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Author: Lesley Milne Publisher: Cambridge Scholars Publishing ISBN: 1443887684 Category : Literary Criticism Languages : en Pages : 292
Book Description
War is no laughing matter. During a war, however, laughter can play a vital role in sustaining morale, both in the armies at the Front and in their homelands. Among wars, the 1914–18 conflict has left a haunting legacy, and remains a central topic in modern European history. This book offers a comparative study of the impact of the war in four countries, and breaks new ground by exploring this through the medium of what their respective populations laughed at. By searching the pages of four humorous-satirical magazines, Punch in the UK, Le Rire (France), Simplicissimus (Germany), and Novy Satirikon (Russia), all of which supported the national war efforts, it examines the ways in which humour made an important contribution to the propaganda war. All four magazines were famous for their cartoons, a selection of which is included, but much of the humour was expressed through the written word, in skits, squibs, comic tales, and light verse. Translated into English, these snapshots of the moment are brought together to chart the responses on both sides of the conflict to issues and unfolding events, identifying the stories that nations liked to tell about themselves and also the ones they liked to be told.
Author: Lesley Milne Publisher: Cambridge Scholars Publishing ISBN: 1443887684 Category : Literary Criticism Languages : en Pages : 292
Book Description
War is no laughing matter. During a war, however, laughter can play a vital role in sustaining morale, both in the armies at the Front and in their homelands. Among wars, the 1914–18 conflict has left a haunting legacy, and remains a central topic in modern European history. This book offers a comparative study of the impact of the war in four countries, and breaks new ground by exploring this through the medium of what their respective populations laughed at. By searching the pages of four humorous-satirical magazines, Punch in the UK, Le Rire (France), Simplicissimus (Germany), and Novy Satirikon (Russia), all of which supported the national war efforts, it examines the ways in which humour made an important contribution to the propaganda war. All four magazines were famous for their cartoons, a selection of which is included, but much of the humour was expressed through the written word, in skits, squibs, comic tales, and light verse. Translated into English, these snapshots of the moment are brought together to chart the responses on both sides of the conflict to issues and unfolding events, identifying the stories that nations liked to tell about themselves and also the ones they liked to be told.
Author: David Slucki Publisher: Wayne State University Press ISBN: 0814344798 Category : Literary Criticism Languages : en Pages : 414
Book Description
Laughter After will appeal to a number of audiences—from students and scholars of Jewish and Holocaust studies to academics and general readers with an interest in media and performance studies.
Author: Les Cleveland Publisher: Praeger ISBN: Category : Music Languages : en Pages : 240
Book Description
Popular culture is important in wartime. It asserts the values of patriotism, helps to create happy warriors, and expresses people's emotions. Here, Cleveland treats war as popular culture, using service songs, folklore, and popular music as a leitmotif to explore cultural relationships between military life and society. Drawing on 20th-century lyrics, occupational folklore, and rank-and-file parodies, protests, and sexual fantasies, he shows how crises of war are mediated by popular culture and how the soldier comes to terms with boredom, discomfort, and danger. Ranging from World War I to Vietnam and drawing on his own experience in World War II, Cleveland provides a unique treatment of military folklore and popular song in 20th-century warfare from the perspective of the ordinary soldier.
Author: Dorothea von Schwanenflügel Lawson Publisher: ISBN: Category : Juvenile Nonfiction Languages : en Pages : 548
Book Description
"Do you know anyone who experienced two World Wars in Germany and survived to talk about it? You do now! Welcome to Laughter Wasn't Rationed and the historical war memoir of Dorothea von Schwanenflügel Lawson. She will take you from the Weimar Republic to the Berlin Wall, and give you a first-hand account of her life that is full of historical facts - the perspective of an ordinary citizen not found in history books. Vintage photos accompany her journey. As a native German born during World War I, Dorothea takes us from her relatively carefree youth through the much-staged rise and fall of Hitler and his Nazi Party, World War II and the devastating postwar years, up to the beginnings of the Cold War. Through her, you will experience the air raids and intense bombing of Berlin, the ever-present hunger, the Soviet invasion and other day-to-day struggles. You will not only see the grim realities of life, but are treated to many jokes about the Third Reich that were once punishable by imprisonment or by death. You will also enjoy a small dose of German culture along the way, as well as her conversational style. Unfortunately generations die out and the experiences of real people are lost forever. Dorothea's insight is invaluable, and has been recognized by several universities that are using her book and knowledge of Europe in their history courses."--Publisher description.
Author: Jakub Kazecki Publisher: Cambridge Scholars Publishing ISBN: 9781443838993 Category : German fiction Languages : en Pages : 0
Book Description
Laughter in the Trenches: Humour and Front Experience in German First World War Narratives explores the appearances and functions of humour and laughter in selected novels and short stories, based on autobiographical experiences, written by authors during the war and in the Weimar Era (1919â "1933). This study focuses on popular and lesser-known works of German literature that played an important role in the socio-political life of the Weimar Republic: Storm of Steel by Ernst JÃ1/4nger (1920), Advance from Mons 1914 by Walter Bloem (1916), The Case of Sergeant Grischa by Arnold Zweig (1927), and All Quiet on the Western Front by Erich Maria Remarque (1929). The author shows that these works often share surprisingly similar narrative strategies in describing humorous experiences and soldier laughter to justify direct violence and oppressive power structures, regardless of the worksâ (TM) ideological assignment and their popular and critical reception. This book also examines the parodic imitations of All Quiet on the Western Front, the German text All Quiet on the Trojan Front by Emil Marius Requark (1930) and the American film So Quiet on the Canine Front by Zion Myers and Jules White (1931) as significant polemical contributions that use humoristic strategies to stress or undermine elements of the original text.
Author: Ping Zhu Publisher: Hong Kong University Press ISBN: 9888528017 Category : History Languages : en Pages : 233
Book Description
WINNER — 2020 Choice’s Outstanding Academic Title During the Mao years, laughter in China was serious business. Simultaneously an outlet for frustrations and grievances, a vehicle for socialist education, and an object of official study, laughter brought together the political, the personal, the aesthetic, the ethical, the affective, the physical, the aural, and the visual. The ten essays in Maoist Laughter convincingly demonstrate that the connection between laughter and political culture was far more complex than conventional conceptions of communist indoctrination can explain. Their sophisticated readings of a variety of genres—including dance, cartoon, children’s literature, comedy, regional oral performance, film, and fiction—uncover many nuanced innovations and experiments with laughter during what has been too often misinterpreted as an unrelentingly bleak period. In Mao’s China, laughter helped to regulate both political and popular culture and often served as an indicator of shifting values, alliances, and political campaigns. In exploring this phenomenon, Maoist Laughter is a significant correction to conventional depictions of socialist China. “Maoist Laughter brings together prominent scholars of contemporary China to make a timely and original contribution to the burgeoning field of Maoist literature and culture. One of its main strengths lies in the sheer number of genres covered, including dance, traditional Chinese performance, visual arts, film, and literature. The focus on humor in the Maoist period gives an exciting new perspective from which to understand cultural production in twentieth-century China.” —Krista Van Fleit, University of South Carolina “An illuminating study of the culture of laughter in the Maoist period. Focusing on much-neglected topics such as satire, jokes, and humor, this book is an essential contribution to our understanding of how socialist culture actually ‘worked’ as a coherent, dynamic, and constructive life experience. The chapters show that traditional culture could almost blend perfectly with revolutionary mission.” —Xiaomei Chen, University of California, Davis
Author: Steve Lipman Publisher: Jason Aronson ISBN: Category : History Languages : en Pages : 304
Book Description
Asserts that humor is a form of resistance and a means of psychological survival in threatening situations, and has always been cultivated especially by Jews. Cites reports of humor by both Jews and non-Jews in Nazi Germany and occupied Europe, in the ghettos and the concentration camps, and quotes many jokes. also surveys anti-Nazi jokes, cartoons, and satirical books and films issued abroad and after the war.
Author: Lidia Dina Sciama Publisher: Berghahn Books ISBN: 1782385436 Category : Social Science Languages : en Pages : 220
Book Description
Anthropological writings on humor are not very numerous or extensive, but they do contain a great deal of insight into the diverse mental and social processes that underlie joking and laughter. On the basis of a wide range of ethnographic and textual materials, the chapters examine the cognitive, social, and moral aspects of humor and its potential to bring about a sense of amity and mutual understanding, even among different and possibly hostile people. Unfortunately, though, cartoons, jokes, and parodies can cause irremediable distress and offence. Nevertheless, contributors’ cross-cultural evidence confirms that the positive aspects of humor far outweigh the danger of deepening divisions and fueling hostilities
Author: Milan Kundera Publisher: HarperCollins ISBN: 0063290693 Category : Fiction Languages : en Pages : 324
Book Description
"An absolutely dazzling entertainment. . . . Arousing on every level—political, erotic, intellectual, and above all, humorous." —Newsweek "The Book of Laughter and Forgetting calls itself a novel, although it is part fairy tale, part literary criticism, part political tract, part musicology, and part autobiography. It can call itself whatever it wants to, because the whole is genius." —New York Times Rich in its stories, characters, and imaginative range, The Book of Laughter and Forgetting is the novel that brought Milan Kundera his first big international success in the late 1970s. Like all his work, it is valuable for far more than its historical implications. In seven wonderfully integrated parts, different aspects of human existence are magnified and reduced, reordered and emphasized, newly examined, analyzed, and experienced.
Author: Lesley Milne
Author: Lesley Milne
Author: David Slucki
Author: Les Cleveland
Author: Dorothea von Schwanenflügel Lawson
Author: Jakub Kazecki
Author: Jan Rüger
Author: Ping Zhu
Author: Steve Lipman
Author: Lidia Dina Sciama
Author: Milan Kundera