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Author: David Brown Publisher: Reaktion Books ISBN: 1780236441 Category : Architecture Languages : en Pages : 272
Book Description
Lancelot 'Capability' Brown is often thought of as an innovative genius who single-handedly pioneered a new, 'naturalistic' style of landscape design. But he was only one of many landscape designers in Georgian England, albeit the most commercially successful. Published to tie in with the tercentenary of Brown's birth, Lancelot Brown and the Capability Men casts important new light on his world-renowned work, his eventful life and the business of landscape design in Georgian England. There is no evidence that Brown actually invented the style with which his name is now so closely associated - it was simply the style of the times. He was the head of a complex business that could supply clients with a whole design 'package', which included new greenhouses, kitchen gardens and land drainage schemes. This innovative book investigates the nature and organization of Brown's business, and draws insightful comparisons with similar providers of 'taste' such as the Adam brothers, Thomas Chippendale and Josiah Wedgwood. Illustrated with over 120 images, this beautiful book shows that Brown's style, like the organization of his business, was the product of a distinctly modern world.
Author: David Brown Publisher: Reaktion Books ISBN: 1780236441 Category : Architecture Languages : en Pages : 272
Book Description
Lancelot 'Capability' Brown is often thought of as an innovative genius who single-handedly pioneered a new, 'naturalistic' style of landscape design. But he was only one of many landscape designers in Georgian England, albeit the most commercially successful. Published to tie in with the tercentenary of Brown's birth, Lancelot Brown and the Capability Men casts important new light on his world-renowned work, his eventful life and the business of landscape design in Georgian England. There is no evidence that Brown actually invented the style with which his name is now so closely associated - it was simply the style of the times. He was the head of a complex business that could supply clients with a whole design 'package', which included new greenhouses, kitchen gardens and land drainage schemes. This innovative book investigates the nature and organization of Brown's business, and draws insightful comparisons with similar providers of 'taste' such as the Adam brothers, Thomas Chippendale and Josiah Wedgwood. Illustrated with over 120 images, this beautiful book shows that Brown's style, like the organization of his business, was the product of a distinctly modern world.
Author: David Brown Publisher: Reaktion Books ISBN: 1780236921 Category : Architecture Languages : en Pages : 272
Book Description
Lancelot “Capability” Brown is often thought of as the innovative genius who single-handedly pioneered a new, naturalistic style of landscape design, but he was in fact only one of many landscape designers in Georgian England. Published to commemorate the three hundredth anniversary of Brown’s birth, this book casts important new light on his world-renowned work, his eventful life, and the wider and robust world of landscape design in Georgian England. David Brown and Tom Williamson argue that Brown was one of the most successful designers of his time working in a style that was otherwise widespread—and that it was his skill with this style, and not his having invented it, that linked his name to it. The authors look closely at Brown’s design business and the products he offered clients, showing that his design packages helped define the era’s aesthetic. They compare Brown’s business to those of similar designers such as the Adam brothers, Thomas Chippendale, and Josiah Wedgwood, and they contextualize Brown’s work within the wider contexts of domestic planning and the rise of neoclassicism. Beautifully illustrated throughout, this book celebrates the work of a master designer who was both a product and harbinger of the modern world.
Author: Jonathan Finch Publisher: White Rose University Press ISBN: 1912482258 Category : Social Science Languages : en Pages : 241
Book Description
Lancelot “Capability” Brown was one of the most influential landscape designers of the eighteenth-century at a time when Britain was changing radically from an agrarian to an industrial and colonial nation, whilst Europe was periodically convulsed by war and revolution. The extent and nature of his influence are, however, fiercely debated. Brown worked at hundreds of important sites across England and his name became synonymous with the “English Garden” style which was copied across Northern Europe and entranced Catherine the Great, who remodelled her landscapes in St Petersburg to reflect the new style. He was fêted in his time, and recognised by the Crown, but Brown’s style was readily copied over his later life and particularly after his death. Arguably, this ubiquity led to the denigration of his achievements and even his character, particularly by the agents of the Picturesque. The lack of any personal primary material from Brown - forcing scholars to rely on his landscapes, contracts and bank accounts - has hindered attempts to provide a rounded and credible account of the man and his works. However, by exploring his team of associates and his role as Royal Gardener, new light can be thrown on the man, his landscapes and his landscape legacy. Bringing together a number of perspectives from across Northern Europe, Capability Brown, Royal Gardener explores the lasting international impact of Brown. With Brown’s position as Royal Gardener at its heart, this book explores for the first time his business methods, working methods and European influence. It assesses how, crucially, Brown’s work practices placed him within the world of nurserymen and landscape designers, and how his business practices and long term relationships with draughtsmen and designers allowed him to manage a huge number of projects and a substantial financial turnover. This, in turn, allowed him to work in a way that promoted and advanced his style of landscape. Edited by Professor Jonathan Finch (University of York) and Dr Jan Woudstra (University of Sheffield), and with a varied range of engaging contributors drawn internationally from archaeology, art history, history and landscape architecture, Capability Brown, Royal Gardener weaves together strands from across a broad range of disciplinary interests. It makes an important contribution to the scholarly discussion of Brown’s work, the work of his collaborators, and legacy in the UK and across Northern Europe. Relevant to students and academics at all levels, this volume throws new light on Capability Brown and his impact on the business of place-making in Northern Europe.
Author: John Phibbs Publisher: English Heritage ISBN: 1848023669 Category : Architecture Languages : en Pages : 384
Book Description
Lancelot ‘Capability’ Brown (1716-1783) is the iconic figure at the head of the English landscape style, a tradition that has dominated landscape design in the western world. He was widely acclaimed for his genius in his own day and his influence on the culture of England has arguably been as great as that of Turner, Telford and Wordsworth. Yet, although Brown has had his biographers, his work has generated very little analysis. Brown was prolific; he has had a direct influence on half a million acres of England and Wales. The astonishing scale of his work means that he did not just transform the English countryside, but also our idea of what it is to be English and what England is. His work is everywhere, but goes largely unnoticed. His was such a naturalistic style that all his best work was mistaken for untouched nature. This has made it very difficult to see and understand. Visitors to Brown landscapes do not question the existence of the parkland he created and there has been little professional or academic analysis of his work. This book for the first time looks at the motivation behind Brown’s landscapes and questions their value and structure whilst at the same time placing him within the English landscape tradition. It aims primarily to make landscape legible, to show people where to stand, what to look at and how to see.
Author: Jocelyn Anderson Publisher: Bloomsbury Publishing USA ISBN: 1501334972 Category : Art Languages : en Pages : 265
Book Description
Over the course of the long 18th century, many of England's grandest country houses became known for displaying noteworthy architecture and design, large collections of sculptures and paintings, and expansive landscape gardens and parks. Although these houses continued to function as residences and spaces of elite retreat, they had powerful public identities: increasingly accessible to tourists and extensively described by travel writers, they began to be celebrated as sites of great importance to national culture. This book examines how these identities emerged, repositioning the importance of country houses in 18th-century Britain and exploring what it took to turn them into tourist attractions. Drawing on travel books, guidebooks, and dozens of tourists' diaries and letters, it explores what it meant to tour country houses such as Blenheim Palace, Chatsworth, Wilton, Kedleston and Burghley in the tumultuous 1700s. It also questions the legacies of these early tourists: both as a critical cultural practice in the 18th century and an extraordinary and controversial influence in British culture today, country-house tourism is a phenomenon that demands investigation.
Author: Tom Williamson Publisher: Reaktion Books ISBN: 1789143004 Category : Gardening Languages : en Pages : 310
Book Description
Humphry Repton (1752–1818) remains one of England’s most interesting and prolific garden and landscape designers. Renowned for his innovative design proposals and distinctive before-and-after images, captured in his famous “Red Books,” Repton’s astonishing career represents the link between the simple parklands of his predecessor Capability Brown and the more elaborate, structured, and formal landscapes of the Victorian age. This lavishly illustrated book, based on a wealth of new research, reinterprets Repton’s life, working methods, and designs, and examines why they proved so popular in a rapidly changing world.
Author: John Dixon Hunt Publisher: Reaktion Books ISBN: 1789146097 Category : Art Languages : en Pages : 213
Book Description
From literature to landscape architecture, an expansive, contemplative exploration of the significance of place. For ancient Romans, genius loci was literally “the genius of the place,” the presiding divinity who inhabited a site and gave it meaning. While we are less attuned to divinity today, we still sense that a place has significance. In this book, eminent garden historian John Dixon Hunt explores genius loci in many settings, including contemporary land art, the paintings of Paul and John Nash, travel writers such as Henry James, Paul Theroux, and Lawrence Durrell on Provence, Mexico, and Cyprus, and landscape architects who invent new meanings for a site. This book is a nuanced, thoughtful exploration of how places become more significant to us through the myriad ways we see, talk about, and remember them.
Author: Liz Bellamy Publisher: University of Pennsylvania Press ISBN: 0812295838 Category : Literary Criticism Languages : en Pages : 256
Book Description
In The Language of Fruit, Liz Bellamy explores how poets, playwrights, and novelists from the Restoration to the Romantic era represented fruit and fruit trees in a period that saw significant changes in cultivation techniques, the expansion of the range of available fruit varieties, and the transformation of the mechanisms for their exchange and distribution. Although her principal concern is with the representation of fruit within literary texts and genres, she nevertheless grounds her analysis in the consideration of what actually happened in the gardens and orchards of the past. As Bellamy progresses through sections devoted to specific literary genres, three central "characters" come to the fore: the apple, long a symbol of natural abundance, simplicity, and English integrity; the orange, associated with trade and exchange until its "naturalization" as a British resident; and the pineapple, often figured as a cossetted and exotic child of indulgence epitomizing extravagant luxury. She demonstrates how the portrayal of fruits within literary texts was complicated by symbolic associations derived from biblical and classical traditions, often identifying fruit with female temptation and sexual desire. Looking at seventeenth-century poetry, Restoration drama, eighteenth-century georgic, and the Romantic novel, as well as practical writings on fruit production and husbandry, Bellamy shows the ways in which the meanings and inflections that accumulated around different kinds of fruit related to contemporary concepts of gender, class, and race. Examining the intersection of literary tradition and horticultural innovation, The Language of Fruit traces how writers from Andrew Marvell to Jane Austen responded to the challenges posed by the evolving social, economic, and symbolic functions of fruit over the long eighteenth century.
Author: Jennifer Milam Publisher: Bloomsbury Publishing ISBN: 1350259330 Category : History Languages : en Pages : 257
Book Description
A Cultural History of Plants in the Seventeenth and Eighteenth Centuries covers the period from 1650 to 1800,a time of global exploration and the discovery of new species of plants and their potential uses. Trade routes were established which brought Europeans into direct contact with the plants and people of Asia, Oceania, Africa and the Americas. Foreign and exotic plants become objects of cultivation, collection, and display, whilst the applications of plants became central not only to naturalists, landowners, and gardeners but also to philosophers, artists, merchants, scientists, and rulers. As the Enlightenment took hold, the natural world became something to be grasped through reasoned understanding. The 6 volume set of the Cultural History of Plants presents the first comprehensive history of the uses and meanings of plants from prehistory to today. The themes covered in each volume are plants as staple foods; plants as luxury foods; trade and exploration; plant technology and science; plants and medicine; plants in culture; plants as natural ornaments; the representation of plants. Jennifer Milam is Pro Vice-Chancellor and Professor of Art History, University of Newcastle, Australia. Volume 4 in the Cultural History of Plants set. General Editors: Annette Giesecke, University of Delaware, USA, and David Mabberley, University of Oxford, UK.
Author: David Brown
Author: David Brown
Author: David Brown
Author: Jonathan Finch
Author: John Phibbs
Author: Stephen Bending
Author: Jocelyn Anderson
Author: Tom Williamson
Author: John Dixon Hunt
Author: Liz Bellamy
Author: Jennifer Milam