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Author: Jennifer Bartlett Publisher: University of New Mexico Press ISBN: 0826362117 Category : Poets, American Languages : en Pages : 308
Book Description
The essays in this collection examine the breadth of Eigner's interests and influence, considering issues pertaining to ecopoetics, race and ethnicity, disability, technology, media, soundscapes, phenomenology, and popular culture.
Author: Jennifer Bartlett Publisher: University of New Mexico Press ISBN: 0826362117 Category : Poets, American Languages : en Pages : 308
Book Description
The essays in this collection examine the breadth of Eigner's interests and influence, considering issues pertaining to ecopoetics, race and ethnicity, disability, technology, media, soundscapes, phenomenology, and popular culture.
Author: Larry Eigner Publisher: University of Alabama Press ISBN: 0817358749 Category : Poetry Languages : en Pages : 376
Book Description
The first and only single-volume collection of Larry Eigner’s most significant poems, gathering in one place the most celebrated of the several thousand poems that constitute his remarkable life’s work Larry Eigner began writing poetry at age eight and was first published at age nine. Revered by poets and artists across a broad spectrum of generations and schools, Eigner’s remarkably moving poetry was created through enormous effort: because of severe physical disabilities, he produced his texts by typing with only one index finger and thumb on a 1940 Royal manual typewriter, creating a body of work that is unparalleled in its originality. Calligraphy Typewriters showcases the most celebrated of Eigner's several thousand poems, which are an important part of the Black Mountain/Projectivist movement that began in the 1950s and which remain a primary inspiration for many younger writers, including those in the Language movement that began in the 1970s. In its two sections—Swampscott and Berkeley, named for the two locales where Eigner lived and worked—the volume traces his fantastic perception of the ordinary and his zeal for language. Eigner’s use of visual space, metaphor, and description provide fascinating insights into both his own life and the world that surrounded him. This volume maintains the distinctive visual spacing of his original typescripts, reminders of his method, aesthetic sensibility, and creative ability to compose on the typewriter. A collection that reimagines the ordinary, Calligraphy Typewriters is the definitive selection of Eigner’s poems, and will serve well not only poets and students of poetry, but readers and writers of every vein.
Author: George Hart Publisher: University of Alabama Press ISBN: 0817321136 Category : Literary Criticism Languages : en Pages : 218
Book Description
"A critical study of the poetry of Larry Eigner through the lens of both disability studies and ecopoetics, forming the basis of an "ecrippoetics.""--
Author: Matthew Hofer Publisher: University of New Mexico Press ISBN: 0826360661 Category : Literary Collections Languages : en Pages : 336
Book Description
Bruce Andrews and Charles Bernstein released the first issue of the poetics newsletter L=A=N=G=U=A=G=E in 1978, launching language-centered writing. The Language Letters reveals Language poetry in its nascent stage, with letters written by Andrews, Bernstein, Ron Silliman, and others in intense and intimate conversation regarding poetry and poetics; the contemporary poetry and arts scenes; publication venues, journals, and magazines; and issues of community, camaraderie, and friendship. The editors have included two critical introductions, two interviews with Bernstein and Andrews, and appendices that include a previously unpublished essay on Larry Eigner by Robert Grenier and short biographies of the major authors. Written between 1970 and 1978, these letters detail the development of the concepts and styles that came to define one of the most influential movements in post-1960s writing. Scholars, writers, and students of poetry will find this collection essential to understanding this important period of literary history.
Author: Jennifer Bartlett Publisher: Cinco Puntos Press ISBN: 1935955055 Category : Literary Collections Languages : en Pages : 386
Book Description
Chosen by the American Library Association as a 2012 Notable Book in Poetry. Beauty is a Verb is a ground-breaking anthology of disability poetry, essays on disability, and writings on the poetics of both. Crip Poetry. Disability Poetry. Poems with Disabilities. This is where poetry and disability intersect, overlap, collide and make peace. " BEAUTY IS A VERB] is going to be one of the defining collections of the 21st century...the discourse between ability, identity & poetry will never be the same." --Ron Silliman, author of In The American Tree "This powerful anthology succeeds at intimately showing...disability through the lenses of poetry. What emerges from the book as a whole is a stunningly diverse array of conceptions of self and other."--Publishers Weekly, starred review From "Beauty and Variations" by Kenny Fries: How else can I quench this thirst? My lips travel down your spine, drink the smoothness of your skin. I am searching for the core: What is beautiful? Who decides? Can the laws of nature be defied? Your body tells me: come close. But beauty distances even as it draws me near. What does my body want from yours? My twisted legs around your neck. You bend me back. Even though you can't give the bones at birth I wasn't given, I let you deep inside. You give me--what? Peeling back my skin, you expose my missing bones. And my heart, long before you came, just as broken. I don't know who to blame. So each night, naked on the bed, my body doesn't want repair, but longs for innocence. If innocent, despite the flaws I wear, I am beautiful. Sheila Black is a poet and children's book writer. In 2012, Poet Laureate Philip Levine chose her as a recipient of the Witter Bynner Fellowship. Disability activist Jennifer Bartlett is a poet and critic with roots in the Language school. Michael Northen is a poet and the editor of Wordgathering: A Journal of Poetics and Disability.
Author: Raphael Allison Publisher: University of Iowa Press ISBN: 1609383044 Category : Literary Criticism Languages : en Pages : 273
Book Description
Bodies on the Line offers the first sustained study of the poetry reading in its most formative period: the 1960s. Raphael Allison closely examines a vast archive of audio recordings of several key postwar American poets to explore the social and literary context of the sixties poetry reading, which is characterized by contrasting differing styles of performance: the humanist style and the skeptical strain. The humanist style, made mainstream by the Beats and their imitators, is characterized by faith in the power of presence, emotional communion, and affect. The skeptical strain emphasizes openness of interpretation and multivalent meaning, a lack of stability or consistency, and ironic detachment. By comparing these two dominant styles of reading, Allison argues that attention to sixties poetry readings reveals poets struggling between the kind of immediacy and presence that readings suggested and a private retreat from such performance-based publicity, one centered on the text itself. Recordings of Robert Frost, Charles Olson, Gwendolyn Brooks, Larry Eigner, and William Carlos Williams—all of whom emphasized voice, breath, and spoken language and who were inveterate professional readers in the sixties—expose this struggle in often surprising ways. In deconstructing assertions about the role and importance of the poetry reading during this period, Allison reveals just how dramatic, political, and contentious poetry readings could be. By discussing how to "hear" as well as "read" poetry, Bodies on the Line offers startling new vantage points from which to understand American poetry since the 1960s as both performance and text.
Author: Sylvia Plath Publisher: HarperCollins ISBN: 0062669451 Category : Poetry Languages : en Pages : 388
Book Description
Pulitzer Prize winner Sylvia Plath’s complete poetic works, edited and introduced by Ted Hughes. By the time of her death on 11, February 1963, Sylvia Plath had written a large bulk of poetry. To my knowledge, she never scrapped any of her poetic efforts. With one or two exceptions, she brought every piece she worked on to some final form acceptable to her, rejecting at most the odd verse, or a false head or a false tail. Her attitude to her verse was artisan-like: if she couldn’t get a table out of the material, she was quite happy to get a chair, or even a toy. The end product for her was not so much a successful poem, as something that had temporarily exhausted her ingenuity. So this book contains not merely what verse she saved, but—after 1956—all she wrote. — Ted Hughes, from the Introduction
Author: Jennifer Bartlett
Author: Jennifer Bartlett
Author: Larry Eigner
Author: Larry Eigner
Author: Larry Eigner
Author: George Hart
Author: Matthew Hofer
Author: Jennifer Bartlett
Author: Raphael Allison
Author: Sylvia Plath
Author: Larry Eigner