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Author: Barbara L. Estrin Publisher: Duke University Press ISBN: 0822382253 Category : Literary Criticism Languages : en Pages : 362
Book Description
How do men imagine women? In the poetry of Petrarch and his English successors—Wyatt, Donne, and Marvell—the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held that, in objectifying Laura, these male-authored texts deny the imaginative, intellectual, and physical life of the woman they idealize. In Laura, Barbara L. Estrin counters this traditional view by focusing not on the generative powers of the male poet, but on the subjectivity of the imagined woman and the imaginative space of the poems she occupies. Through close readings of the Rime sparse and the works of Wyatt, Donne, and Marvell, Estrin uncovers three Lauras: Laura-Daphne, who denies sexuality; Laura-Eve, who returns the poet’s love; and Laura-Mercury, who reinvents her own life. Estrin claims that in these three guises Laura subverts both genre and gender, thereby introducing multiple desires into the many layers of the poems. Drawing upon genre and gender theories advanced by Jean-François Lyotard and Judith Butler to situate female desire in the poem’s framework, Estrin shows how genre and gender in the Petrarchan tradition work together to undermine the stability of these very concepts. Estrin’s Laura constitutes a fundamental reconceptualization of the Petrarchan tradition and contributes greatly to the postmodern reassessment of the Renaissance period. In its descriptions of how early modern poets formulate questions about sexuality, society and poetry, Laura will appeal to scholars of the English and Italian Renaissance, of gender studies, and of literary criticism and theory generally.
Author: Barbara L. Estrin Publisher: Duke University Press ISBN: 0822382253 Category : Literary Criticism Languages : en Pages : 362
Book Description
How do men imagine women? In the poetry of Petrarch and his English successors—Wyatt, Donne, and Marvell—the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held that, in objectifying Laura, these male-authored texts deny the imaginative, intellectual, and physical life of the woman they idealize. In Laura, Barbara L. Estrin counters this traditional view by focusing not on the generative powers of the male poet, but on the subjectivity of the imagined woman and the imaginative space of the poems she occupies. Through close readings of the Rime sparse and the works of Wyatt, Donne, and Marvell, Estrin uncovers three Lauras: Laura-Daphne, who denies sexuality; Laura-Eve, who returns the poet’s love; and Laura-Mercury, who reinvents her own life. Estrin claims that in these three guises Laura subverts both genre and gender, thereby introducing multiple desires into the many layers of the poems. Drawing upon genre and gender theories advanced by Jean-François Lyotard and Judith Butler to situate female desire in the poem’s framework, Estrin shows how genre and gender in the Petrarchan tradition work together to undermine the stability of these very concepts. Estrin’s Laura constitutes a fundamental reconceptualization of the Petrarchan tradition and contributes greatly to the postmodern reassessment of the Renaissance period. In its descriptions of how early modern poets formulate questions about sexuality, society and poetry, Laura will appeal to scholars of the English and Italian Renaissance, of gender studies, and of literary criticism and theory generally.
Author: Annaliese Connolly Publisher: Manchester University Press ISBN: 1526162873 Category : Literary Collections Languages : en Pages : 338
Book Description
The visual images of Queen Elizabeth I displayed in contemporary portraits and perpetuated and developed in more recent media, such as film and television, make her one of the most familiar and popular of all British monarchs. This collection of essays examines the diversity of the queen’s extensive iconographical repertoire, focusing on both visual and textual representations of Elizabeth, not only in portraiture and literature, but also in contemporary sermons, speeches and alchemical treatises. The collection broadens current critical thinking about Elizabeth, as each of the essays contributes to the debate about the ways in which the queen’s developing iconicity was not simply a celebratory mode, but also encoded criticism of her. Each of these essays explains the ways in which the varied representations of Elizabeth reflect the political and cultural anxieties of her subjects
Author: RICHARD SATTANNI Publisher: Lulu.com ISBN: 1387577417 Category : Fiction Languages : en Pages : 71
Book Description
A most provocative spine tingling collection of characters out of the "Laura Rosewood"dynasty. They all were meant to come here but never meant to live. Read how everyone finds their faith and the gory outcome of each character
Author: Kym Bird Publisher: McGill-Queen's Press - MQUP ISBN: 0773571477 Category : Social Science Languages : en Pages : 224
Book Description
Bird argues that the playwrights, their productions, and their texts express the contradictory relations within these forms of feminism: on the one hand they represent women's social and political emancipation and, on the other, they affirm patriarchal structures and the status quo. Implicitly, this study calls into question what traditionally constitutes drama by treating plays written in non-canonical forms, mounted in nonprofessional venues, and published by marginal presses or not at all as important literary, theatrical, and historical documents.
Author: Martha Evans Publisher: Cornell University Press ISBN: 1501734318 Category : Literary Criticism Languages : en Pages : 286
Book Description
Hysteria has generated a vivid popular mythology as well as a vast scientific literature over its long history. In this spirited book, Martha Noel Evans sheds new light on the significance of hysteria both as an actual psychological disorder and as a cultural statement about gender. Drawing on medical and psychoanalytic texts from Charcot to Lacan and Irigaray, Evans traces the evolution of the concept of hysteria in France from the rise of modern psychiatry in the late nineteenth century to the present. Evans focuses her attention on the intertwining of politics, history, and culture. What she finds most striking is that, in spite of its constancy in the nomenclature of mental disorder, hysteria has persistently been defined as indefinable. She illuminates the processes of denial and projection at work in specialists' encounters with hysteria, showing how even in the discourse of modern science, hysteria itself has been transformed metaphorically into the tricky, oversexed, and elusive woman its sufferers had once been thought to be. Disputing claims that hysteria no longer exists as an illness, Evans links its recent resurgence in France to its function as a locus of repression of cultural anxieties. Fits and Starts will be rewarding reading for anyone concerned with the history of psychoanalysis and with the relationship between psychoanalysis and literature, including scholars and students in the fields of women's studies, gender studies, cultural history, and literary theory.
Author: Aldo S. Bernardo Publisher: State University of New York Press ISBN: 0791496562 Category : Biography & Autobiography Languages : en Pages : 255
Author: Barbara L. Estrin
Author: Barbara L. Estrin
Author: Benjamin Leopold Farjeon
Author: RICHARD SATTANNI
Author: United States Trotting Association
Author: Annaliese Connolly
Author: RICHARD SATTANNI
Author: Kym Bird
Author: 
Author: Martha Evans
Author: Aldo S. Bernardo