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Author: Denise Von Glahn Publisher: University of Illinois Press ISBN: 0252052951 Category : Music Languages : en Pages : 569
Book Description
Composers like Charles Ives, Duke Ellington, Aaron Copland, and Ellen Taaffe Zwilich created works that indelibly commemorated American places. Denise Von Glahn analyzes the soundscapes of fourteen figures whose "place pieces" tell us much about the nation's search for its own voice and about its ever-changing sense of self. She connects each composer's feelings about the United States and their reasons for creating a piece to the music, while analyzing their compositional techniques, tunes, and styles. Approaching the compositions in chronological order, Von Glahn reveals how works that celebrated the wilderness gave way to music engaged with humanity's influence--benign and otherwise--on the landscape, before environmentalism inspired a return to nature themes in the late twentieth century. Wide-ranging and astute, The Sounds of Place explores high art music's role in the making of national myth and memory.
Author: Denise Von Glahn Publisher: University of Illinois Press ISBN: 0252052951 Category : Music Languages : en Pages : 569
Book Description
Composers like Charles Ives, Duke Ellington, Aaron Copland, and Ellen Taaffe Zwilich created works that indelibly commemorated American places. Denise Von Glahn analyzes the soundscapes of fourteen figures whose "place pieces" tell us much about the nation's search for its own voice and about its ever-changing sense of self. She connects each composer's feelings about the United States and their reasons for creating a piece to the music, while analyzing their compositional techniques, tunes, and styles. Approaching the compositions in chronological order, Von Glahn reveals how works that celebrated the wilderness gave way to music engaged with humanity's influence--benign and otherwise--on the landscape, before environmentalism inspired a return to nature themes in the late twentieth century. Wide-ranging and astute, The Sounds of Place explores high art music's role in the making of national myth and memory.
Author: Jean Ferris Publisher: WCB/McGraw-Hill ISBN: Category : Music Languages : en Pages : 368
Book Description
This text addresses the broad range of music in the United States from early periods to today, presenting this rich tapestry of sound in its historical and cultural context. Its reasonable length, readability, and logical organization make the text a useful and attractive means of furthering appreciation of the musical heritage of the United States. Frequent connections to other arts, particularly the visual arts, add to the book's appeal and enhance understanding of core musical concepts. The text also offers an elegant and readable introduction to the fundamentals of music. To order the text packaged with a set of three CDs of recorded examples, at a discounted price, use ISBN 0-07-304387-7.
Author: Em Marshall Publisher: Robert Hale ISBN: 9780709084686 Category : Composers Languages : en Pages : 0
Book Description
'Music in the Landscape' is an exuberant celebration of British composers and the landscape. It explores the lives of some of our nation's greatest musical names and sets them within the context of the rich variety of their native countryside.
Author: Deforia Lane Publisher: Zondervan ISBN: 9780310206606 Category : Biography & Autobiography Languages : en Pages : 232
Book Description
This is the miraculous story of a music therapist who treats terminally ill and mentally handicapped patients with the medicine of music.
Author: David Nicholas Buck Publisher: Taylor & Francis ISBN: 1351804960 Category : Architecture Languages : en Pages : 215
Book Description
1. In an open field -- 2. A parallel history of time in music and landscape -- 3. Horizons -- 4. Clouds -- 5. Meadows -- 6. Busoni's garden.
Author: Paul Watt Publisher: Oxford University Press ISBN: 0190616938 Category : Music Languages : en Pages : 569
Book Description
Rarely studied in their own right, writings about music are often viewed as merely supplemental to understanding music itself. Yet in the nineteenth century, scholarly interest in music flourished in fields as disparate as philosophy and natural science, dramatically shifting the relationship between music and the academy. An exciting and much-needed new volume, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century draws deserved attention to the people and institutions of this period who worked to produce these writings. Editors Paul Watt, Sarah Collins, and Michael Allis, along with an international slate of contributors, discuss music's fascinating and unexpected interactions with debates about evolution, the scientific method, psychology, exoticism, gender, and the divide between high and low culture. Part I of the handbook establishes the historical context for the intellectual world of the period, including the significant genres and disciplines of its music literature, while Part II focuses on the century's institutions and networks - from journalists to monasteries - that circulated ideas about music throughout the world. Finally, Part III assesses how the music research of the period reverberates in the present, connecting studies in aestheticism, cosmopolitanism, and intertextuality to their nineteenth-century origins. The Handbook challenges Western music history's traditionally sole focus on musical work by treating writings about music as valuable cultural artifacts in themselves. Engaging and comprehensive, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century brings together a wealth of new interdisciplinary research into this critical area of study.
Author: Publisher: ISBN: 9781954877030 Category : Languages : en Pages :
Book Description
Electronic Landscapes: Music, Space and Resistance in Detroit (EL) celebrates Detroit's techno, house and hip-hop musicians who construct home studios, renovate buildings and sustain community despite increasing pressure from land development and speculation. It sheds a fresh light on the city's cultural significance and further contextualizes its current resurgence. Readers are invited to glimpse rarely seen aspects of Detroit's electronic music culture, and to reflect on historic and contemporary places in Detroit's landscape related to it. Featured musicians discuss their process and the significant link between race, space and cultural production, a theme expanded upon in critical texts by scholars Dora Apel and Carla Vecchiola, and internationally renowned DJ, John Collins.
Author: Richard Crawford Publisher: Univ of California Press ISBN: 0520224825 Category : Biography & Autobiography Languages : en Pages : 403
Book Description
"This book reflects a breakthrough in American music studies, an unrecognized field among traditional musicologists until the past few decades, during which enormous progress has been made in documenting three centuries of American musical activities and figures. Time and effort had to be expended exclusively on the development of basic historical studies. The time has come for a new phase, one that can take a creative, interpretive approach. Professor Crawford's study will introduce this higher level of scholarship into the field of American music studies."—Vivian Perlis, author of Charles Ives Remembered "A major statement by a senior scholar on what American musicology is all about. . . These themes are also topical; they come at a time when much more research is being done in American music, but little thought is being given to the big picture, the vision, the philosophy, and the implications of historical research. Now is the time for a synthesis, and there are few scholars better equipped to do that in American music than Richard Crawford."—Michael Broyles, author of Music of the Highest Class
Author: David Grubbs Publisher: Duke University Press ISBN: 0822377101 Category : Music Languages : en Pages : 367
Book Description
John Cage's disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the Landscape, David Grubbs argues that, following Cage, new genres in experimental and avant-garde music in the 1960s were particularly ill suited to be represented in the form of a recording. These activities include indeterminate music, long-duration minimalism, text scores, happenings, live electronic music, free jazz, and free improvisation. How could these proudly evanescent performance practices have been adequately represented on an LP? In their day, few of these works circulated in recorded form. By contrast, contemporary listeners can encounter this music not only through a flood of LP and CD releases of archival recordings but also in even greater volume through Internet file sharing and online resources. Present-day listeners are coming to know that era's experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings. In Records Ruin the Landscape, Grubbs surveys a musical landscape marked by altered listening practices.
Author: Denise Von Glahn
Author: Denise Von Glahn
Author: Jean Ferris
Author: Em Marshall
Author: Deforia Lane
Author: David Nicholas Buck
Author: Paul Watt
Author: 
Author: Richard Crawford
Author: David Grubbs
Author: Frederick Law Olmsted