Author: Publisher:
ISBN:
Category : Poets, American
Languages : en
Pages : 54
Book Description
Larry Eigner Remembered
Author: Rectors Remembered: The Descendants of John Jacob Rector Volume 6
Author: Laura Wayland-Smith HatchPublisher: Lulu.com
ISBN: 1312620307
Category : History
Languages : en
Pages : 711
Book Description
Volume 6 of 8, 3337 to 4042. A genealogical compilation of the descendants of John Jacob Rector and his wife, Anna Elizabeth Fischbach. Married in 1711 in Trupbach, Germany, the couple immigrated to the Germanna Colony in Virginia in 1714. Eight volumes document the lives of over 45,000 individuals.
A Bibliography of Works by Larry Eigner, 1937-1969
Author: Andrea Wyatt SextonPublisher:
ISBN:
Category : California
Languages : en
Pages : 102
Book Description
Larry Eigner Letters
Author: Larry EignerPublisher:
ISBN:
Category : Chapbooks
Languages : en
Pages : 42
Book Description
absence of clutter
Author: Paul StephensPublisher: MIT Press
ISBN: 026235750X
Category : Art
Languages : en
Pages : 289
Book Description
An exploration of minimal writing—texts generally shorter than a sentence—as complex, powerful literary and visual works. In the 1960s and 70s, minimal and conceptual artists stripped language down to its most basic components: the word and the letter. Barbara Kruger, Jenny Holzer, Carl Andre, Lawrence Weiner, and others built lucrative careers from text-based art. Meanwhile, poets and writers created works of minimal writing—visual texts generally shorter than a sentence. (One poem by Aram Saroyan reads in its entirety: eyeye.) In absence of clutter, Paul Stephens offers the first comprehensive account of minimal writing, arguing that it is equal in complexity and power to better-known, more commercial text-based art. Minimal writing, Stephens writes, can be beguilingly simple on the surface, but can also offer iterative reading experiences on multiple levels, from the fleeting to the ponderous. “absence of clutter,” for example, the entire text of a poem by Robert Grenier, is both expressive and self-descriptive. Stephens first sets out a theoretical framework for reading and viewing minimal writing and then offers close readings of works of minimal writing by Saroyan, Grenier, Norman Pritchard, Natalie Czech, and others. He “reverse engineers” recent works by Jen Bervin, Craig Dworkin, and Christian Bök that draw on molecular biology, and explores print-on-demand books by Holly Melgard, code poetry by Nick Montfort, Twitter-based work by Allison Parrish, and the use of Instagram by Hans-Ulrich Obrist and Saroyan. Text, it seems, is becoming ever more prevalent in visual art; meanwhile, poems are getting shorter. When reading has become scanning a screen and writing tapping out a text, absence of clutter invites us to reflect on how we read, see, and pay attention.
Bodies on the Line
Author: Raphael AllisonPublisher: University of Iowa Press
ISBN: 1609383044
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
Bodies on the Line offers the first sustained study of the poetry reading in its most formative period: the 1960s. Raphael Allison closely examines a vast archive of audio recordings of several key postwar American poets to explore the social and literary context of the sixties poetry reading, which is characterized by contrasting differing styles of performance: the humanist style and the skeptical strain. The humanist style, made mainstream by the Beats and their imitators, is characterized by faith in the power of presence, emotional communion, and affect. The skeptical strain emphasizes openness of interpretation and multivalent meaning, a lack of stability or consistency, and ironic detachment. By comparing these two dominant styles of reading, Allison argues that attention to sixties poetry readings reveals poets struggling between the kind of immediacy and presence that readings suggested and a private retreat from such performance-based publicity, one centered on the text itself. Recordings of Robert Frost, Charles Olson, Gwendolyn Brooks, Larry Eigner, and William Carlos Williams—all of whom emphasized voice, breath, and spoken language and who were inveterate professional readers in the sixties—expose this struggle in often surprising ways. In deconstructing assertions about the role and importance of the poetry reading during this period, Allison reveals just how dramatic, political, and contentious poetry readings could be. By discussing how to "hear" as well as "read" poetry, Bodies on the Line offers startling new vantage points from which to understand American poetry since the 1960s as both performance and text.
Beauty is a Verb
Author: Jennifer BartlettPublisher: Cinco Puntos Press
ISBN: 1935955055
Category : Literary Collections
Languages : en
Pages : 386
Book Description
Chosen by the American Library Association as a 2012 Notable Book in Poetry. Beauty is a Verb is a ground-breaking anthology of disability poetry, essays on disability, and writings on the poetics of both. Crip Poetry. Disability Poetry. Poems with Disabilities. This is where poetry and disability intersect, overlap, collide and make peace. " BEAUTY IS A VERB] is going to be one of the defining collections of the 21st century...the discourse between ability, identity & poetry will never be the same." --Ron Silliman, author of In The American Tree "This powerful anthology succeeds at intimately showing...disability through the lenses of poetry. What emerges from the book as a whole is a stunningly diverse array of conceptions of self and other."--Publishers Weekly, starred review From "Beauty and Variations" by Kenny Fries: How else can I quench this thirst? My lips travel down your spine, drink the smoothness of your skin. I am searching for the core: What is beautiful? Who decides? Can the laws of nature be defied? Your body tells me: come close. But beauty distances even as it draws me near. What does my body want from yours? My twisted legs around your neck. You bend me back. Even though you can't give the bones at birth I wasn't given, I let you deep inside. You give me--what? Peeling back my skin, you expose my missing bones. And my heart, long before you came, just as broken. I don't know who to blame. So each night, naked on the bed, my body doesn't want repair, but longs for innocence. If innocent, despite the flaws I wear, I am beautiful. Sheila Black is a poet and children's book writer. In 2012, Poet Laureate Philip Levine chose her as a recipient of the Witter Bynner Fellowship. Disability activist Jennifer Bartlett is a poet and critic with roots in the Language school. Michael Northen is a poet and the editor of Wordgathering: A Journal of Poetics and Disability.
Beauty is a Verb
Author: Sheila BlackPublisher: Cinco Puntos Press
ISBN: 1935955373
Category : Poetry
Languages : en
Pages : 386
Book Description
Chosen by the American Library Association as a 2012 Notable Book in Poetry. Beauty is a Verb is a ground-breaking anthology of disability poetry, essays on disability, and writings on the poetics of both. Crip Poetry. Disability Poetry. Poems with Disabilities. This is where poetry and disability intersect, overlap, collide and make peace. "[BEAUTY IS A VERB] is going to be one of the defining collections of the 21st century...the discourse between ability, identity & poetry will never be the same." —Ron Silliman, author of In The American Tree "This powerful anthology succeeds at intimately showing...disability through the lenses of poetry. What emerges from the book as a whole is a stunningly diverse array of conceptions of self and other.”“br />—Publishers Weekly, starred review From "Beauty and Variations" by Kenny Fries: How else can I quench this thirst? My lips travel down your spine, drink the smoothness of your skin. I am searching for the core: What is beautiful? Who decides? Can the laws of nature be defied? Your body tells me: come close. But beauty distances even as it draws me near. What does my body want from yours? My twisted legs around your neck. You bend me back. Even though you can't give the bones at birth I wasn't given, I let you deep inside. You give me—what? Peeling back my skin, you expose my missing bones. And my heart, long before you came, just as broken. I don't know who to blame. So each night, naked on the bed, my body doesn't want repair, but longs for innocence. If innocent, despite the flaws I wear, I am beautiful. Sheila Black is a poet and children's book writer. In 2012, Poet Laureate Philip Levine chose her as a recipient of the Witter Bynner Fellowship. Disability activist Jennifer Bartlett is a poet and critic with roots in the Language school. Michael Northen is a poet and the editor of Wordgathering: A Journal of Poetics and Disability.
Momentous Inconclusions
Author: Jennifer BartlettPublisher: University of New Mexico Press
ISBN: 0826362117
Category : Poets, American
Languages : en
Pages : 308
Book Description
The essays in this collection examine the breadth of Eigner's interests and influence, considering issues pertaining to ecopoetics, race and ethnicity, disability, technology, media, soundscapes, phenomenology, and popular culture.
Sustaining Air
Author: Jennifer BartlettPublisher: University of Alabama Press
ISBN: 0817360816
Category : Biography & Autobiography
Languages : en
Pages : 198
Book Description
"The American poet Larry Eigner (1927-1996) is the subject of a true renaissance in recent literary scholarship. Until recently, Eigner was relegated to a peripheral place next to the work of his friends and fellow poets Robert Creeley and Charles Olson. Eigner was nonetheless a key figure in the "New American Poetry" that grew from the Black Mountain School and the San Francisco Renaissance, and a major influence on the l-a-n-g-u-a-g-e poets who followed in their footsteps. Eigner suffered from cerebral palsy his entire life, limiting his mobility and his ability to communicate both verbally and in writing, and yet he went on to make a place for himself as one of the most prolific and innovative American poets of the late twentieth century. In 2010, the University of California Press published The Collected Poems of Larry Eigner in a four-volume set that runs to 1,868 pages, meant principally for libraries and collectors. In 2016, the University of Alabama Press published Calligraphy Typewriters: The Selected Poems of Larry Eigner, a more affordable paperback of the poet's most significant work, meant for a popular readership and the classroom. Other volumes have followed, among them Momentous Inconclusions: The Life and Work of Larry Eigner (University of New Mexico Press, 2021), a gathering of critical appreciations of Eigner's work and legacy, and George Hart's Finding the Weight of Things: Larry Eigner's Ecrippoetics (forthcoming, University of Alabama Press, 2022). While each of these volumes makes available either Eigner's poetry or critical studies of his work, none of them have ever presented a comprehensive biography of the poet, other than the biographical context necessary for the framing of each volume. Jennifer Bartlett's The Sustaining Air will be the first single-volume biographical account of Eigner's life. Bartlett-a poet, teacher, and life-long disability advocate who herself lives with cerebral palsy-covers every significant phase of Eigner's life: his childhood and young adulthood in Swampscott, Massachusetts, where he began typing poems with one finger on the manual typewriter that was a bar mitzvah gift; his first publications and the maturation of his poetic interests through correspondence with many noteworthy poets of the era; how he and his family contended with his disability both before and after his move to Berkeley, California, and the ever-expanding circle of friends, poets, caretakers, and collaborators that he established there. The result is a deft, incisive, and inspiring account of a singular figure and voice in postwar American poetry"--