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Author: Brian McFarlane Publisher: Manchester University Press ISBN: 1526130491 Category : Performing Arts Languages : en Pages : 238
Book Description
In the years between 1941 and 1965, Lance Comfort made some of the most entertaining films in Britain. There was the striking success of his second feature as director, Hatter’s Castle (1941) and when he returned to this melodramatic vein in 1945 he made a series of highly proficient and enjoyable studies in obsession, including Bedelia (1946) with Margaret Lockwood as a murderess, and Temptation Harbour (1947) starring Robert Newton as a decent man in the grip of erotic attraction. Comfort’s career has never been charted in full – that is, from the apprenticeship in the 1930s, through the melodramas of the 1940s to the often rewarding co-features of the following two decades. His is in many ways a prototypical career in British cinema: his very attractive body of work has been marginalised by critical focus on a few giant figures. This is a book that will appeal to all students and researchers in British cinema, as well as to anyone with an interest in British films – and why they were the way they were – in their most productive period.
Author: Brian McFarlane Publisher: Manchester University Press ISBN: 1526130491 Category : Performing Arts Languages : en Pages : 238
Book Description
In the years between 1941 and 1965, Lance Comfort made some of the most entertaining films in Britain. There was the striking success of his second feature as director, Hatter’s Castle (1941) and when he returned to this melodramatic vein in 1945 he made a series of highly proficient and enjoyable studies in obsession, including Bedelia (1946) with Margaret Lockwood as a murderess, and Temptation Harbour (1947) starring Robert Newton as a decent man in the grip of erotic attraction. Comfort’s career has never been charted in full – that is, from the apprenticeship in the 1930s, through the melodramas of the 1940s to the often rewarding co-features of the following two decades. His is in many ways a prototypical career in British cinema: his very attractive body of work has been marginalised by critical focus on a few giant figures. This is a book that will appeal to all students and researchers in British cinema, as well as to anyone with an interest in British films – and why they were the way they were – in their most productive period.
Author: Barry Forshaw Publisher: Springer ISBN: 1137005033 Category : Performing Arts Languages : en Pages : 256
Book Description
A comprehensive social history of British crime film by the UK's principal expert on crime film and fiction Presenting a stunning social history of Britain through classic crime film, Barry Forshaw, one of the UK's leading experts on crime fiction and fiction, focuses on how crime films have portrayed our changing attitudes towards class, politics, sex, delinquency, violence and censorship. Focusing on these key issues, British Crime Film examines strategies used by film makers in order to address more radical notions of society's decline. Spanning post-war crime cinema, from Green for Danger to Get Carter, from The Lady Killers to Layer Cake, from The Long Good Friday to Lock, Stock and Two Smoking Barrels, British Crime Film contextualizes the movies and identifies important and neglected works which will delight and intrigue film fans of this well-loved genre.
Author: Jingan Young Publisher: Berghahn Books ISBN: 1805399314 Category : Performing Arts Languages : en Pages : 358
Book Description
Despite Soho’s rich cultural history, there remains an absence of work on the depiction of the popular neighbourhood in film. Soho on Screen provides one of the first studies of Soho within post-war British cinema. Drawing upon historical, cultural and urban studies of the area, this book explores twelve films and theatrically released documentaries from a filmography of over one hundred Soho set productions. While predominantly focusing on low-budget, exploitation films which are exemplars of British and international filmmaking, Young also offers new readings of star and director biographies, from Laurence Harvey to Emeric Pressburger, and in so doing enlivens discussion on filmmaking in a time and place of intense social transformation, technological innovation and growing permissiveness.
Author: Rachel Ember Publisher: Chestnut Press, LLC ISBN: 1735443085 Category : Fiction Languages : en Pages : 263
Book Description
It’s been a long, cold winter at Riverside Ranch, where Robbie has lived alone since his brothers moved away. Alone, that is, except for his three devious cats, four saddle horses, and the forty-eight mustangs that roam the ranch. Robbie is preparing for yet another snowfall when he gets the last call he expected—a plea to pick up Lance Taylor from the county jail. Lance wasn’t just his little brother’s best friend, he was a part of the family. Then, one night, after Lance asked Robbie for something Robbie couldn’t give, he ran away and never came back. Lance was sixteen and heartbroken when he left his middle-of-nowhere hometown. Six years later, he’s at rock bottom with nowhere else to go, and no one to turn to but Robbie, the man Lance has been inconveniently in love with for most of his life.
When Robbie offers Lance a place to stay, Lance expects a guest bedroom and awkward silences. Instead, he finds himself sharing Robbie’s one-room hayloft apartment and its single bed, while realizing that the old flame he carries for Robbie might not be so hopeless, after all. Long Winter is the first book in the Wild Ones series and has a happy-for-now ending. Robbie and Lance’s story continues in Signs of Spring. Praise for Long Winter "What a beautifully written story this is! There is an effortless elegance to Rachel Ember’s prose that I found myself sinking blissfully into, like a relaxing Sunday drive—or horseback ride, as it were. Robbie and Lucas are perfectly imperfect, their past complicated, and their desire a slow burn destined to ignite. They breathed from the page, and the setting was so real I felt like I could go to the ranch right now and see all of them. I will definitely be reading more from this author!" - L.C. Chase, author of Pickup Men "Long Winter is a gorgeously detailed, realistic contemporary drama full of angst and longing and set in the backdrop of a rural Nebraskan town in winter. A self-styled city boy, Lance, returns to his home town after the fallout from an abusive relationship with no one else to turn to other than his childhood crush, modern day cowboy/rancher, Robbie. Hot enough to warm your cold winter's night and threaded through with tender and sometimes painful childhood memories. Recommended for people who like realistic, character-driven stories with a heavy emotional current running throughout." - KP Maxwell, author of The Problem Client "An enchanting and heartwarming novel, with strong themes of family, love, and a long overdue second chance for two flawed but utterly lovable men. The setting was beautifully evocative, from the winter scenes, to life on the ranch, to the wild horses that watch over it all. I sank totally into the read and can’t wait for the next book from this author!" - Stella Shaw, author of Dante
Author: Andrew Spicer Publisher: Scarecrow Press ISBN: 0810873788 Category : Performing Arts Languages : en Pages : 533
Book Description
Film noir_literally 'black cinema'_is the label customarily given to a group of black and white American films, mostly crime thrillers, made between 1940 and 1959. Today there is considerable dispute about what are the shared features that classify a noir film, and therefore which films should be included in this category. These problems are partly caused because film noir is a retrospective label that was not used in the 1940s or 1950s by the film industry as a production category and therefore its existence and features cannot be established through reference to trade documents. The Historical Dictionary of Film Noir is a comprehensive guide that ranges from 1940 to present day neo-noir. It consists of a chronology, an introductory essay, a bibliography, a filmography, and over 400 cross-referenced dictionary entries on every aspect of film noir and neo-noir, including key films, personnel (actors, cinematographers, composers, directors, producers, set designers, and writers), themes, issues, influences, visual style, cycles of films (e.g. amnesiac noirs), the representation of the city and gender, other forms (comics/graphic novels, television, and videogames), and noir's presence in world cinema. It is an essential reference work for all those interested in this important cultural phenomenon.
Author: John Howard Reid Publisher: Lulu.com ISBN: 141167877X Category : Performing Arts Languages : en Pages : 331
Book Description
What is a mixed movie? A film to which artists of various nationalities contribute. Popular examples are "Land of the Pharaohs," "The Bridge on the River Kwai," "Casino Royale" and "The Sundowners." British players like Errol Flynn, Stewart Granger, Rex Harrison and James Mason have always been welcome in Hollywood. Not so well known are the numerous examples of American actors who lent their talents to British films, such as Robert Ayres, Phyllis Kirk, Mona Freeman, Frank Sinatra, Carol Lynley, William Bendix, Russ Tamblyn, William Holden, Raquel Welch, Joan Crawford, Gene Tierney, Van Johnson, Vincent Price, Tab Hunter, Alex Nicol, Zachary Scott, and Wayne Morris, to mention but a few such appearances that are detailed in this book.
Author: Melanie Bell Publisher: Bloomsbury Publishing ISBN: 0857712632 Category : Performing Arts Languages : en Pages : 241
Book Description
It's widely assumed that Britain in the 1950s experienced a return to traditional gender roles. Popular cinema has typically been seen to represent this era through the dominant image of the 'happy housewife'. "Femininity in the Frame" is a sharply observant account of how British cinema engaged with femininity and women's roles during this important period. Written in a lively and accessible manner, it challenges received understandings, arguing that the period was marked by social unease and anxiety about gender roles and femininity, with much British cinema producing ambiguous messages about feminine identities and the role of women. Through analysing marginalized figures, such as prostitutes, criminals and femmes fatales, and addressing central themes, notably sexuality, marriage and female friendship, Melanie Bell examines how British popular cinema imagined and constructed femininity in this era of rapid social and cultural change. She draws together sources ranging from official reports to film reviews, with case studies of films across genres, including "The Perfect Woman", "Young Wives' Tale", "The Weak and the Wicked" and "A Town Like Alice", to show how new ideas and understandings of femininity were seeping into the cultural imagery at this time. She demonstrates how such films expressed proto-feminist ideas and how they ultimately explored new forms of femininity in a manner that has not until now been recognised.
Author: Geoff Mayer Publisher: Scarecrow Press ISBN: 0810867699 Category : Performing Arts Languages : en Pages : 515
Book Description
The crime film genre consists of detective films, gangster films, suspense thrillers, film noir, and caper films and is produced throughout the world. Crime film was there at the birth of cinema, and it has accompanied cinema over more than a century of history, passing from silent films to talkies, from black-and-white to color. The genre includes such classics as The Maltese Falcon, The Godfather, Gaslight, The French Connection, and Serpico, as well as more recent successes like Seven, Drive, and L.A. Confidential. The Historical Dictionary of Crime Films covers the history of this genre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on key films, directors, performers, and studios. This book is an excellent access point for students, researchers, and anyone wanting to know more about crime cinema. -- from Amazon.com.
Author: Brian McFarlane
Author: Brian McFarlane
Author: Barry Forshaw
Author: Jingan Young
Author: Rachel Ember
Author: Andrew Spicer
Author: Francis Beaumont
Author: Francis Beaumont
Author: John Howard Reid
Author: Melanie Bell
Author: Geoff Mayer