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Author: Anthony Mellors Publisher: Manchester University Press ISBN: 9780719058851 Category : Literary Criticism Languages : en Pages : 402
Book Description
This book explores the uncanny afterlife of modernist ideals in the second half of the twentieth century. Rejecting the familiar notion that modernism dissolved during the 1930s, it argues that the fusion of rationalism and mysticism which characterizes modernist poetics was sustained long after its politics had been discredited by the events of World War Two. This wide-ranging contextual study focuses on the poetry of Ezra Pound, Charles Olson, Paul Celan, and J H Prynne.
Author: Anthony Mellors Publisher: Manchester University Press ISBN: 1526183978 Category : Literary Criticism Languages : en Pages : 241
Book Description
This book explores the uncanny afterlife of modernist ideals in the second half of the twentieth century. Rejecting the familiar notion that modernism dissolved during the 1930s, it argues that the fusion of rationalism and mysticism which characterises modernist poetics was sustained long after its politics had been discredited by the events of World War Two. The book’s central concern is why the aesthetic mysticism that Walter Benjamin called the faith of those ‘who made common cause with Fascism’ continued to be a guiding principle for literary elites and countercultural movements alike. New light is shed on the relationship between occultism and the Pound tradition, especially in terms of Pound’s influence on post-1945 Anglo-American poetry, and a critical theory of ‘late modernism’ is offered which shows how belated notions of cultural redemption have survived in contemporary poetry. This wide-ranging contextual study focuses on the poetry of Ezra Pound, Charles Olson, Paul Celan, and J H Prynne, and explores the development of modernist culture through its theories of phenomenology, psychoanalysis, science, ethnography, and ancient history.
Author: Anthony Mellors Publisher: Manchester University Press ISBN: 9780719058851 Category : Literary Criticism Languages : en Pages : 402
Book Description
This book explores the uncanny afterlife of modernist ideals in the second half of the twentieth century. Rejecting the familiar notion that modernism dissolved during the 1930s, it argues that the fusion of rationalism and mysticism which characterizes modernist poetics was sustained long after its politics had been discredited by the events of World War Two. This wide-ranging contextual study focuses on the poetry of Ezra Pound, Charles Olson, Paul Celan, and J H Prynne.
Author: Lauren Arrington Publisher: Liverpool University Press ISBN: 194295476X Category : Literary Criticism Languages : en Pages : 240
Book Description
How did living abroad inflect writers’ perspectives on social change in the countries of their birth and in their adopted homelands? How did writers reformulate ideas of social class, race, and gender in these new contexts? How did they develop innovations in form and technique to achieve a style that reflected their social and political commitments? The essays in this book show how the “outward turn” that typifies late modernist writing was precipitated, in part, by writers’ experience of expatriation. Late Modernism & Expatriation encompasses writing from the 1930s to the present day and considers expatriation in both its voluntary and coerced manifestations. Together, the essays in this book shape our understanding of how migration (especially in its late twentieth- and twenty-first century complexities) affects late modernism’s temporalities. The book attends to major theoretical questions about mapping late modernist networks and it foregrounds neglected aspects of writers’ work while placing other writers in a new frame.
Author: Louis Armand Publisher: Northwestern University Press ISBN: 0810123606 Category : Literary Criticism Languages : en Pages : 428
Book Description
Exploring the boundaries of one of the most contested fields of literary study—a field that in fact shares territory with philology, aesthetics, cultural theory, philosophy, and even cybernetics—this volume gathers a body of critical writings that, taken together, broadly delineate a possible poetics of the contemporary. In these essays, the most interesting and distinguished theorists in the field renegotiate the contours of what might constitute "contemporary poetics," ranging from the historical advent of concrete poetry to the current technopoetics of cyberspace. Concerned with a poetics that extends beyond our own time, as a mere marker of present-day literary activity, their work addresses the limits of a writing "practice"—beginning with Stéphane Mallarmé in the late nineteenth century—that engages concretely with what it means to be contemporary. Charles Bernstein's Swiftian satire of generative poetics and the textual apparatus, together with Marjorie Perloff's critical-historical treatment of "writing after" Bernstein and other proponents of language poetry, provides an itinerary of contemporary poetics in terms of both theory and practice. The other essays consider "precursors," recognizable figures within the histories or prehistories of contemporary poetics, from Kafka and Joyce to Wallace Stevens and Kathy Acker; "conjunctions," in which more strictly theoretical and poetical texts enact a concerted engagement with rhetoric, prosody, and the vicissitudes of "intelligibility"; "cursors," which points to the open possibilities of invention, from Augusto de Campos's "concrete poetics" to the "codework" of Alan Sondheim; and "transpositions," defining the limits of poetic invention by way of technology.
Author: M. Chambers Publisher: Springer ISBN: 1137516925 Category : History Languages : en Pages : 208
Book Description
After the publication of T.S. Eliot's The Waste Land, a complex series of debates occurred over the traditions of English poetry. Analyzing these diverse discussions in a wide range of well-known periodicals during the late modernist period, Chambers uncovers how poetry was shaped by avant-garde ideas, setting poetic trends for the 20th century.
Author: Natalie Pollard Publisher: ISBN: 0198852606 Category : Art Languages : en Pages : 331
Book Description
Exploring works by Djuna Barnes, David Jones, F.T. Prince, Denise Riley, Paul Muldoon, and Ted Hughes, this volume traces the relationship between twentieth-century poetry and art to question the role of art in society.
Author: Joe Moffett Publisher: Liverpool University Press ISBN: 1638040508 Category : Literary Criticism Languages : en Pages : 184
Book Description
First appearing in the social sciences in the last decade, the New Materialism offers a fresh way of looking at the ways in which humanity views its relationship to the material world. This study picks up on those key insights, analyzing works that challenge the anthropocentric worldview that has defined Western thinking for millennia. Poetry drawn from the period known as Late Modernism (roughly 1930s-1970s) is examined, with particular attention paid to the ways in which the authors anticipate New Materialist perspectives. The authors include influential figures representing various anglophone traditions. Special attention is paid to the long poems of each writer: Hugh MacDiarmid’s “On a Raised Beach,” Muriel Rukeyser’s The Book of the Dead, David Jones’s The Anathemata, Melvin Tolson’s Harlem Gallery, Louis Zukofsky’s “A,” and Charles Olson’s The Maximus Poems. A concluding chapter briefly looks ahead to the persistence of materialist thinking in a key Postmodernist text: Armand Schwerner’s The Tablets. As New Materialism teaches, and these texts demonstrate, a renewed reckoning of humanity’s interaction with the material world can help engender a greater self-awareness that humanity is not the only, or best, measure of the universe.
Author: Natalie Pollard Publisher: Oxford University Press ISBN: 0192593978 Category : Literary Criticism Languages : en Pages : 310
Book Description
This is a book about contemporary literary and artistic entanglements: word and image, media and materiality, inscription and illustration. It proposes a vulnerable, fugitive mode of reading poetry, which defies disciplinary categorisations, embracing the open-endedness and provisionality of forms. This manifests itself interactively in the six case studies, which have been chosen for their distinctness and diversity across the long twentieth century: the book begins with the early twentieth-century work of writer and artist Djuna Barnes, exploring her re-animation of sculptural and dramatic sources. It then turns to the late modernist artist and poet David Jones considering his use of the graphic and plastic arts in The Anathemata, and next, to the underappreciated mid-century poet F.T. Prince, whose work uncannily re-activates Michelangelo's poetry and sculpture. The second half of the book explores the collaborations of the canonical poet Ted Hughes with the publisher and artist Leonard Baskin during the 1970s; the innovative late twentieth-century poetry of Denise Riley who uses page space and embodied sound as a form of address; and, finally, the contemporary poet Paul Muldoon who has collaborated with photographers and artists, as well as ventriloquising nonhuman phenomena. The resulting unique study offers contemporary writers and readers a new understanding of literary, artistic, and nonhuman practices and shows the cultural importance of engaging with their messy co-dependencies. The book challenges critical methodologies that make a sharp division between the textual work and the extra-literary, and raises urgent questions about the status and autonomy of art and its social role.
Author: C. D. Blanton Publisher: Modernist Literature and Cultu ISBN: 0199844712 Category : Literary Collections Languages : en Pages : 381
Book Description
"Epic Negation examines the dialectical turn of modernist poetry over the interwar period, arguing that late modernism inverts the method of Ezra Pound's "poem including history" to conceive a negated mode of epic, predicated on the encryption of disarticulated historical content. Compelled to register the force of a totality it cannot represent, this negated epic reorients the function of poetic language and reference, remaking the poem, and late modernism generally, as a critical instrument of dialectical reason. Part I reads The Waste Land alongside the review it prefaced, The Criterion, arguing that the poem establishes the editorial method with which T. S. Eliot constructs the review's totalizing account of culture. Dividing the epic's critical function from its style, Eliot not only includes history differently, but also formulates an intricately dialectical account of the interwar crisis of bourgeois culture, formed in the image of a Marxian critique it opposes. Part II turns to the second war's onset, tracing the dislocated formal effects of an epic gone underground. In the elegies and pastorals of W. H. Auden and Louis MacNeice, lyric forms divulge the determining force of unmentionable but universal events, dividing experience against consciousness. With H.D.'s war trilogy, produced in a terse exchange with Freud's Moses, even the poetic image lapses, associating epic with the silent historical force of the unconscious as such"--
Author: Alex Davis Publisher: Cambridge University Press ISBN: 1139827642 Category : Literary Criticism Languages : en Pages : 280
Book Description
This Companion offers the most comprehensive overview available of modernist poetry, its forms, its major authors and its contexts. The first part explores the historical and cultural contexts and sexual politics of literary modernism and the avant garde. The chapters in the second part concentrate on individual authors and movements, while the concluding part offers a comprehensive overview of the early reception and subsequent canonisation of modernist poetry. As well as insightful readings of canonical poets, the Companion features extended discussions of poets whose importance is now being increasingly recognised, such as Mina Loy, poets of the Harlem Renaissance, and postcolonial poets in the Caribbean, Africa and India. While modernist poets are often thought of as difficult, these essays will help students to understand and enjoy their experimental, playful and fascinating responses to contemporary social and cultural change and their dialogue with the arts and with each other.
Author: Anthony Mellors
Author: Anthony Mellors
Author: Anthony Mellors
Author: Lauren Arrington
Author: Louis Armand
Author: M. Chambers
Author: Natalie Pollard
Author: Joe Moffett
Author: Natalie Pollard
Author: C. D. Blanton
Author: Alex Davis