Author: Lars Tunbjörk
Publisher:
ISBN: 9783882438680
Category : Architectural photography
Languages : en
Pages : 0
Book Description
'Home' is the third part of a color trilogy by the Swedish photographer Lars Tunbjörk. Whereas the focus of his earlier two books were leisure time and the world of office labour, the home series started when he went back to his childhood neighbourhood and photographed his mother's house.
Home
Author: Lars Tunbjörk
Publisher:
ISBN: 9783882438680
Category : Architectural photography
Languages : en
Pages : 0
Book Description
'Home' is the third part of a color trilogy by the Swedish photographer Lars Tunbjörk. Whereas the focus of his earlier two books were leisure time and the world of office labour, the home series started when he went back to his childhood neighbourhood and photographed his mother's house.
Publisher:
ISBN: 9783882438680
Category : Architectural photography
Languages : en
Pages : 0
Book Description
'Home' is the third part of a color trilogy by the Swedish photographer Lars Tunbjörk. Whereas the focus of his earlier two books were leisure time and the world of office labour, the home series started when he went back to his childhood neighbourhood and photographed his mother's house.
Lars Tunbjörk
Author: Maud Nycander
Publisher: Max Strom
ISBN: 9789171264442
Category : Photography, Artistic
Languages : en
Pages : 336
Book Description
The largest and most extensive retrospective of Lars Tunbjörk's work ever published. Lars Tunbjörk was inspired by the Swedish masters such as Christer Stromholm, but soon discovered his own style by taking a cue from the American photographers of the 1970s like Stephen Shore and William Eggleston. Tunbjork's images amplified the most mundane and absurd aspects of modern life in a surreal way, using the hard light of flash photography, which became his signature style and influenced a generation of photographers after him. Whatever subject he was documenting, suburbia or offices spaces, he did it in such a revealing way with a stark, clear-eyed honesty layered with a sense of humour. Tunbjörk's work is best experienced in the photo book format. He used the medium to build loose narratives and to showcase his extraordinary projects. He released more than 10 photobooks, which include Home and Vinter. He came to pre-eminence with the now rare book Office, with Martin Parr and Gerry Badger describing him as 'an acute observer of modern life.
Publisher: Max Strom
ISBN: 9789171264442
Category : Photography, Artistic
Languages : en
Pages : 336
Book Description
The largest and most extensive retrospective of Lars Tunbjörk's work ever published. Lars Tunbjörk was inspired by the Swedish masters such as Christer Stromholm, but soon discovered his own style by taking a cue from the American photographers of the 1970s like Stephen Shore and William Eggleston. Tunbjork's images amplified the most mundane and absurd aspects of modern life in a surreal way, using the hard light of flash photography, which became his signature style and influenced a generation of photographers after him. Whatever subject he was documenting, suburbia or offices spaces, he did it in such a revealing way with a stark, clear-eyed honesty layered with a sense of humour. Tunbjörk's work is best experienced in the photo book format. He used the medium to build loose narratives and to showcase his extraordinary projects. He released more than 10 photobooks, which include Home and Vinter. He came to pre-eminence with the now rare book Office, with Martin Parr and Gerry Badger describing him as 'an acute observer of modern life.
Lars Tunbjörk
Author: Lars Tunbjörk
Publisher:
ISBN: 9783865212962
Category : Borås (Sweden)
Languages : en
Pages : 0
Book Description
In I Love Bor¬s, photographer Lars Tunbjörk documents his aimless journey around Sweden between 1988 and 1995. His images of ordinary Swedish life take readers to supermarkets, parties, small-town streets, amusement parks, gas stations, TV shows, landscapes and dining tables. Together these photographs reveal a dark and frenzied view of Sweden during the economic recession of the early 90s, and an equally dark take on modern Western society as a whole.
Publisher:
ISBN: 9783865212962
Category : Borås (Sweden)
Languages : en
Pages : 0
Book Description
In I Love Bor¬s, photographer Lars Tunbjörk documents his aimless journey around Sweden between 1988 and 1995. His images of ordinary Swedish life take readers to supermarkets, parties, small-town streets, amusement parks, gas stations, TV shows, landscapes and dining tables. Together these photographs reveal a dark and frenzied view of Sweden during the economic recession of the early 90s, and an equally dark take on modern Western society as a whole.
Country beside itself
Author: Lars Tunbjörk
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages : 136
Book Description
Photographies de Suède de 1979 à 1991.
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages : 136
Book Description
Photographies de Suède de 1979 à 1991.
Paper Placemats
Author: Leanne Shapton
Publisher:
ISBN: 9780974690810
Category : Art
Languages : en
Pages : 0
Book Description
Edited by Jason Fulford, Leanne Shapton, Paul Maliszewski, Matt Singer.
Publisher:
ISBN: 9780974690810
Category : Art
Languages : en
Pages : 0
Book Description
Edited by Jason Fulford, Leanne Shapton, Paul Maliszewski, Matt Singer.
Lars Elling Paintings
Author: Lars Elling
Publisher: Press Publishing
ISBN:
Category : Art
Languages : en
Pages : 208
Book Description
"Paintings" follows Lars Elling, the young Norwegian artist, through the first 15 years of his career. Many credit his success both in Norway and in New York to the seriousness--the absence of irony--with which he approaches a well-established art form, but the reproductions here make the case that it is also due to the poetic and inviting nature of his paintings. This is art that commits itself to communicating with viewers on a common ground. In an interview here, Elling is uncommonly articulate in explaining both his technique and his way of thinking about his work. With an essay by the noted poet and art critic David Shapiro, who has taught at Columbia, Princeton and Bard, and written texts for monographs on Jasper Johns, Jim Dine and Mondrian.
Publisher: Press Publishing
ISBN:
Category : Art
Languages : en
Pages : 208
Book Description
"Paintings" follows Lars Elling, the young Norwegian artist, through the first 15 years of his career. Many credit his success both in Norway and in New York to the seriousness--the absence of irony--with which he approaches a well-established art form, but the reproductions here make the case that it is also due to the poetic and inviting nature of his paintings. This is art that commits itself to communicating with viewers on a common ground. In an interview here, Elling is uncommonly articulate in explaining both his technique and his way of thinking about his work. With an essay by the noted poet and art critic David Shapiro, who has taught at Columbia, Princeton and Bard, and written texts for monographs on Jasper Johns, Jim Dine and Mondrian.
Some Faggy Gestures
Author: Henrik Olesen
Publisher: Jrp Ringier
ISBN:
Category : Art
Languages : en
Pages : 180
Book Description
Tiré du site Internet de JRP/Ringier: "Since the mid-1990s, Henrik Olesen (*1967 Denmark, lives and works in Berlin) has used media such as collage, sculpture, and minimalistic spatial intervention to investigate the social construction of identity and its historiography. Through the appropriation of source images and contextual shifts not dissimilar to the method invented by Aby Warburg for his "Mnemosyne Atlas," Olesen probes the associations between homosexuality and its criminalization in the past, as well as in the present. His archival work sheds light on the enduring existence of spaces for Others, and inscribes homosexual subculture once more into the history of art and culture. Published with the Migros Museum für Gegenwartskunst, Zurich."
Publisher: Jrp Ringier
ISBN:
Category : Art
Languages : en
Pages : 180
Book Description
Tiré du site Internet de JRP/Ringier: "Since the mid-1990s, Henrik Olesen (*1967 Denmark, lives and works in Berlin) has used media such as collage, sculpture, and minimalistic spatial intervention to investigate the social construction of identity and its historiography. Through the appropriation of source images and contextual shifts not dissimilar to the method invented by Aby Warburg for his "Mnemosyne Atlas," Olesen probes the associations between homosexuality and its criminalization in the past, as well as in the present. His archival work sheds light on the enduring existence of spaces for Others, and inscribes homosexual subculture once more into the history of art and culture. Published with the Migros Museum für Gegenwartskunst, Zurich."
In Memory of Himself
Author: Gösta Flemming
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 170
Book Description
Books such as In Memory of Myself and Poste Restante, not to mention a position as head of the eminent Fotoskolan academy in Stockholm, made Christer Stràmholm one of Sweden's most influential twentieth-century photographers. He differed from his colleagues in other ways, too--for instance, he didn't mind being the subject of a photograph himself. In fact, he enjoyed it. Stràmholm passed away in 2002, but these portraits of him by some of Europe's finest photographers, including Lars Tunbjàrk, JH Engstràm and Anders Petersen, live on.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 170
Book Description
Books such as In Memory of Myself and Poste Restante, not to mention a position as head of the eminent Fotoskolan academy in Stockholm, made Christer Stràmholm one of Sweden's most influential twentieth-century photographers. He differed from his colleagues in other ways, too--for instance, he didn't mind being the subject of a photograph himself. In fact, he enjoyed it. Stràmholm passed away in 2002, but these portraits of him by some of Europe's finest photographers, including Lars Tunbjàrk, JH Engstràm and Anders Petersen, live on.
The New York Times Magazine Photographs
Author: Kathy Ryan
Publisher: Aperture
ISBN: 9781597111461
Category : Commercial photography
Languages : en
Pages : 0
Book Description
For over thirty years, the New York Times Magazine has presented the myriad possibilities and applications of photography. Aperture is pleased to present the upcoming publication and exhibition The New York Times Magazine Photographs, which reflects upon and interrogates the very nature of both photography and print magazines at this pivotal moment in their history and evolution. Edited by Kathy Ryan, long-time photo editor of the magazine, and with a preface by former editorial director Gerald Marzorati, this volume presents some of the finest commissioned photographs worldwide in four sections: reportage, portraiture, style, and conceptual photography, including photo illustration. Diverse in content and sensibility, and consistent in virtuosity, the photographs are accompanied by reproduced tear sheets to allow for the examination of sequencing and the interplay between text and image, simultaneously presenting the work while illuminating its distillation to magazine form. This process is explored further through texts offering behind-the-scenes perspective and anecdotes by the many photographers, writers, editors, and other collaborators whose voices have been a part of the magazine over the years. David Campany contributes a critical essay that provides an in-depth history of the magazines relationship to photography, contextualizing its contributions within the larger world of magazine work. Also addressed are issues of documentary photography in relation to more conceptual photography; the efficacy of story-telling; and what makes an image evidentiary, objective, subjective, truthful, or a tool for advocacy; as well as thoughts on whether these matters are currently moot, or more critical than ever. As such, The New York Times Magazine Photographs aims to serve as a springboard for a rigorous, necessary, and revitalized examination of photography as presented within a modern journalistic context.
Publisher: Aperture
ISBN: 9781597111461
Category : Commercial photography
Languages : en
Pages : 0
Book Description
For over thirty years, the New York Times Magazine has presented the myriad possibilities and applications of photography. Aperture is pleased to present the upcoming publication and exhibition The New York Times Magazine Photographs, which reflects upon and interrogates the very nature of both photography and print magazines at this pivotal moment in their history and evolution. Edited by Kathy Ryan, long-time photo editor of the magazine, and with a preface by former editorial director Gerald Marzorati, this volume presents some of the finest commissioned photographs worldwide in four sections: reportage, portraiture, style, and conceptual photography, including photo illustration. Diverse in content and sensibility, and consistent in virtuosity, the photographs are accompanied by reproduced tear sheets to allow for the examination of sequencing and the interplay between text and image, simultaneously presenting the work while illuminating its distillation to magazine form. This process is explored further through texts offering behind-the-scenes perspective and anecdotes by the many photographers, writers, editors, and other collaborators whose voices have been a part of the magazine over the years. David Campany contributes a critical essay that provides an in-depth history of the magazines relationship to photography, contextualizing its contributions within the larger world of magazine work. Also addressed are issues of documentary photography in relation to more conceptual photography; the efficacy of story-telling; and what makes an image evidentiary, objective, subjective, truthful, or a tool for advocacy; as well as thoughts on whether these matters are currently moot, or more critical than ever. As such, The New York Times Magazine Photographs aims to serve as a springboard for a rigorous, necessary, and revitalized examination of photography as presented within a modern journalistic context.
Ten Series/106 Photographs
Author: Bec Dean
Publisher:
ISBN: 9781597110549
Category : Photographers, Australian
Languages : en
Pages : 0
Book Description
Australian photographer Matthew Sleeth is a consummate observer, exploring the world around him with an acute and often humorous eye. His latest project, "Ten Series/106 Photographs," emphasizes how the sequencing of images is an essential part of creating photographic meaning, a conceit with precedents in the work of Ed Ruscha, among others. Sleeth's playfulness, wry sensibility and unorthodox visual style, however, also recall practicing photographers like Lars Tunbjork and Lee Friedlander. With its range of typologies, "Ten Series/106 Photographs" is varied and eclectic. Topics include Japanese women in uniform, tagged trees and plants in an arboretum, "Red" China and Mount Fuji (inspired by old Japanese prints, but with each image taken from a modern vantage point). Through its casual exploration of these disparate themes, this volume offers a view of a contemporary world that is structured on somewhat arbitrary types, categories and systems of classification--all the while making allusions to the role that photography has played in this process.
Publisher:
ISBN: 9781597110549
Category : Photographers, Australian
Languages : en
Pages : 0
Book Description
Australian photographer Matthew Sleeth is a consummate observer, exploring the world around him with an acute and often humorous eye. His latest project, "Ten Series/106 Photographs," emphasizes how the sequencing of images is an essential part of creating photographic meaning, a conceit with precedents in the work of Ed Ruscha, among others. Sleeth's playfulness, wry sensibility and unorthodox visual style, however, also recall practicing photographers like Lars Tunbjork and Lee Friedlander. With its range of typologies, "Ten Series/106 Photographs" is varied and eclectic. Topics include Japanese women in uniform, tagged trees and plants in an arboretum, "Red" China and Mount Fuji (inspired by old Japanese prints, but with each image taken from a modern vantage point). Through its casual exploration of these disparate themes, this volume offers a view of a contemporary world that is structured on somewhat arbitrary types, categories and systems of classification--all the while making allusions to the role that photography has played in this process.