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Author: Abby Peterson Publisher: ISBN: 9781315474052 Category : Political Science Languages : en Pages : 268
Book Description
The Open Access version of this book, available at http://www.tandfebooks.com/doi/view/10.4324/9781315474052, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license Today, Pride parades are staged in countries and localities across the globe, providing the most visible manifestations of lesbian, gay, bisexual, trans, queer and intersex movements and politics. Pride Parades and LGBT Movements contributes to a better understanding of LGBT protest dynamics through a comparative study of eleven Pride parades in seven European countries - Czech Republic, Italy, Netherlands, Poland, Sweden, Switzerland, the UK - and Mexico. Peterson, Wahlström and Wennerhag uncover the dynamics producing similarities and differences between Pride parades, using unique data from surveys of Pride participants and qualitative interviews with parade organizers and key LGBT activists. In addition to outlining the histories of Pride in the respective countries, the authors explore how the different political and cultural contexts influence: Who participates, in terms of socio-demographic characteristics and political orientations; what Pride parades mean for their participants; how participants were mobilized; how Pride organizers relate to allies and what strategies they employ for their performances of Pride. This book will be of interest to political scientists and sociologists with an interest in LGBT studies, social movements, comparative politics and political behavior and participation.
Author: Abby Peterson Publisher: ISBN: 9781315474052 Category : Political Science Languages : en Pages : 268
Book Description
The Open Access version of this book, available at http://www.tandfebooks.com/doi/view/10.4324/9781315474052, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license Today, Pride parades are staged in countries and localities across the globe, providing the most visible manifestations of lesbian, gay, bisexual, trans, queer and intersex movements and politics. Pride Parades and LGBT Movements contributes to a better understanding of LGBT protest dynamics through a comparative study of eleven Pride parades in seven European countries - Czech Republic, Italy, Netherlands, Poland, Sweden, Switzerland, the UK - and Mexico. Peterson, Wahlström and Wennerhag uncover the dynamics producing similarities and differences between Pride parades, using unique data from surveys of Pride participants and qualitative interviews with parade organizers and key LGBT activists. In addition to outlining the histories of Pride in the respective countries, the authors explore how the different political and cultural contexts influence: Who participates, in terms of socio-demographic characteristics and political orientations; what Pride parades mean for their participants; how participants were mobilized; how Pride organizers relate to allies and what strategies they employ for their performances of Pride. This book will be of interest to political scientists and sociologists with an interest in LGBT studies, social movements, comparative politics and political behavior and participation.
Author: Andrea Canepari Publisher: Temple University Press ISBN: 1439916470 Category : History Languages : en Pages : 422
Book Description
"The Italian Legacy in Philadelphia examines the impact and influence of Italian arts, culture, people, and ideas on the city of Philadelphia from the founding to the present"--
Author: Danielle Fosler-Lussier Publisher: Univ of California Press ISBN: 0520284135 Category : Music Languages : en Pages : 346
Book Description
"During the Cold War, thousands of musicians from the United States traveled the world under the sponsorship of the U.S. State Department's Cultural Presentations program. Using archival documents and newly collected oral histories, this study illuminates the reception of these musical events, for the practice of musical diplomacy on the ground sometimes differed substantially from what the department's planners envisioned. Performances of music in many styles--classical, rock 'n' roll, folk, blues, and jazz--were meant to compete with traveling Soviet and Chinese artists, enhancing the reputation of American culture. These concerts offered large audiences evidence of America's improving race relations, excellent musicianship, and generosity toward other peoples. Most important, these performances also built meaningful connections with people in other lands. Through personal contacts and the media, musical diplomacy created subtle musical, social, and political relationships on a global scale. Although these tours were sometimes conceived as propaganda ventures, their most important function was the building of imagined and real relationships, which constitute the essence of soft power"--Provided by publisher.
Author: Joan Miró Publisher: ISBN: Category : Artists' writings Languages : en Pages : 544
Book Description
The most comprehensive look at Miro's art available in book form. In honor of Miro's 100th birthday, 1993 has been designated Miro Year, which is being celebrated with great ...
Author: Jessica C. E. Gienow-Hecht Publisher: University of Chicago Press ISBN: 0226292177 Category : Music Languages : en Pages : 353
Book Description
The German-American relationship was special long before the Cold War; it was rooted not simply in political actions, but also long-term traditions of cultural exchange that date back to the nineteenth century. Between 1850 and 1910, the United States was a rising star in the international arena, and several European nations sought to strengthen their ties to the republic by championing their own cultures in America. While France capitalized on its art and Britain on its social ties and literature, Germany promoted its particular breed of classical music. Delving into a treasure trove of archives that document cross-cultural interactions between America and Germany, Jessica Gienow-Hecht retraces these efforts to export culture as an instrument of nongovernmental diplomacy, paying particular attention to the role of conductors, and uncovers the remarkable history of the musician as a cultural symbol of German cosmopolitanism. Considered sexually attractive and emotionally expressive, German players and conductors acted as an army of informal ambassadors for their home country, and Gienow-Hecht argues that their popularity in the United States paved the way for an emotional elective affinity that survived broken treaties and several wars and continues to the present.
Author: Ronald Bergan Publisher: Skyhorse ISBN: 1628726253 Category : Performing Arts Languages : en Pages : 513
Book Description
Now back in print, the definitive biography of a seminal figure in film history, whom Orson Welles called “the greatest of all directors.” Jean Renoir’s career almost spans the history years of cinema–from the early silent movies, to the naturalism of the talkies, committed cinema, film noir, Hollywood studio productions, the Technicolor-period comedies and fast television techniques. His film The Grand Illusion remains one of the greatest movies about the effects of war. Decades after its release, Renoir’s The Rules of the Game (1939) is the only film to have been included on every top ten list in the Sight & Sound's respected decennial poll since 1952, cementing Renoir’s influence. André Bazin and François Truffaut praised Renoir as the patron saint of the French New Wave. Jean Renoir: Projections of Paradise gives detailed accounts of Renoir’s working methods and captivating appraisals of his films, and his long and fascinating life from his blissful childhood as the son of the great Impressionist painter August Renoir. This is a must-read for students of film and all fans of entertaining, timeless movies.
Author: Harold C. Schonberg Publisher: New York : Simon and Schuster ISBN: Category : Biography & Autobiography Languages : en Pages : 392
Book Description
"'He is of commanding presence, infinite dignity, fabulous memory, vast experience, high temperament and serene wisdom. He has been tempered in the crucible but he is still molten and he glows with a fierce inner light. He is many things: musician, administrator, executive, minister, psychologist, technician, philosopher and dispenser of wrath. Like many great men, he has come from humble stock; and, like many great men in the public eye, he is instinctively an actor. As such, he is an egoist. He has to be. Without infinite belief in himself and his capabilities, he is as nothing. Above all, he is a leader of men. His subjects look to him for guidance. He is at once a father image, the great provider, the fount of inspiration, the Teacher who knows all ... . He has but to stretch out his hand and he is obeyed. He tolerates no opposition. His will, his word, his very glance, are law.' With this pyrotechnical description of the genus, Harold Schonberg begins his historical survey of the Great Conductors and their art. For the great conductor--from the time-beater of the thirteenth century to the maestro of today--is always the inspired leader who can impose his authority on the musicians who make up his orchestra. Thus it was with Bach, whom Schonberg pictures leading his forces seated at the clavier or with violin at his shoulder, and singing any part that was being wrongly performed. Thus it was with Handel, who threatened to throw a prima donna out of the window if she would not sing the notes as written. Thus it was even with Beethoven, because of his deafness a tragically bad conductor, who nevertheless tried to impose his will on the performers by practically creeping under the desk for pianissimo and jumping high with outstretched arms for the opposite. Before us through the pages of this book march the great conductors of the past and of the present. Schonberg evokes Lully, who beat time on the floor with a cane--so powerfully that he drove it into his foot on one occasion and died of the resulting gangrene. We meet Berlioz, 'in constant motion on the podium, exuding electricity ... who held absolute sway over his troops and played on them as a pianist upon the keyboard,' and Mendelssohn, the gentle, well-mannered aristocrat who ripped up scores and screamed at musicians who showed up drunk and fractious. And so through all the important composer-conductors--Wagner, Liszt, Mahler, Strauss. Then the moderns: the elemental Arturo Toscanini, the loving Bruno Walter, the witty and acrimonious Thomas Beecham--on and on to the youngest to earn a chapter to himself, the phenomenal Leonard Bernstein. With biography, anecdote, vivid description, and more than a hundred well-chosen prints and photographs, Mr. Schonberg gives a striking picture of each of these men, and dozens of others, showing just how and why they influenced the performance of classical music and how they developed a new and modern art--the art of conducting."--Dust jacket.
Author: Abby Peterson
Author: Abby Peterson
Author: Andrea Canepari
Author: Danielle Fosler-Lussier
Author: Johann Heinrich Pestalozzi
Author: Felix Meyer
Author: Joan Miró
Author: Jessica C. E. Gienow-Hecht
Author: Ronald Bergan
Author: Mitchell G. Ash
Author: Harold C. Schonberg