Author: Nicole R. Rice
Publisher: Cambridge University Press
ISBN: 052189607X
Category : Literary Criticism
Languages : en
Pages : 271
Book Description
Winner of the Medieval Academy of America's 2013 John Nicholas Brown Prize!
Lay Piety and Religious Discipline in Middle English Literature
Author: Nicole R. Rice
Publisher: Cambridge University Press
ISBN: 052189607X
Category : Literary Criticism
Languages : en
Pages : 271
Book Description
Winner of the Medieval Academy of America's 2013 John Nicholas Brown Prize!
Publisher: Cambridge University Press
ISBN: 052189607X
Category : Literary Criticism
Languages : en
Pages : 271
Book Description
Winner of the Medieval Academy of America's 2013 John Nicholas Brown Prize!
Middle English Mouths
Author: Katie L. Walter
Publisher:
ISBN: 1108426611
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
First full-length study of the mouth's centrality to discourses of physical, ethical and spiritual 'good' in Middle English literature.
Publisher:
ISBN: 1108426611
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
First full-length study of the mouth's centrality to discourses of physical, ethical and spiritual 'good' in Middle English literature.
Voice in Later Medieval English Literature
Author: David Lawton
Publisher: Oxford University Press
ISBN: 0198792409
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
David Lawton approaches later medieval English vernacular culture in terms of voice. As texts and discourses shift in translation and in use from one language to another, antecedent texts are revoiced in ways that recreate them (as "public interiorities") without effacing their history or future. The approach yields important insights into the voice work of late medieval poets, especially Langland and Chaucer, and also their fifteenth-century successors, who treat their work as they have treated their precursors. It also helps illuminate vernacular religious writing and its aspirations, and it addresses literary and cultural change, such as the effect of censorship and increasing political instability in and beyond the fifteenth century. Lawton also proposes his emphasis on voice as a literary tool of broad application, and his book has a bold and comparative sweep that encompasses the Pauline letters, Augustine's Confessions, the classical precedents of Virgil and Ovid, medieval contemporaries like Machaut and Petrarch, extra-literary artists like Monteverdi, later poets such as Wordsworth, Heaney, and Paul Valery, and moderns such as Jarry and Proust. What justifies such parallels, the author claims, is that late medieval texts constitute the foundation of a literary history of voice that extends to modernity. The book's energy is therefore devoted to the transformative reading of later medieval texts, in order to show their original and ongoing importance as voice work.
Publisher: Oxford University Press
ISBN: 0198792409
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
David Lawton approaches later medieval English vernacular culture in terms of voice. As texts and discourses shift in translation and in use from one language to another, antecedent texts are revoiced in ways that recreate them (as "public interiorities") without effacing their history or future. The approach yields important insights into the voice work of late medieval poets, especially Langland and Chaucer, and also their fifteenth-century successors, who treat their work as they have treated their precursors. It also helps illuminate vernacular religious writing and its aspirations, and it addresses literary and cultural change, such as the effect of censorship and increasing political instability in and beyond the fifteenth century. Lawton also proposes his emphasis on voice as a literary tool of broad application, and his book has a bold and comparative sweep that encompasses the Pauline letters, Augustine's Confessions, the classical precedents of Virgil and Ovid, medieval contemporaries like Machaut and Petrarch, extra-literary artists like Monteverdi, later poets such as Wordsworth, Heaney, and Paul Valery, and moderns such as Jarry and Proust. What justifies such parallels, the author claims, is that late medieval texts constitute the foundation of a literary history of voice that extends to modernity. The book's energy is therefore devoted to the transformative reading of later medieval texts, in order to show their original and ongoing importance as voice work.
Cushions, Kitchens and Christ
Author: Louise Campion
Publisher: University of Wales Press
ISBN: 1786838311
Category : History
Languages : en
Pages : 200
Book Description
This book represents the first full-length study of the prevalence of domestic imagery in late medieval religious literature. It examines as yet understudied patterns of household imagery and allegory across four fifteenth-century spiritual texts, all of which are Middle English translations of earlier Latin works. These texts are drawn from a range of popular genres of medieval religious writing, including the spiritual guidance text, Life of Christ, and collection of revelations received by visionary women. All of the texts discussed in this book have identifiable late medieval readers, which further enables a discussion of the way in which these book users might have responded to the domestic images in each one. This is a hugely important area of enquiry, as the literal late medieval household was becoming increasingly culturally important during the fourteenth and fifteenth centuries, and these texts’ frequent recourse to domestic imagery would have been especially pertinent.
Publisher: University of Wales Press
ISBN: 1786838311
Category : History
Languages : en
Pages : 200
Book Description
This book represents the first full-length study of the prevalence of domestic imagery in late medieval religious literature. It examines as yet understudied patterns of household imagery and allegory across four fifteenth-century spiritual texts, all of which are Middle English translations of earlier Latin works. These texts are drawn from a range of popular genres of medieval religious writing, including the spiritual guidance text, Life of Christ, and collection of revelations received by visionary women. All of the texts discussed in this book have identifiable late medieval readers, which further enables a discussion of the way in which these book users might have responded to the domestic images in each one. This is a hugely important area of enquiry, as the literal late medieval household was becoming increasingly culturally important during the fourteenth and fifteenth centuries, and these texts’ frequent recourse to domestic imagery would have been especially pertinent.
Middle English Devotional Compilations
Author: Diana Denissen
Publisher: University of Wales Press
ISBN: 1786834774
Category : History
Languages : en
Pages : 159
Book Description
The book offers a new perspective on late medieval compiling activity. Additionally, it offers a more nuanced perspective on late medieval religious culture in England. Lastly, it examines three major, but understudied Middle English texts in depth: the Pore Caitif, The Tretyse of Love and A Talkyng of the Love of God.
Publisher: University of Wales Press
ISBN: 1786834774
Category : History
Languages : en
Pages : 159
Book Description
The book offers a new perspective on late medieval compiling activity. Additionally, it offers a more nuanced perspective on late medieval religious culture in England. Lastly, it examines three major, but understudied Middle English texts in depth: the Pore Caitif, The Tretyse of Love and A Talkyng of the Love of God.
Imagining Jesus Christ in Middle English Literature, 1275–1475
Author: Theresa Tinkle
Publisher: Springer Nature
ISBN: 303165076X
Category :
Languages : en
Pages : 262
Book Description
Publisher: Springer Nature
ISBN: 303165076X
Category :
Languages : en
Pages : 262
Book Description
Middle English Mouths
Author: Katie L. Walter
Publisher: Cambridge University Press
ISBN: 1108552420
Category : Literary Criticism
Languages : en
Pages : 274
Book Description
The mouth, responsible for both physical and spiritual functions - eating, drinking, breathing, praying and confessing - was of immediate importance to medieval thinking about the nature of the human being. Where scholars have traditionally focused on the mouth's grotesque excesses, Katie L. Walter argues for the recuperation of its material 'everyday' aspect. Walter's original study draws on two rich archives: one comprising Middle English theology (Langland, Julian of Norwich, Lydgate, Chaucer) and pastoral writings; the other broadly medical and surgical, including learned encyclopaedias and vernacular translations and treatises. Challenging several critical orthodoxies about the centrality of sight, the hierarchy of the senses and the separation of religious from medical discourses, the book reveals the centrality of the mouth, taste and touch to human modes of knowing and to Christian identity.
Publisher: Cambridge University Press
ISBN: 1108552420
Category : Literary Criticism
Languages : en
Pages : 274
Book Description
The mouth, responsible for both physical and spiritual functions - eating, drinking, breathing, praying and confessing - was of immediate importance to medieval thinking about the nature of the human being. Where scholars have traditionally focused on the mouth's grotesque excesses, Katie L. Walter argues for the recuperation of its material 'everyday' aspect. Walter's original study draws on two rich archives: one comprising Middle English theology (Langland, Julian of Norwich, Lydgate, Chaucer) and pastoral writings; the other broadly medical and surgical, including learned encyclopaedias and vernacular translations and treatises. Challenging several critical orthodoxies about the centrality of sight, the hierarchy of the senses and the separation of religious from medical discourses, the book reveals the centrality of the mouth, taste and touch to human modes of knowing and to Christian identity.
The Theology of Debt in Late Medieval English Literature
Author: Anne Schuurman
Publisher: Cambridge University Press
ISBN: 100938595X
Category : Literary Criticism
Languages : en
Pages : 269
Book Description
Anne Schuurman makes the striking argument that medieval literature engenders the spirit of capitalism by defining the sinner as debtor.
Publisher: Cambridge University Press
ISBN: 100938595X
Category : Literary Criticism
Languages : en
Pages : 269
Book Description
Anne Schuurman makes the striking argument that medieval literature engenders the spirit of capitalism by defining the sinner as debtor.
Medieval English Literature
Author: Beatrice Fannon
Publisher: Bloomsbury Publishing
ISBN: 1137469609
Category : Literary Criticism
Languages : en
Pages : 280
Book Description
This volume brings together a wide range of original, scholarly essays on key figures and topics in medieval literature by leading academics. The volume examines the major authors such as Chaucer, Langland and the Gawain Poet, and covers key topics in medieval literature, including gender, class, courtly and popular culture, and religion. The volume seeks to provide a fresh and stimulating guide to medieval literature.
Publisher: Bloomsbury Publishing
ISBN: 1137469609
Category : Literary Criticism
Languages : en
Pages : 280
Book Description
This volume brings together a wide range of original, scholarly essays on key figures and topics in medieval literature by leading academics. The volume examines the major authors such as Chaucer, Langland and the Gawain Poet, and covers key topics in medieval literature, including gender, class, courtly and popular culture, and religion. The volume seeks to provide a fresh and stimulating guide to medieval literature.
Literary Beginnings in the European Middle Ages
Author: Mark Chinca
Publisher: Cambridge University Press
ISBN: 1108808433
Category : Literary Criticism
Languages : en
Pages : 357
Book Description
How did new literatures begin in the Middle Ages and what does it mean to ask about such beginnings? These are the questions this volume pursues across the regions and languages of medieval Europe, from Iceland, Scandinavia, and Iberia through Irish, Welsh, English, French, Dutch, Occitan, German, Italian, Czech, and Croatian to Medieval Greek and the East Slavonic of early Rus. Focusing on vernacular scripted cultures and their complicated relationships with the established literary cultures of Latin, Greek, and Church Slavonic, the volume's contributors describe the processes of emergence, consolidation, and institutionalization that make it possible to speak of a literary tradition in any given language. Moreover, by concentrating on beginnings, the volume avoids the pitfalls of viewing earlier phenomena through the lens of later, national developments; the result is a heightened sense of the historical contingency of categories of language, literature, and territory in the space we call 'Europe'.
Publisher: Cambridge University Press
ISBN: 1108808433
Category : Literary Criticism
Languages : en
Pages : 357
Book Description
How did new literatures begin in the Middle Ages and what does it mean to ask about such beginnings? These are the questions this volume pursues across the regions and languages of medieval Europe, from Iceland, Scandinavia, and Iberia through Irish, Welsh, English, French, Dutch, Occitan, German, Italian, Czech, and Croatian to Medieval Greek and the East Slavonic of early Rus. Focusing on vernacular scripted cultures and their complicated relationships with the established literary cultures of Latin, Greek, and Church Slavonic, the volume's contributors describe the processes of emergence, consolidation, and institutionalization that make it possible to speak of a literary tradition in any given language. Moreover, by concentrating on beginnings, the volume avoids the pitfalls of viewing earlier phenomena through the lens of later, national developments; the result is a heightened sense of the historical contingency of categories of language, literature, and territory in the space we call 'Europe'.