Largillierre and the Eighteenth-century Portrait PDF Download

Author: Myra Nan Rosenfeld
Publisher: Musee Des Beaux-Arts de Montreal
ISBN:
Category : Art
Languages : en
Pages : 422

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Author: Myra Nan Rosenfeld
Publisher: Musee Des Beaux-Arts de Montreal
ISBN:
Category : Art
Languages : en
Pages : 436

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Author: National Gallery of Art (U.S.)
Publisher: Princeton University Press
ISBN:
Category : Painting
Languages : en
Pages : 556

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Book Description
"This illustrated book, written by leading scholars and the result of years of research and technical analysis, catalogues nearly one hundred paintings, from works by Francois Clouet in the sixteenth century to paintings by Elisabeth Louise Vigee Le Brun in the eighteenth. All these works are explored in detailed, readable entries that will appeal as much to the general art lover as to the specialist." --Book Jacket.

Author: Yuriko Jackall
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848222342
Category : Art
Languages : en
Pages : 0

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Book Description
"The exhibition is organized by the National Gallery of Art, Washington."

Author: Katharine Baetjer
Publisher: Metropolitan Museum of Art
ISBN: 1588396614
Category : Art
Languages : en
Pages : 413

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Book Description
This publication catalogues The Met’s remarkable collection of eighteenth-century French paintings in the context of the powerful institutions that governed the visual arts of the time—the Académie Royale de Peinture et de Sculpture, the Académie de France à Rome, and the Paris Salon. At the height of their authority during the eighteenth century, these institutions nurtured the talents of artists in all genres. The Met’s collection encompasses stunning examples of work by leading artists of the period, including Antoine Watteau (Mezzetin), Jean Siméon Chardin (The Silver Tureen), François Boucher (The Toilette of Venus), Joseph Siffred Duplessis (Benjamin Franklin), Jean-Baptiste Greuze (Broken Eggs), Hubert Robert (the Bagatelle decorations), Jacques Louis David (The Death of Socrates), the Van Blarenberghes (The Outer Port of Brest), and François Gérard (Charles Maurice de Talleyrand-Périgord). In the book’s introduction, author Katharine Baetjer provides a history of the Académie, its establishment, principles, and regulations, along with a discussion of the beginnings of public art discourse in France, taking us through the reforms unleashed by the Revolution. The consequent democratizing of the Salon, brought about by radicals under the leadership of Jacques Louis David, encouraged the formation of new publics with new tastes in subject matter and genres. The catalogue features 126 paintings by 50 artists. Each section includes a short biography of the artist and in-depth discussions of individual paintings incorporating the most up-to-date scholarship.

Author: Nelson-Atkins Museum of Art
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 496

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Book Description
"This extraordinary book is the first in a projected series of specialized catalogues documenting the permanent collections of The Nelson-Atkins Museum of Art in Kansas City, Missouri. The collection of Italian paintings, a total of sixty works, is a representative one for the years 1300-1800 with significant examples from all major schools." "Each catalogue entry, written by Eliot W. Rowlands, includes a thorough and lively biography on the artist; complete technical notes and a detailed description; a fully documented commentary with a discussion of attribution, date, subject, and function; an exacting list of references that also summarizes the critical history of each work; and a full account of exhibition history and provenance. All the Italian paintings in the Nelson-Atkins collection are reproduced in full color, and there are over 200 black-and-white comparative illustrations."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Author: Jayne Wrightsman
Publisher: Metropolitan Museum of Art
ISBN: 1588391442
Category : Art
Languages : en
Pages : 454

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Book Description
This lavish catalogue presents 150 European paintings, pastels, and drawings from the late fifteenth to the mid-nineteenth century that have been given to the Metropolitan Museum by Mr. and Mrs. Charles Wrightsman or are still held in Mrs. Wrightsman's private collection. These notable works were collected over the past four decades, many of them with the Museum in mind; some were purchased by the Museum through the Wrightsman Fund. Highlights of the book include masterpieces by Vermeer, El Greco, Rubens, Van Dyck, Georges de La Tour, Jacques-Louis David, and Caspar David Friedrich as well as numerous paintings by the eighteenth-century Venetian artists Canaletto, Guardi, and the Tiepolos, father and son, plus a dozen remarkable portrait drawings by Ingres. Each work is reproduced in color and is accompanied by a short essay.

Author: Hannah Williams
Publisher: Routledge
ISBN: 1351577808
Category : Art
Languages : en
Pages : 496

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Book Description
From its establishment in 1648 until its disbanding in 1793 after the French Revolution, the Acad?e Royale de Peinture et de Sculpture was the centre of the Parisian art world. Taking the reader behind the scenes of this elite bastion of French art theory, education, and practice, this engaging study uncovers the fascinating histories - official and unofficial - of that artistic community. Through an innovative approach to portraits - their values, functions, and lives as objects - this book explores two faces of the Acad?e. Official portraits grant us insider access to institutional hierarchies, ideologies, rituals, customs, and everyday experiences in the Acad?e's Louvre apartments. Unofficial portraits in turn reveal hidden histories of artists' personal relationships: family networks, intimate friendships, and bitter rivalries. Drawing on both art-historical and anthropological frames of analysis, this book offers insightful interpretations of portraits read through and against documentary evidence from the archives to create a rich story of people, places, and objects. Theoretically informed, rigorously researched, and historically grounded, this book sheds new light on the inner workings of the Acad?e. Its discoveries and compelling narrative make an invaluable and accessible contribution to our understanding of this pre-eminent European institution and the social lives of artists in early modern Paris.

Author: Elise Goodman
Publisher: Univ of California Press
ISBN: 9780520217942
Category : Art
Languages : en
Pages : 232

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Book Description
"An immensely eloquent tour de force, demonstrating the complex and often contradictory position of women in both intellectual and visual culture. Goodman examines Pompadour as an icon of court culture who simultaneously represents sexuality and the life of the mind. The paintings are the visual record of a remarkable and self-conscious fashioning of femininity." --Dympna Callaghan, author of Feminist Companion to Shakespeare "Elise goodman's stimulating and richly illustrated study recovers the visual record of women's place in the French Enlightenment. She traces a trend, engineered as much by the women themselves as by the artists who painted them, in which learning joins beauty to create a new iconography of female portraiture." --Susan S Lanser, author of Fictions of Authority: Women Writers and Narrative Voice.

Author: Daniëlle Kisluk-Grosheide
Publisher: Metropolitan Museum of Art
ISBN: 1588396223
Category : Art
Languages : en
Pages : 396

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Book Description
What was it like to visit one of the most magnificent courts of Europe? Based on a wealth of contemporary documents and surviving works of art, this lavish book explores the experiences of those who swarmed the palace and grounds of Versailles when it was the seat of the French monarchy. Engaging essays describe methods of transportation, the elaborate codes of dress and etiquette, precious diplomatic gifts, royal audiences, and tours of the palace and gardens. Also presented are the many types of visitors and guests who eagerly made their way to this center of power and culture, including day-trippers and Grand Tourists, European diplomats, overseas ambassadors, incognito travelers, and Americans. Through paintings and portraits, furniture, costumes and uniforms, arms and armor, guidebooks, and other works of art, Visitors to Versailles illuminates what travelers encountered at court and what impressions, gifts, and souvenirs they took home with them. In bringing to life their experiences, this sumptuously illustrated volume reminds us why Versailles has enchanted generations of visitors from the ancien régime to the present day.