaches and disciplines that seek to combine practice and research.
Publisher: Routledge
ISBN: 1317065611
Category : Music
Languages : en
Pages : 239
Book Description
Since the 1970s, the landscape of higher education and research has been considerably altered by the integration of the arts within the university environment. Even though a form of research is inherent to artistic creation, the creative process is not comparable to the established procedures involved in academic research. As such, how can the imperatives of intellectual (and sometimes restrictive) rigour characteristic of scholarly endeavours be reconciled with the more explorative and intuitive approach of artistic creation? The concept of 'research-creation' allows artists and scholars to collaborate on a common project, acknowledging each participant’s expertise in the production of an artistic work that either generates theoretical reflections or has emerged from academic research. This fully revised and updated translation of Sophie Stévance and Serge Lacasse’s original French book offers an overview of the historical, political, social, cultural and academic contexts within which research-creation has emerged in Quebec and Canada, before similar (yet often divergent) conceptions appeared elsewhere in the world. Focussing primarily on the case of music, the book goes on to explore the pedagogical potential of research-creation within a university-based environment and proposes a clear and encompassing definition, as well as a theoretical model, of research-creation supported by concrete examples. By underscoring the reciprocal nature of this approach and the potential benefits of collaborative relationships, the authors’ vision of research-creation extends far beyond the field of music and art alone: rather, it has the potential to integrate all approaches and disciplines that seek to combine practice and research.
Music, and the Art of dress, 2 essays [by E. Eastlake].
Author: lady Elizabeth Eastlake
Publisher:
ISBN:
Category : Clothing and dress
Languages : en
Pages : 126
Book Description
Publisher:
ISBN:
Category : Clothing and dress
Languages : en
Pages : 126
Book Description
Gérard Grisey and Spectral Music
Author: Liam Cagney
Publisher: Cambridge University Press
ISBN: 1009399527
Category : Music
Languages : en
Pages : 315
Book Description
The first in-depth historical overview of how spectral music arose in France: the most influential European compositional movement of the past fifty years.
Publisher: Cambridge University Press
ISBN: 1009399527
Category : Music
Languages : en
Pages : 315
Book Description
The first in-depth historical overview of how spectral music arose in France: the most influential European compositional movement of the past fifty years.